Incompetent products-tester Fielding Mellish travels to the Latin American country of San Marcos, and quickly finds himself the center of a people’s revolution. Mellish employs his harebrained ingenuity to survive guerilla training and to become a figurehead of this new banana republic. Allen’s second is a zany slapstick smorgasbord of philosophy and absurdism.
From the early 1900s to the 1960s, the East Side neighbourhood of Strathcona was home to Vancouver’s first and only black community.The ten video stories of the BlackStrathcona media project celebrate some of the remarkable people and places that made the community vibrant and unique.
Presented by Creative Cultural Collaborations Society in partnership with Vancouver Moving Theatre
Critics have been pulling out comparisons to the Coens for this lean, mean revenge thriller, a scintillating debut by writer-director Jeremy Saulnier (it’s currently 100% Fresh on Rotten Tomatoes). Living a seemingly pointless existence, Dwight suddenly snaps into action when he learns of the imminent release of state prisoner, Will Cleland. With a score to settle he returns to his home town, swapping the big blue for bloodshed. Delighting lovers of genre film and American Indie, Blue Ruin’s filmmaking is clean and efficient but the killing isn’t. Thrilling, devastating and even humiliating at times, Dwight’s plight manages to hit the sweet spot between idiot and amateur, predator and prey.
"Easily the most suspenseful American film of the year, a thriller that feels like lightning across a quiet night sky; sudden, terrifying, and excitingly singular." Gabe Toro, The Playlist
"Intelligent and thrilling. Recalls the dark wit of the Coens." 4 stars Total Film
"A feral and staggeringly well-conceived revenge saga." David Ehrlich, Film.com
Recently transformed into a Broadway musical, this is a fizzy satire on the pretensions, hypocrisies and indulgences of theatre folk. John Cusack is an idealistic young playwright whose big break is backed by a mobster boss with his own ideas about casting….
"One of Allen’s best and most revealing comedies, as much a moral meditation as it is dazzling fun." Rolling Stone