When 14-year-old Laura Dekker announced her intention to become the youngest woman ever to sail around the world single-handedly there was an uproar. The child welfare authorities in her native Holland even applied to block her trip on legal grounds. But their case was rejected, and Laura set off soon afterwards on her beloved boat Guppy, with no safety boat or backup, but a video camera to record her odyssey. This film is the result of that impulse - a first-person mariner’s eye-view of a vast blue world
Described by Andrew Sarris in the Village Voice as "the one truly great American film of the ’70s," Manhattan was the movie where everything fell into place for Woody Allen, the triumphant crystallization of his cinematic style, sensibility and philosophy. Today, 35 years later, it remains for many, perhaps even most people, his greatest achievement and his most beloved film.
Puccini’s first triumph returns to Covent Garden for the first time in 20 years in a new staging by Jonathan Kent. The exciting Latvian soprano Kristine Opolais sings the title role. A consummate Puccini soprano, Opolais caused a sensation as Madama Butterfly in 2011, and with Manon Lescaut, the bold but impressionable heroine, we will see a very different side of her. She is matched in star power by Jonas Kaufmann as her lover, Des Grieux, and Christopher Maltman as her cynical brother Lescaut. Kent’s vision of a young girl who faces temptation in the big city will surely resonate with today’s audience.
Woody goes to Wimbledon (well, nearly) in his first foray to the British Isles—a torrid suspense movie which adds a downpour or two to A Place in the Sun. Jonathan Rhys Meyers is the tennis pro torn between the socially superior Emily Mortimer and sexy (but penurous) Scarlett Johansson.
"Allen’s best since Crimes and Misdemeanors ..."—Roger Ebert
Bernardo Bertolucci (The Last Emperor, Last Tango In Paris, The Conformist) returns to his native Italy for what may be his swansong, an intimate yet refreshingly innocent chamber piece about a teenage boy who ducks out of a school field trip and hides out in a disused basement. But his plans for a perfect getaway are thrown when his older half sister discovers his whereabouts…
"Bertolucci’s witty, potent little film showed Cannes that he is still a force to be reckoned with."—Peter Bradshaw, The Guardian
"A masterclass in small-scale filmmaking."—Jennie Kermode, Eye for Film
One of Woody’s most popular recent films, this enchanting slice of whimsy casts Owen Wilson as a Hollywood screenwriter transported back to the moveable feast of Paris in the 1920s, home to Hemingway, the Fitzgeralds and Gertrude Stein.
"In Woody Allen’s beguiling and then bedazzling new comedy, nostalgia isn’t at all what it used to be — it’s smarter, sweeter, fizzier and ever so much funnier." Joe Morgenstern, Wall Street Journal
"Midnight in Paris finds Allen in a larky, slightly tart and altogether bountiful mood, giving filmgoers a movie that, while unabashedly funny and playful, provides a profiterole or two for thought." Ann Hornaday, Washington Post
For the summer installment of our four-part Woody Allen cycle, one of the warmest and most purely enjoyable films from his mid-career peak. Inspired by his love for Ingmar Bergman’s Smiles of a Summer Night (but shot in ravishing colour by the late, great Gordon Willis) this ensemble romantic comedy follows the dalliances of a half a dozen characters in an idyllic early C20th setting.
"A small treasure."—Jeffery M Anderson, Combustible Celluloid
When Matt Berninger, the lead singer of The National, invited his under-achieving younger brother Tom along as a roadie on the band’s European tour, he thought he was doing him a favour. What he hadn’t banked on was Tom filming the whole thing - even as he screws up the most rudimentary tasks asked of him, like catching the tour bus, for example… A tour film like no other, this is oddly touching, very honest, and very funny.
"Poignant and hilarious." NME
"Brutal, hilarious, unexpectedly honest." The Hollywood Reporter
"The best documentary we have seen all year." The New York Observer
With unexpected humor, with an unflinching camera, with some guilt and some pain, this film takes the unusual risk of examining what breast milk truly means. We are often told that breast milk is better. Better for babies, better for mothers, better for nutrition, health, well-being, and society. Many accept this and yet there are still very few women who succeed in breastfeeding exclusively for the recommended six months and beyond. What would it take to change?
"There are Portlandia-worthy moments amid the talk of breast pumps, latching and engorgement, and also surprising insights with implications beyond the nursery."—Sheri Linden, LA Times
"Gently affecting and insightful."—Variety
Abel Ferrara’s (Bad Lieutenant, King Of New York) 1981 revenge thriller classic Ms. 45 follows a mute garment-district seamstress – played by the late model/actress/musician/screenwriter Zoë Tamerlis – who after falling victim to multiple unspeakable assaults, ignites her one-woman homicidal rampage against New York City’s entire male population. Now remastered in HD from the original negative materials.
["Ferrera] is clearly a talented fellow. One can only hope he finds something else to make movies about very soon." Janet Maslin, New York Times
Presented in association with Black History Month, Music for Mandela explores the role music played in the remarkable life of one of the world’s few genuinely heroic politicians. Musical performances include celebrated artist Vusi Mahlasela, Grammy award-winning group Ladysmith Black Mambazo and new music from the internationally acclaimed Soweto Gospel Choir. Interviews include the legendary BB King, Sean Paul, Estelle, Welsh opera star Katherine Jenkins and Mandela’s grandson, hip hop artist Bambatha Mandela.
Live musical tribute performed post screening by Benin musician Yoro Noukoussi.
Set in the 1920s in the palace of a noble Bengali whose passion is music and whose arch-enemy is a wealthy upstart, The Music Room reflects the conflict between the dying aristocracy and new money. Director Satyajit Ray is one of the greatest auteurs of international cinema. His film about those who dwell in the past and those who embrace the future is a magnificent tour de force. Introduced by Professor Scott Watson, head of the Department of Art History, Visual Art and Theory, UBC.