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(Cesare deve morire)
Vancity Theatre Screening

Filmed in a documentary style in Rome’s high security Rebibbia prison, the movie chronicles a production of Shakespeare’s Julius Caesar performed by the inmates just a few miles from where the Roman emperor was assassinated. The actors are real life murderers, mafiosi and drug dealers, and their performances slip subtly between Shakespeare’s text and their own contemporary argot, blurring the lines (literally) between past and present, art and life… But complicating things even further, the Tavianis scripted everything, off-stage as well as on, so what we take for "reality" is every bit as artificial as the play itself - and just as true.

Shakespeare’s “Julius Caesar” usually runs about two-and-a-half hours uncut. Italian directors Paolo and Vittorio Taviani’s tale of a prison-based production of the classic runs 74 minutes. Yet the film gets on screen not only the play’s bloody, double-dealing, hungry essence, but the redemptive potential of art […] Such is literature’s power that the cast is more at ease portraying ancient Romans than speaking as versions of themselves. Muses the man playing Julius Caesar, “To think I found this so boring in school.” Farrah Smith Nehme, New York Post

"At once ancient and dangerously new." Anthony Lane, New Yorker

Special Presentation

VIFF’s Film and Television Forum in partnership with the Directors Guild of Canada is proud to host a special q&a presentation with Emmy award-winning executive producer and director, Michelle MacLaren. (Breaking Bad, Game of Thrones, The Walking Dead and Hell on Wheels), Join us for what is sure to be a fascinating and fun session with Michelle as she discusses and dissects some of her favourite scenes from Breaking Bad and Game of Thrones. Whether you’re a seasoned director, producer, aspiring filmmaker or a fan, come prepared with lots of questions!

Black History Month

An exuberant and inspiring ambassador for the Caribbean, Calypso Rose is the uncontested and much decorated diva of Calypso music. With more than 800 recorded songs, she continues to be a pioneer and champion of women’s rights, as she travels the world making music.Promotional partners: Consul Generals of Jamaica and Barbados. Live Calypso performance by renowned steel drum artist Kenrick Headley, to follow the screening.

“An intimate portrait about the “Grande Dame” of Calypso… Reveals her personal story, her groundbreaking musical achievements, her commitment to defend women´s rights, her faith, her worries and fears and above all her strong love of life and people.” Bijan Tehrani, Cinema Without Borders

Vancity Theatre Screening

This wildly funny and original Vancouver satire focusses on a corrupt local politician with a strange neural complaint: he believes he’s the subject of a reality TV show (even though no one else can see the cameraman who dogs his every move).

“"Movies about movies" are tricky ground, but there are very few missteps here. The humor is pitch black, and had me laughing constantly.” —Zack Mosely, Quiet Earth

Vancity Theatre Screening

In one of her most profound performances Juliette Binoche plays sculptress Camille Claudel some years after she has been committed to an asylum by her family. Pinning her hopes on a longed-for visit from her brother, Camille enjoys a degree of trust and respect from the nuns, but her composure is fragile, and she remains bitter and paranoid when the subject of her old lover Auguste Rodin comes up. Most tragically of all, she refuses to return to her work. Dumont’s film is restrained, sometimes harrowing, but singularly authentic and deeply felt - an experience you will not soon forget.

“I wait for each new film by Luc and Jean-Pierre Dardenne, Abbas Kiarostami, Claire Denis and Bruno Dumont. I enjoy all sorts of films, but those are the people that really interest me. I admire the Dardenne brothers tremendously, but I feel closest, in my work, to Dumont. Dumont’s films are basically existential works, philosophical films, not political ones. I think of my own films that way.” Michael Haneke (Amour).

"A mesmerizingly intense yet controlled lead by Juliette Binoche." Jonathan Romney, Screen International

"Heartbreaking." Guy Lodge, Variety

The Royal Opera House presents...

Don José (Jonas Kaufmann) is a young soldier in the army in Seville. He intends to marry Micaëla, a girl from his home village, but when he meets the sensual and high-spirited Carmen (Anna Caterina Antonacci), his head is soon turned…Spanish heat and gypsy passion are brought to the stage in Francesca Zambello’s vivid production of Bizet’s famous opera.

Sung in French with English subtitles

Acts One and Two will last for about 1 hour 50 minutes, followed by a 15 minute interval. Act Three will last for about 1 hour 5 mins.

Vancity Theatre Screening

A behind-the-scenes look inside the case to overturn California’s ban on same-sex marriage. Shot over five years, the film follows the unlikely team that took the first federal marriage equality lawsuit to the U.S. Supreme Court.

"The stirring new documentary The Case Against 8, showcasing the lawyers and plaintiffs who challenged California’s 2008 gay marriage ban, is the best kind of popular history, a film that trembles with tears and hope, and I dare you to get through it without bawling some yourself."—Alan Scherstuhl, Village Voice

“Cotner and White’s handling of a hugely divisive topic is masterful ... Regardless of where you fall on the political spectrum, The Case Against 8 is essential viewing.”—National Post

"The film fascinates in part because the legal team behind the couples—and the American Foundation for Equal Rights that supported them—included Republican stalwart Ted Olson and Democrat David Boies, who had squared off in the famous Bush vs. Gore case, the 2000 battle over whether there should be a recount in Florida. Here they’re warm and toasty together and passionately committed to a progressive cause.”—Now magazine

007 Reloaded: Bond vs Bond

In a reboot of the series, Casino Royale opens with Bond (Daniel Craig) gaining his 00 status, by killing two enemy agents, and earning his license to kill. Bond must win a high stakes poker game against terrorist financer Le Chiffre, to bankrupt him so that he will be murdered by his bankers.

DEMY MONDE: The Cinema of Jacques Demy

During a workers’ strike in Nantes in 1955, steel worker François Guilbaud rents a room from a sympathetic widow. He has a pregnant girlfriend but falls out of love with her when he meets Edith Leroyer, a beautiful, working class girl who is unhappily married to a rich but impotent and neurotic merchant. Edith likes to walk around town naked with only a fur coat on, as a tarot card reader told her she would find love with a passing sailor. Every line of dialogue is sung.

"This unheralded latter-day masterpiece has been infuriatingly hard to see since its fleeting theatrical release in France. [Michel Colombier’ contributes a wall to wall score often staggering in its intensity and romantic longing." Mondo Digital

"A masterly effort to understand what is profound, what lies beneath, life’s melody." Armond White, New York Film Critics Choice

"Une chambre en ville is unquestionably a daring experiment in cinematic form, and possibly the most honest and revealing of all Demy’s films." Jamie Travers, French Film Guide

Vancity Theatre Screening

Charismatic, ceaselessly evolving and crossing boundaries, reed man Charles Lloyd has been in the vanguard of jazz for over 50 years with his unique, flowing yet swinging sound. This intimate portrait, co-directed by his painter/filmmaker wife, conveys the astonishing range of Lloyd’s career, including his Memphis roots; his counterculture crossovers in the 1960s; seclusion in the 1970s; collaborations with Keith Jarrett, the Beach Boys, Burgess Meredith, Charles Bukowski, Michel Petrucciani etc; and the comeback that began in the late 1980s and is still going strong.

“One of the greatest saxophonists on the planet…never out of touch with his audience.”—BBC Radio 3

Vancity Theatre Screening

Filmed inside the war zone of northern Uganda over a period of three years, this is the story of a group of former child soldiers as they undergo trauma therapy and emotional healing while in a rehabilitation centre. Having been abducted from their homes and forced to become fighters by the Lord’s Resistance Army - a quasi religious militia led by self-proclaimed prophet and war criminal Joseph Kony - the children struggle to confront years of brutal abuse.

(Un cuento chino)
Vancity Theatre Screening

The great Argentinean actor Ricardo Darin (The Secret In Their Eyes) stars as a taciturn hardware storekeeper, Roberto, who takes pity on a newly-arrived Chinese immigrant, dumped on the side of the road by an unscrupulous taxi driver. No good deed goes unpunished, and Roberto’s solitary life is turned upside down.

"This is a gem of a film that once seen, will never be forgotten." Louise Keller, Urban Cinefile

"It is hardly possible to suggest how involving this story becomes… To a degree unusual in most films, I became involved in the fates of these men…I cared." 4 stars, Roger Ebert, Chicago Sun-Times

"A Spanish Amelie… Delightful… that rare gem." Adam Fresco, Flicks

Community Events
(Infancia Clandestina)
Vancity Theatre Screening

The 12-year-old son of political dissidents fighting the brutal military junta in 1970s Argentina, Juan goes to school under an assumed name and gets his first crush on a girl. But when his parents suddenly need to pack up and run his life is changed forever.

"Most coming-of-age movies don’t open with the prepubescent protagonist’s mom and dad getting into a cartoon gunfight in the street—then again, there are lots of unusual touches in Argentine filmmaker Benjamin Ávila’s feature. Blessed with old-school pedigree (producer Luis Puenzo made the Oscar-winner The Official Story) This ’70s-set story of a boy (Teo Gutiérrez Romero) and his exiled revolutionary parents returning home on the sly follows a well-trod path of viewing history through a child’s eyes. But the way the director throws in offbeat elements—animation, a Moonrise Kingdom–ish interlude in the woods, surreal dream sequences—without diluting the Dirty War drama is impressive." David Fear, Time Out New York

"A charming, involving first feature, Clandestine Childhood muscles its familiar coming-of-age material into something more vibrant and urgent than the usual. Through sharp editing and director Benjamín Ávila’s moment-making brio, this ’70s period piece charts a young boy’s attempts to carve out something like a childhood despite being the son of wanted revolutionaries in the Argentina of General Jorge Rafael Videla, whose brutal government "disappeared" millions just like them." Alan Scherstuhl, Village Voice

Olympia Dukakis gives an brilliant, barnstorming performance as a foul-mouthed lesbian, Stella, who isn’t about to let her lover of 31 years, Dot (Brenda Fricker), be carted off to an old folks’ home without a fight. Her plan? A daring rescue, followed by flight to Canada and marriage - an elopement. Ryan Doucette is the hitchhiker who helps them sneak over the border - the Brad Pitt to their septuagenarian Thelma and Louise.

Vancity Theatre Screening

Imagine Luis Bunuel’s Discreet Charm of the Bourgeoisie crossed with Shane Carruth’s Primer and Lars von Trier’s Melancholia… Or just imagine a dinner party with friends, a dinner party that starts out quite normally, but which takes a dramatic turn towards the surreal when the power goes out – apparently connected to the proximity of a passing comet. Two guests venture out to the one house in the vicinity which mysteriously still has power. Before the night is done everyone present will have to rethink what they’re doing there, their longest and most intimate relationships, and indeed, who they really think they are…

"You walk away from it with your brain on fire." Bilge Ebiri, New York Magazine

"The result is an uncommonly clever genre movie, reliant not on special effects—of which there are basically none—but on heavy doses of paranoia." AA Dowd, AV Club

"No budget filmmaking at its most delectably inventive." Mike D’Angelo, The Dissolve

(Hon zin)
Hong Kong Spirit Films

This breathless, twisty Hong Kong cop thriller triumphed at the 32nd Hong Kong Film Awards, picking up nine statuettes including best film, best director, best screenplay and best actor (Tony Leung Ka Fai).

Mongrel Media 20th Anniversary

Why does the law bestow on private corporations the rights of individuals citizen, but few of the responsibilites? Since its supremely successful release in 2002 this homegrown documentary has only (and sadly) grown more timely. Screening here in a newly revised 2 hour cut specifically aimed at educational distribution networks.

"A cogent, compelling, powerful argument, and a terrific movie."—Glenn Kenny, Premiere

Vancity Theatre Screening

The flipside to reckless extreme sports docs, the latest from Lucy Walker (Wasteland) follows snowboarder Kevin Pearce from his glory days, when he looked set to dethrone Shaun White from his perch at the Vancouver Olympics, through his long, painful rehabilitation after a devastating accident.

"By turns pulse-quickening and contemplative… Thorougly winning… A spectacular feat." Variety

"Lucy Walker has assembled one of the great sporting docs - partly because its scope extends beyond the slopes." Trevor Johnston, Time Out

"Captures a seesaw exhilaration between the thrill of pushing one’s limits and the pain of dreams cut short." Robert Abele, LA Times

IBFF 2013 Vancouver (International Buddhist Film Festival)

Chogyam Trungpa, renowned Tibetan Buddhist leader, shattered notions about how an enlightened teacher should behave when he renounced his monk’s vows & eloped with a sixteen year-old aristocrat. Twenty years after his death, Trungpa’s name still evokes admiration and outrage. What made him tick? And just what is enlightenment, anyway?

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