The concluding chapter of Michelangelo Antonioni’s informal trilogy on contemporary malaise (following L’avventura and La notte), L’eclisse tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) and drifts into a relationship with another (Alain Delon). Using the architecture of Rome as a backdrop for the doomed affair, Antonioni achieves the apotheosis of his style in this return to the theme that preoccupied him the most: the difficulty of connection in an alienating modern world.
A lost key and an accidental touch of cold hands in the dark – so begins one of the great romances of all opera. In his depiction of the tender and ultimately tragic love between Mimì and Rodolfo, Puccini achieved an immediacy, warmth and humanity that have rarely been equalled.
Prominently displayed outside the Los Angeles County Museum of Art (LACMA), land artist Michael Heizer’s Levitated Mass gained worldwide recognition during its installation in 2012. Over 10 nights, a 340-ton solid granite boulder crawled through Southern California neighborhoods on a 294-foot-long, 206-wheeled trailer. Thousands of people came out to watch it travel through their communities. It is one of the only pieces of art in recent history to inspire such a reaction in pop culture. The film masterfully interweaves this artist’s biography, the dreams of a major museum, and the uniting of a city, examining the perennial question: what is art?
"The proximity, orientation, and monumental nature is what makes Levitated Mass the piece so powerful, and Levitated Mass the film not only captures that but puts those ideals forth as something culturally and socially important, something that happened when the mass met the masses." Katie Walsh, Playlist