t’s not easy being a good father to two boys you barely know anymore. Elliot (Joel Kinnaman, Suicide Squad) takes his sons into the great outdoors for some target practice, but his attempt to get in Bradley’s good side by giving his the keys to drive them back home backfires badly when they skid off the road in the middle of nowhere. Shrewdly dissecting father-son and sibling tensions, this nailbiting endurance thriller shuttles vividly between interior psychological and external, environmental factors.
The true story of a Victorian circus freak, John Merrick (played by John Hurt) “saved” by a philanthropic doctor and adopted by polite society. Again filming in black and white (as he had for Eraserhead), Lynch turned Dickensian London into a feverish, infernal environment where the normal and the monstrous can switch places. His most conventional film, Elephant Man was widely praised and nominated for eight Academy Awards