A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.
A couple meet on an ocean liner. Jean (Barbara Stanwyck) is a knock-out babe and a con artist. Charles (Henry Fonda) is a nerdy heir, interested in the study of snakes and about to get fleeced. Sturges’ unique gifts for directing comedy and writing witty dialogue makes this yet another of his great romantic comedies that deserves its reputation as a classic.
Larry (Randy Quaid), a young seaman, gets royally shafted after stealing $40 from the charity box of his officer’s wife. Eight years in prison is the ludicrous sentence and two navy “lifers”(Jack Nicholson and Otis Young) take Larry from Norfolk, VA to Portsmouth, NH with cultural stops in New York City and Boston. They can’t believe the severe sentence, however they can sure as hell help to bring some fun into Larry’s last week…
David Lean’s sweeping, four-hour desert epic demands to be seen on the big screen. The late, great Peter O’Toole landed the role of his lifetime as the British cartographer who united the Arab tribes to fight the Turks in WW1. Screening in a restored DCP version.
"A miracle… The first film I saw that made me want to be a moviemaker." Steven Spielberg
The racial fault lines running deep through the American psyche are painfully exposed in Jason Osder’s riveting account of the stand off in 1985 between the Philadelphia Police Department and the black liberation group MOVE, which resulted in the death of 11 victims. "The force and intrigue of a courtroom thriller… it ripples with urgency and moral complexity."—Screen
"The force and intrigue of a courtroom thriller… it ripples with urgency and moral complexity."—Screen
"The brilliantly edited tapestry of actions and reactions exposes a pattern of prejudice and fear capable of infinitely repeating itself." Ronnie Scheib, Variety
"Quietly terrifying." Stuart Klawans, The Nation
In his sixth film as director, Allen poked fun at his intellectual heroes, the heavyweight Russian novelists Tolstoy and Dostoevsky in particular, but also Chekov, Ingmar Bergman and Nabakov. At the same time this tale of a cowardly Russian philosopher caught up in the fight against Napoleon bows in the direction of Bob Hope and the Marx Brothers. It is one of Allen’s funniest movies.