Experience the Academy Awards(R) on the Big Screen in the comfort of the most luxurious movie theatre in town. Our red carpet party includes a welcome cocktail, hors d’oeuvres, an Oscar pool, prizes, tunes, and a celebrity host.
We’ll be putting our own Raincity spin on Hollywood’s big night, so expect surprises, laughs, a bigger splash!
Dark, delirious and made under the sign of Scorsese, Rhymes for Young Ghouls is the angriest, punkiest, least "Canadian" Canadian movie you’ll see all year, and an electrifying feature debut from writer-director Jeff Barnaby. "Weed princess" Aila (the sensational Kawennahere Devery Jacobs) is used to looking out for herself on the Red Crow res, but when her old man gets out from prison things only get harder…
"It’s a tough, gritty piece of work, long on the violence but invested with the poetic sensibility you find in a Cormac McCarthy novel or Tom Waits song… [It] marks the arrival of a genuine cinematic intelligence, one sensitive to life’s more intimate, tender, even spiritual moments yet not averse to slamming the sledgehammer as circumstances require."—James Adams, Globe and Mail
’Exhibiting a vivid eye for potent imagery and a striking sense of the downtrodden vitriol [Rhymes For Young Ghouls] is a tremendously rousing film that announces the arrival of an exciting new voice in Canadian cinema." Scott A Gray, exclaim
"It has been years, probably since Xavier Dolan emerged with I Killed My Mother, since a Canadian director has debuted with a movie as impressive as Jeff Barnaby and Rhymes for Young Ghouls." Marina Antunes, Row Three
Against the odds, the American Dream endures in small towns like Rich Hill, Missouri - but as this poetic, poignant doc makes clear, life is anything but easy for teenage boys growing up in a place where the tracks don’t seem to have a "right" side.
Winner: Grand Jury Prize for Documentary, Sundance Film Festival
"A truly moving and edifying film, Rich Hill is the type of media object that could and should be put in a time capsule for future generations." Katie Walsh, The Playlist (Indiewire)
"Open-hearted….deeply empathetic." Peter Debruge, Variety
"Often heartbreaking." Duane Byrge, Hollywood Reporter
Australia’s submission to the Academy Awards for Best Foreign Language Film (a co-production with Laos and Thailand) is both a rapturous crowdpleaser and a surprisingly resonant, tough little movie about the tensions between the traditional way of life of indigineous peoples and the energy development imperatives of government and industry.