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Vancity Theatre Screening

Summer war games between the neighbourhood kids turn deadly serious when jealousy and betrayal enter the mix, in this alternately hilarious and horrifying black comedy that mixes equal parts Lord of the Flies and Roald Dahl.

"Sharp, funny and edge-of-your-seat chilling, this darkly provocative actioner, starring a startlingly stellar all-kid ensemble cast, turns a neighbourhood woods game of Capture the Flag into a high-stakes round of no-holds-barred jungle warfare – with the rules about to be broken. The fantasy-tinged film nails the ferocious intensity of children’s games (the imaginary world feels real in the moment) while it plays with cinema conventions (coming-of-age stories, war tales, etc). An after-school special you won’t want to miss." 4 stars Globe & Mail

"I Declare War is everthing The Hunger Games attempts to be, but better - it says more with less, goes farther while staying smaller, and finds reality in a more fantastical scenario… A Lord Of The Flies for a new generation, I Declare War deserves to be seen by adults and needs to be seen by kids. We don’t often get action films of any kind that have this much to say, much less films that are this delicately balanced between mainstream appeal and realistic intensity. Smart, touching, and exciting, I Declare War is sure to be one of your favorites of this year or next." Renn Brown, CHUD

Ida
Vancity Theatre Screening

Polish-born, UK-based filmmaker Pawlikowski (My Summer of Love) returns to his native land for this evocative, resonant art film about a novice nun discovering a family secret in the 1960s. Beautifully shot in black and white, this award-winning drama has been compared to the work of Francois Truffaut and Robert Bresson.

"In a very short time, Pawlikowski’s film tells us a powerful, poignant story with fine, intelligent performances." Peter Bradshaw, The Guardian

"This story of faith and despair is gracefully told, its simple, uncluttered spaces and luminous black-and-white photography harking back to Robert Bresson."JR Jones, Chicago Reader

"It’s absolutely stunning, one of the year’s best films, and a fulfillment of the promise that the director has shown for so long." Oli Lyttleton, Indiewire

Ida
Vancity Theatre Screening

Polish-born, UK-based filmmaker Pawlikowski (My Summer of Love) returns to his native land for this evocative, resonant art film about a novice nun discovering a family secret in the 1960s. Beautifully shot in black and white, this award-winning drama has been compared to the work of Francois Truffaut and Robert Bresson.

"In a very short time, Pawlikowski’s film tells us a powerful, poignant story with fine, intelligent performances." Peter Bradshaw, The Guardian

"This story of faith and despair is gracefully told, its simple, uncluttered spaces and luminous black-and-white photography harking back to Robert Bresson."JR Jones, Chicago Reader

"It’s absolutely stunning, one of the year’s best films, and a fulfillment of the promise that the director has shown for so long." Oli Lyttleton, Indiewire

Vancity Theatre Screening

It’s no secret: the rich are getting richer and the rest of us are working harder, longer hours for less reward (that is, if we’re lucky enough to be in work). Economist Robert Reich (President’s Clinton’s Secretary of Labor) explains why the free market is a misnomer, how late capitalism has jumped the tracks, and what we should do about it in this passionate, lucid and compelling state of the nation address.

"Smart, funny and articulate, Robert Reich is the university professor we all wish we’d had. He’s so accessible and entertaining he takes a subject that sounds soporific and makes it come alive like you wouldn’t believe in ’Inequality for All.’" Kenneth Turan, LA Times

"An often essential primer." Sam Adams, Time Out New York

Witches

Dario Argento’s follow up to 1977’s Suspiria is one of the most dazzling horror movies ever made. A poet in New York, Rose (Irene Miracle) becomes convinced that she is sharing living space with one of the mythical Three Mothers, the Mother of Darkness. Indeed, the further she explores the building, the darker things become. Logic itself seems to bend as the rational world gives way to supernatural fears, forebodings, and sudden, violent death.

"Inferno is a masterpiece of absolute film, perhaps the most underrated horror movie of the 1980s." Kim Newman, Nightmare Movies

In the tradition of Irish black comedies like In Bruges and The Guard, this was the first screenplay by playwright Mark O’Rowe, whose latest play, Terminus is being produced by Pi Theatre at Performance Works from Feb 28.

"Intermission kicks with sharp comic detail, great gab and top-notch character acting." Time Out

Vancity Theatre Screening

How did Aaron Swartz differ from Steve Jobs, Bill Gates and Mark Zuckerberg? Like them, he was a prodigy, a genius who instinctively understood the potential of digital communication. He was barely in his teens when he devised a program that anticipated Wikipedia. At 15 he was attending congressional hearings and speaking at conferences. At 19 he co-founded Reddit. But how was he different? Unlike other internet pioneers, he wasn’t interested in making money. He just wanted to make the world a better place.

Last year, at 26, Aaron killed himself. This is his story.

"As engrossing as it is important. 4 stars."NOW magazine

"Spellbinding."Variety

"Engrossing, illuminating."Austin Chronicle

(Indagine su un cittadino al di sopra di ogni sospetto)
Italian Film Festival

The provocative Italian filmmaker Elio Petri’s most internationally acclaimed work is this remarkable, visceral, Oscar-winning thriller. It’s the Kafkaesque tale of a Roman police inspector (a commanding Gian Maria Volonté) investigating a heinous crime—which he himself committed. .

"A provocative political thriller that is as troubling today as when it came out in the 1970s." Kenneth Turan, LA Times

"The movie survives beautifully both as an elegant thriller and as a study of the twisted infantilism that shapes the fanatic heart." Ella Taylor, LA Weekly

"Its portrait of a loner and his lusts comes up frighteningly fresh, and the whole conceit would collapse without the muscular, rousing presence of Gian Maria Volonté in the central role. He, as much as Petri, hauls the movie into the realms of Kafka." Antony Lane, New Yorker

From Oscar®-nominated filmmaker Kirby Dick (This Film Is Not Yet Rated; Twist of Faith) comes The Invisible War, a groundbreaking investigative documentary about one of America’s most shameful and best kept secrets: the epidemic of rape within the U.S. military. The film paints a startling picture of the extent of the problem-today, a female soldier in combat zones is more likely to be raped by a fellow soldier than killed by enemy fire. The Department of Defense estimates there were a staggering 19,000 violent sex crimes in the military in 2010. The Invisible War exposes the epidemic, breaking open one of the most under-reported stories of our generation.

Rotten Tomatoes: 100 % Fresh (57 reviews)

Vancity Theatre Screening

In this hit documentary, Italian journalists/filmmakers Ragazzi and Hofer wonder if those roads leading to Rome don’t also look like escape routes. There is an opportunity to move to Berlin - where rents are a third of the price, there’s less unemployment, and less homophobia too. Also Berlusconi doesn’t live there. Even so, Luca is loathe to leave. So they hop into a vintage FIAT 500 and set off to take stock of "the real Italy", with a pilgrimage to visit George Clooney’s Lake Como villa on the side.

"Effervescent." John Anderson, Variety

*** (3 stars out of 4) Rick Groen, Globe & Mail

007 Reloaded: Bond vs Bond

Join UBC Film Professors Brian McIlroy and Ernest Mathijs for an academic perspective on James Bond, cultural icon.

DOCside

When doctors diagnosed 19-year-old rock star Jason Becker with Lou Gehrig’s Disease, they said he would never make music again and that he wouldn’t live to see his 25th birthday. 22 years later, without the ability to move or to speak, Jason is alive and making music with his eyes.

Jason Becker: Not Dead Yet is a feature-length documentary film that tells the incredible story of a guitar legend who refuses to give up on his dream of being a musician despite the most incredible odds. It is a story of dreams, love, and the strength of the human spirit.

"This heartfelt documentary is also, more subtly, a tribute to the squadron of caregivers that has enabled Mr. Becker not only to survive for an extraordinarily long time but also to continue to compose music, using virtually the only part of him that still moves, his eyes." Neil Genzlinger, New York Times

"Inspiring heartbreaker of a documentary." Joshua Rothkopf, New York Times

Jig

"Irish step dancing receives exuberant treatment in the superbly crafted documentary Jig. This highly involving film deftly captures the unique physical, emotional and financial aspects of diving into competitive Irish dance, with the participants’ addictive immersion the overwhelming takeaway. […] As for the dancing itself, it’s nothing short of dazzling." Gary Goldstein, LA Times

"Irish step dancing […] receives exuberant treatment in the superbly crafted documentary Jig. This highly involving film deftly captures the unique physical, emotional and financial aspects of diving into competitive Irish dance, with the participants’ addictive immersion the overwhelming takeaway. […] As for the dancing itself, it’s nothing short of dazzling." Gary Goldstein, LA Times

"Amusing, heartbreaking and mind-boggling." The Boston Herald"

"Glorious! Spellbound meets Lord of the Dance." Easy Living

Vancity Theatre Screening

Kung Fu Hustle director Stephen Chow may be the CGI era’s closest ancestor to such subversive cartoon greats as Tex Avery and Chuck Jonze. Here the Hong Kong superstar remains behind the camera, but the mixture of gob-smacking slapstick and breathtaking fantasy is unmistakeably his own, turning the oft-told tale of ancient demon hunters into the kind of rollicking adventure Hollywood can only marvel at.

"Truly magical…[Chow] is like the Quentin Tarantino of kung fu, going back through the history of the Hong Kong genre and tapping everyone from the Shaw Brothers to his contemporaries (Jackie Chan, Jet Li) for inspiration. The result is a wonderfully entertaining work which manages to be both easily approachable for the non-subtitle set as well as true to its roots in ancient Chinese customs and beliefs." Bill Gibron, Pop Matters

"Rarely is it that a CGI-heavy spectacle such as this could be called both entertaining and inspiring in the same breath, but such is the unexpectedly special magic of Journey to the West." Kenji Fujishima, Slant

Cinema Salon

Truffaut’s best known film is a love letter to the cinema. Two young men, Jules and Jim, meet in Paris in 1912 and become the best of friends. They share everything from books to women until they meet Catherine, played by Jeanne Moreau in the role which launched her into international fame. Introduced by Alan Twigg, author and publisher.

IBFF 2013 Vancouver (International Buddhist Film Festival)

A mysterious and engaging journey through sound, song, story, ritual, performance, nature, tradition and Japanese Buddhism… A fearless merging of medieval and modern, beautifully filmed with a variety of cinematic techniques on location in Japan. “Kanzeon” is another way of saying Kannon (Chinese: Kuanyin), the embodiment of compassion, and can also be written in Japanese as “to see sounds.”

"Stunning to look at… mesmerising musical sequences”

Frances Morgan, Sight and Sound

"A stunning new British documentary.”

Jasper Sharp, Midnight Eye

IBFF 2013 Vancouver (International Buddhist Film Festival)

In a remote nunnery a revered abbess dies. Prayers and rituals must be performed but the nunnery has no money. A nun, Karma, must journey to find the man who may owe a debt. Filmed in the remote Himalayan region of Mustang, we follow Karma to Katmandu where she discovers that things are not what she thought.

Vancity Theatre Screening

Set in the heart of the Middle Eastern community in Vancouver, Canada, Kayan is an intricate story of betrayal, belonging and love in all their complicated and often paradoxical glory. Hanin, a strong-minded Lebanese woman, tries her best to keep Kayan, her struggling restaurant, afloat. A subtle, authentic movie about an everyday twentyfirst century heroine trying to make ends meet in a place far from home, this offers a strikingly different perspective on our city.

Kayan offers a glancing impression of Middle Eastern diaspora life through a vivid rendering of a busy Lebanese restaurant in Vancouver. Iran-born helmer Maryam Najafi films an actual eatery, enlisting its staff and clientele to play themselves; their seamless perfs contribute to the pic’s docu-like veracity, led by thesp Oula Hamadeh’s magnetic presence in a complex leading role." Maggie Lee, Variety

The Royal Opera House presents...

A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.

Cinema Salon

A couple meet on an ocean liner. Jean (Barbara Stanwyck) is a knock-out babe and a con artist. Charles (Henry Fonda) is a nerdy heir, interested in the study of snakes and about to get fleeced. Sturges’ unique gifts for directing comedy and writing witty dialogue makes this yet another of his great romantic comedies that deserves its reputation as a classic.

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