Part Hitchcockian mystery thriller, part quirky new-wave comedy, this free-wheeling Quebecois audience-pleaser riffs on our brave new digitally interconnected world with nimble wit and an underlying seriousness. A coat-check girl follows a misplaced key into a turpid conspiracy and finds romance - and political engagmnent - en route.
"A genre mashup that keeps audiences amused from beginning to end." Boyd van Hoeij, Variety
Enter Timothy Dalton, a leaner, meaner 007. Bond is assigned to protect Georgi Koskov, an ex-KGB officer who is defecting to the British. Koskov is to escape during the intermission at the Bratislava concert hall, and must be protected from a KGB sniper. Bond sets up across the street, but decides against assassinating the sniper…
"Grips like wet rope" Brian Case, Time Out
The "Brazilian Beatles", Os Mutantes combined rock, psychedelia and South American sounds to spearhead the Tropicalia movement. A singer-songwriter who also played bass and the keyboards, Arnaldo Baptista gave the band its pulse - guitarist Sergio Dias was his brother, and lead singer Rita Lee became his wife. In 1973, though, everything fell apart, marriage, band, and eventually Baptista’s health (copious binges on LSD did not help). Yet against the odds Baptista has been able to recover his creativity and his career. This intimate documentary has a powerful, sometimes painful story to tell. Baptista is joined by collaborators and admirers Gilberto Gil, Sean Lennon, Devendra Banhart and Roberto Menescal.
"A magnificent documentary." Claudio Carvalho
Lola, a cabaret dancer, is raising a boy whose father, Michel, left seven years ago. She is waiting for him. She sings, dances and occasionally dallies with passing sailors. Roland Cassard, a childhood friend whom she meets by chance, falls deeply in love with her. But she is waiting for Michel…
"Magical… Lola is imbued with a poignant awareness of the transcience of happiness and the difficulties and unlikelihood of love." Geoff Andrew, 1001 Movies You Must See Before You Die
"Taps deep into a dreamy and wistful romantic spirit." Blake Lucas, Defining Moments in Movies
Curated by photographer Greg Girard, who will introduce the films: House of Bamboo & Long Arm of the Law The Walled City of Kowloon was an amazing and forbidding part of Hong Kong, and who better to introduce these films in which it features so centrally than photographer Greg Girard, whose book City of Darkness: Life in Kowloon Walled City is itself now legendary.
LONG ARM OF THE LAW Regarded as one of the top ten Chinese films ever made, this electrifying thriller was at the forefront of the "heroic bloodshed" films that dominated the Hong Kong industry in the 1980s. The story concerns a group of mainlanders, ex army men, looking to make a big score in Hong Kong.
Left to fend for themselves after their SS officer father and mother, staunch Nazi believers, are interred by the victorious Allies at the end of World War II, five German children undertake a harrowing journey that exposes them to the reality and consequences of their parents’ actions. Led by the eldest sibling, 14-year old Lore (striking newcomer Saskia Rosendahl), they set out on a journey across a devastated country to reach their grandmother in the north.
"A lyrical, deeply affecting study into a rarely seen legacy of the Holocaust." - Megan Lehmann, The Hollywood Reporter
"Intense and emotional. Saskia Rosendahl is mesmerizing." - Kenneth Turan, Los Angeles Times
"Shortland’s brilliant new film is an unsettling coming-of-age story that renders its judgement on Germany’s crimes and strange aftermath of the war." - George Robinson, The Jewish Week
In honour of the late Lou Reed - another chance to see Julian Schnabel’s film of his transcendent Berlin cycle of songs, complete wth Sharon Jones and Antony Hegarty on backing vocals.
In his sixth film as director, Allen poked fun at his intellectual heroes, the heavyweight Russian novelists Tolstoy and Dostoevsky in particular, but also Chekov, Ingmar Bergman and Nabakov. At the same time this tale of a cowardly Russian philosopher caught up in the fight against Napoleon bows in the direction of Bob Hope and the Marx Brothers. It is one of Allen’s funniest movies.
"Absolutely dazzling film entertainment, so full of beauty, intelligence, wit, and fun that it becomes a testimonial not only to man’s possibilities but also to his high spirits. All of the best Bergman films have been about some aspect of love (often its absence), but The Magic Flute is virtually an act of it. […] Bergman hasn’t set out to interpret The Magic Flute but rather to present it as it originally was, bursting with the life of an exquisite stage production as it would look within the physical limitations of an eighteenth-century court theatre."
– Vincent Canby, The New York Times
"Ingmar Bergman said that making this film ’was the best time of my life: you can’t imagine what it is like to have Amadeus Mozart’s music in the studio every day.’ Actually, watching the movie, one can. He has treated Mozart’s peerlessly silly masterpiece with elegance and supreme affection. He emphasizes the theatricality of the piece, using space as stage space but with the camera coming in close. We get the pixilated feeling that we’re near enough to touch the person who is singing; we might be dreamers sailing invisibly among the guests at a cloud-borne party. The English translation of Bergman’s adaptation (he clarifies the text) has considerable grace, and the titles are unusually well placed in the frame; the story comes across even more directly than when you hear the opera sung in English."
– Pauline Kael
When 14-year-old Laura Dekker announced her intention to become the youngest woman ever to sail around the world single-handedly there was an uproar. The child welfare authorities in her native Holland even applied to block her trip on legal grounds. But their case was rejected, and Laura set off soon afterwards on her beloved boat Guppy, with no safety boat or backup, but a video camera to record her odyssey. This film is the result of that impulse - a first-person mariner’s eye-view of a vast blue world
Bond goes to Thailand in Roger Moore’s second outing (after Live and Let Die). Christopher Lee (Ian Fleming’s cousin) is excellent as the villain, Scaramanga, and he brings out what may be Moore’s strongest performance.
Puccini’s first triumph returns to Covent Garden for the first time in 20 years in a new staging by Jonathan Kent. The exciting Latvian soprano Kristine Opolais sings the title role. A consummate Puccini soprano, Opolais caused a sensation as Madama Butterfly in 2011, and with Manon Lescaut, the bold but impressionable heroine, we will see a very different side of her. She is matched in star power by Jonas Kaufmann as her lover, Des Grieux, and Christopher Maltman as her cynical brother Lescaut. Kent’s vision of a young girl who faces temptation in the big city will surely resonate with today’s audience.
This intimate documentary captures the great singer Maria Bethânia during a 60th birthday celebration in her hometown, Santo Amaro da Purificação—alongside family including brother Caetano Veloso—as well as an emotional performance in Salvador, Bahia.
In rural Mexico, when a young boy’s parents are killed, he is raised by a farm worker and the town’s barman, who instills a desire of vengeance in him, and as an adult he romances a young woman who is going to marry a rich man to save her father from financial ruin. This 1941 Mexican film classic became an enormous hit and features Jorge Negrete as the first cinematic singing Mariachi. This performance made Negrete an international Latin film star and launched the appearance of singing mariachis in films.
Produced by Robert Lepage (who also costars - from the head up - as cosmologist and inventor Eugene Spaak), this stunning Quebec scifi is an eye-popping debut feature from graphic novelist and Cirque du Soleil alumnus Martin Villeneuve. Set in a futuristic Montreal, with man on the eve of setting foot on Mars, the film is a love triangle involving a beautiful photographer, Avril (Caroline Dhavemas), a musician, Jacob (Jacques Languirand), and his friend Arthur (Paul Ahmarani) whose original instruments are inspired by the female form.
"Mars et Avril is a mind muck. It’s whacked. It also happens to be one of the most inspired films I’ve seen in quite some time." Brendan Kelly, Montreal Gazette
There are men, and then there are men with beards. how your true face to the world. It’s not as easy as it looks! In fact for many men growing a beard is a challenge and even a rite of passage, a time when they reclaim their masculinity despite suspicion and derision from colleagues, bosses, friends and loved ones. If the results can be hairy - especially when confronted with a bowl of soup - they can also prove revelatory, opening up new channels of self expression and even sensuality.
Jean Pierre Jeunet, the wizard who gave us Amelie and Delicatessen conjures another buoyant medley of slapstick, whimsy and satire in this infinitely inventive contemporary fantasy. Dany Boon is the Chaplinesque hero with a bullet in his brain who falls in with a band of urban outsiders and takes revenge on the weapons manufacturers who put it there.
"A fun-house of mirrors that is lovely to get lost in." Betsy Sharkey, LA Times
"Micmacs is like a Buster Keaton or Harold Lloyd movie where everybody is Buster or Harold, yet they all work in harmony." Peter Howell, Toronto Star
What’s the rumpus? The Coens’ riff on Dashiell Hammett is one of their most flavourful achievements, an intricate, complex and compelling study of integrity among thieves set in the ethically compromised world of civic politics in the Prohibition era.
"A superb, languid fantasia on the theme of the gangster film that repays endless viewing." David Thomson, Have You Seen…?
"Maybe the greatest motion picture of the last 20 years." Jim Emerson, Scanners (2007)
"Elegantly profound, it’s a meditation on what doing the right thing might mean, with a spookily good, career-best performance from Byrne." Tim Robey, Daily Telegraph
Thai-English director Tom Waller takes on one of the popular Father Ananda mystery novels. Former cop Ananda is now a senior monk and is asked by the abbot to solve a murder inside his monastery because the police don’t want to get involved. Not everything in the monastery is what it should be…
Lola in LA, Demy’s first (and only) Hollywood movie improves with age. Gary Lockwood is the aimless young architect who falls under the spell of a French photographic model (Anouk Aimee). "A marvel of tone and decor…forges the impossible bridge between Quentin Tarantino’s in-jokey cinematic universe of intertwined characters and events, and the recently-completed Before trilogy of Richard Linklater, Julie Delpy, and Ethan Hawke." Next Projection
"A marvel of tone and decor…forges the impossible bridge between Quentin Tarantino’s in-jokey cinematic universe of intertwined characters and events, and the recently-completed Before trilogy of Richard Linklater, Julie Delpy, and Ethan Hawke." Next Projection
"One of the great movies about LA." Geoff Andrew, Time Out Film Guide