The most impressive debut feature of the year also happens to be the scariest. This tale of an anguished single mom (an incredible performance from Essie Davies), her monstrous six-year-old, and the storybook bogeyman who terrorizes their home is guaranteed to chill you to the bone.
"One of the strongest, most effective horror films of recent years - with awards-quality lead work from Essie Davis, and a brilliantly designed new monster who could well become the break-out spook archetype of the decade." Kim Newman, Empire
"Managing to scare an audience silly with original imagery and non-formulaic jolts is no mean feat […] Managing to move us at the same time is close to miraculous." Tim Robey, Daily Telegraph
"Deeply disturbing and unusually beatiful." Variety
Toothy Texan noir (with a tip of the hat to pulp master Jim Thompson), this tale of three teenagers who find themselves on the wrong side of big trouble when a foolish prank backfires announces an exciting new talent (or two) in the Hawkins brothers, who combine an evocative sense of place, a shrewd grasp of character and an unerring eye for suspense.
"A crackling small town thriller that deserves to be sought out." — James Marsh, Twitch
"This juicy tale of a reckless robbery and its spiraling bloody aftermath is enjoyably overripe pulp, steeped in grubby textures and flavorful atmosphere." — David Rooney, The Hollywood Reporter
The French invented the term "film noir" and this adaptation of a slim, forceful novel by Georges Simenon certainly boasts idenfiable noir characteristics: the femme fatale who lures an all-too willing husband away from his marriage bed; the crime of passion and miscarriage of justice that ensue, all unfolding in a slippery mosaic of ambiguous flashbacks. As the title suggests, the dominant colour is blue, not black,and Amalric’s terrific movie shifts between carnal abandon and clinical claustrophobia.
"An elegant psychological freak-out about adultery and other madness, [a] dark, delectable, shivery tale." Manohla Dargis, The New York Times
"The Blue Room is a story about sexual desire as an overwhelming force, incapable of being ignored or mistaken, and about the ambiguity of almost everything else: memory, language, actions and motives." Stuart Klawans, The Nation
" A great little film… It has a headlong rhythm, skittering between timeframes with the skill of a pianist nailing Prokofiev…. Everything’s told in shards, and Amalric does very well to create a sense of emotional continuum amid all the procedural detail. His own performance is fantastic, jittery and disheveled.” Tim Robey, The Daily Telegraph