Daniele Abbado explores themes of identity, exile and religion in a powerful staging of Verdi’s epic opera. War has broken out between the Babylonians and Israelites. The Israelites have captured Fenena, younger daughter of the Babylonian King, Nabucco. In revenge, Nabucco vows to destroy Jerusalem, aided by the vengeful Abigaille.
“Domingo’s career, 42 years at Covent Garden and counting, continues to be a wonder of the age.” The Guardian
Jonathan Demme returns to his favourite subject - Neil Young - for their third collaboration in six years. This is an intimate and intense account of Young returning to his homeland and performing a couple of blistering shows at Massey Hall in the spring of 2011.
"Shooting a couple of rapturously received gigs performed by a band-less Young at Toronto’s historic Massey Hall in May, 2011, Demme not only had his camera crew get up the singer’s nose (literally), he affixed small stationary cameras inside a piano, on the microphone stand and elsewhere to capture his subject’s every grimace, gliss of sweat and fleck of spittle ... At film’s end, one is left in awe at the richness of Young’s oeuvre (which admittedly sometimes makes Bob Dylan’s seem like tidings of great joy), his stamina and his questing spirit." — James Adams, Globe and Mail
"A feast for Neil Young lovers and initiates alike." — Peter Rainier, Christian Sience Monitor
Three activists (Jesse Eisenberg, Dakota Fanning, Peter Sarsgaard) plan to blow up a hydro-electric dam in Oregon in this taut, gripping thriller from the director of Wendy and Lucy. Tapping into familiar environmental concerns and asking pressing questions about next steps, Reichardt has crafted a timely, provocative drama which stays with you long after the fade out.
"Night Moves is a film of deliberate, gnawing intensity and focus."—Scott Tobias, The Dissolve
"Sharp and haunting."—AO Scott, New York Times
In the northern Philippine province of Luzon, a law-school dropout commits a horrific double murder; a gentle family man takes the fall and receives a life sentence, leaving behind a wife and two kids. A careful rethinking of Dostoevsky’s Crime and Punishment shot in blazing color, this tour de force offers a masterful recapitulation of Diaz’s longstanding obsessions: cultural memory, national guilt, and the origin of evil. "A masterpiece. An astonishing work of life, death and art."—Wesley Morris
"Its very existence is an exhilarating triumph over complacency... there is an almost inexhaustible humanism at the heart of this remarkable film."—A.O. Scott, The New York Times
“The lights came up, I stood with tears in my eyes, and clapped as loudly as I ever have for any movie in my life.”—Wesley Morris, Grantland
“A mesmerising experience that grows deeper and broader the longer it goes on”—Kieran Corless, Sight and Sound