How much of yourself have you already given away on the internet? Nobody really reads the terms and conditions routinely applied to almost every digital service agreement, but if we did, what would we find there? Cullen Hoback’s scary doc has answers to the questions you don’t even want to Google.
"This documentary should be mandatory viewing for everyone who uses the internet." John Ford, Slug Magazine
"If you believe the privacy promises of online giants like Google and Facebook, then Cullen Hoback’s doc will remove the scales from your eyes and your hand away from your mouse." Peter Howell, The Toronto Star
"Witty yet chilling." Brian D Johnston, Macleans
Author Robert K Elder asked 35 filmmakers to champion a movie that they love, but which had either been overlooked or reviled by critics and audiences. The result, ’The Best Film You’ve Never Seen’ is fascinating both for what it reveals about the directors he talked to and for their insights into some seriously neglected films. Case in point: Frank Perry’s The Swimmer, starring Burt Lancaster as a man who decides to swim his way home across Connecticut, one backyard swimming pool at a time. Selected by Alex Proyas (Dark CIty), this is seriously strange movie, but one that stands the test of time.
"As do few movies, The Swimmer stays in the memory like an echo that never quite disappears." Vincent Canby, New York TImes
"Enigmatic, poetic, disturbing." Kim Newman, Empire
"Burt Lancaster is superb in his finest performance." Roger Ebert, Chicago Sun Times
Based on a notorious historical incident in which the sixteenth century French town of Loudun was swept up in tide of witch-hunting mania, Ken Russell’s searing movie kept censors busy all over the world with its shocking imagery and no-holds-barred assault on ecclesiastical hypocrisy. Forty years on it retains its power, not least for the astounding, career-best performances from Oliver Reed and Vanessa Redgrave, Derek Jarman’s bold production design, and the electrifying score by Sir Peter Maxwell Davies.
"The pinnacle of Russell’s astonishing career, blending the exuberant visuals and musical underpinning of his most most exotic fantasies wieh a serious undercurrent of outraged political intent… a fearsome, breathtaking masterwork." Mark Kermode, BBC
"A garish glossary of sado-masochism… a taste for visual sensation that makes scene after scene look like the masturbatory fantasies of a Roman Catholic boyhood." Alexander Walker, Evening Standard
Produced over the first decade of the twenty first century, Micha Peled’s Globalization Trilogy puts a human face on complex issues resulting from global economic forces that are shaping life today worldwide. "Store wars: When Wal-Mart Comes to Town" (2001) focuses on consumerism in the U.S., observing the impact in a small town when Wal-Mart decides to build a new mega-store there. "China Blue" (2005) is a heartbreaking expose of the sweatshop labor conditions in China that allow us to buy cheap blue jeans in the West. The third film in the trilogy (showing separately) "Bitter Seeds" (2011) looks at the raw materials, and specifically Monsanto’s push to supply cotton seeds to farmers in India - with devastating results.
"Store Wars becomes a fascinating study in community action and a valuable reminder that people still can care enough about a place to fight for it." New York Times
"China Blue, a heartbreaking and meticulous documentary about life inside a blue-jeans factory in China, reveals more than we may care to know." The New York Times
Filmmaker Micha X Peled is our guest to introduce specific screenings and participate in a FREE panel discussion exploring these issues on Sunday May 19, 8.30pm. The panel will be moderated by Charlie Smith, Editor of the Georgia Straight.
Tzeporah Berman, Environmental activist and author of This Crazy Time, . Considered "Canada's Queen of Green."-Readers Digest, Tzeporah Berman has been successfully designing and managing green campaigns for nonprofits for the last two decades, leading Bill McKibben to call her "a modern environmental hero." She currently works as a strategic advisor for dozens of environmental organizations, First Nations and philanthropic advisors on clean energy, oilsands and pipelines. She is the former co-director of Greenpeace International's Global Climate and Energy Program, Executive Director and Co-founder of PowerUp Canadaand Co-founder and Campaign Director of ForestEthics.
Gerardo Otero is Professor of sociology and an associated professor of the School of International Studies at Simon Fraser University. His latest edited book is Food for the Few: Neoliberal Globalism and Biotechnology in Latin America (University of Texas Press, 2008, reissued in paperback in 2010), which is forthcoming in Spanish as La dieta neoliberal. His latest article, “The Neoliberal Food Regime in Latin America,” was published in the Canadian Journal of Development Studies in 2012. In co-authorship with Gabriela Pechlaner and Efe Can Gürcan, he has a forthcoming article September 2013 in Rural Sociology: “The political economy of ‘food security’ and trade: uneven and combined dependency.”
Micha X Peled has made documentaries for broadcasters in the USA, Britain, France and Germany, winning over 20 awards along the way. His films were released theatrically in the U.S., Europe and Japan, and on DVDs in eight languages (officially). Micha made his first film in 1992, when his mother sent him the manuscript of her life story, which became Will My Mother Go Back to Berlin? When celebrated Los Angeles Times critic Charles Champlin wrote “it’s a damn good movie,” Micha believed him, quit his job to become a fulltime filmmaker, and never looked back. Not that it was all smelling the roses – he got out of Iran shortly before being exposed for filming illegally, in China his crew was arrested and his footage confiscated, and his shoot in Bombay’s central train station was cancelled when a terrorist group started shooting first. In New York the audience shouted, “Traitor” at the premier of You, Me, Jerusalem, which he co-directed with a Palestinian filmmaker. His Globalization Trilogy began in the U.S. with Store Wars: When Wal-Mart Comes to Town about a small town fighting to keep out the world’s largest retailer. It was followed by China Blue, the story of a teenage Chinese girl who leaves her village to get a job in a jeans factory and descends into sweatshop hell. After a fiction short, Delinquent, he completed the final film in the trilogy, Bitter Seeds. The film looks at the farmers' suicide crisis in India, through the story of one farmer who grows cotton exported to China's garment factories.
Filmed in BC, John Carpenter’s 1982 horror classic is a bone fide Antarctic chiller. American antarctic researchers come across a burned out Norwegian base - and the buried UFO which may be linked to the carnage.
"The Thing is one of [Carpenter’s] greatest moments, creating a terrifying atmosphere of claustrophobia, suspense and paranoia. And Kurt Russell is as good as he’s ever been, wearing one of the best beards in movie history." Total Film
Ingeniously devised to dovetail with events at the remote Norwegian Antarctic base, this underrated prequel to Carpenter’s modern classic is a tense chiller that pays respect to the past while showcasing cutting edge CGI fx by Vancouver’s Image Engine.
"It’s full of chills and thrills and isolated Antarctic atmosphere and terrific Hieronymus Bosch creature effects, and if it winks genially at the plot twists of Carpenter’s film, it never feels even a little like some kind of inside joke." Andrew O’Hehir, Salon.com
Emilio Largo, the Number 2 at SPECTRE, has stolen two nuclear warheads. He threatens to destroy a city in the United States and England unless a ransom of $100 million in diamonds is paid. 007 heads out to the Bahamas to stop him.
"It’s a bird! It’s a plane! It’s a Super-Bond!" Hollywood Reporter
Joy and sorrow: These are the first words uttered in Huezo’s film, and the emotional key notes in one of the most moving documentaries of recent times. On the surface The Tiniest Place is the story of Cinquera, a village literally wiped off the official map during El Salvador’s 12-year civil war. But on a deeper level it is a story about the ability to rise, to rebuild and reinvent oneself after a tragedy.
"A profound expression of the twin powers of life and death…The subject of the Central American wars of recent decades has rarely received such a level of artistic treatment onscreen." Robert Koehler, Variety
"Unforgettable…One of the finest docs I’ve seen over the past year." Howard Feinstein, Filmmaker Magazine
"Superb. 10/10." —Cynthia Fuchs, PopMatters
Master director Jia Zhangke’s most popular film yet, this Cannes prize-winning drama shows China’s gangsters, massage parlours, vicious bosses and desperate workers drawn into a whirlwind of violence, passion and vengeance. This brilliantly achieved film is a vital state-of-China bulletin, torn straight from today’s bloody headlines.
"A blistering fictionalized tale straight out of China, "A Touch of Sin" is at once monumental and human scale." Manohla Dargis, New York Times
"A bold, invigorating statement from a director who keeps reinventing himself." Scott Tobias, The Dissolve
"Intensely, consistently gripping." AA Dowd, AV Club
Candida Brady’s documentary looks at the growing global crisis of trash, highlighting how human health and the environment are threatened by the pollution from burning and discarding waste. Visually and emotionally the film is both horrific and beautiful: an interplay of human stories and ecological disruption. But it ends on a message of hope: showing how the risk to our survival can be averted through sustainable pathways that provide economic solutions while protecting our air, water and food resources
"Crucial viewing for realists and alarmists both." 5 stars! Joe Neumeier, NY Daily News
Heroes don’t come more gold-plated than Muhammad Ali. But if you’re too young to remember the 1960s then you may be shocked to discover how controversial the heavyweight champion was in his heyday. Indeed, he was a constant thorn in the side of the establishment, and a hate figure for much of the mainstream media.
"The best Muhammad Ali doc I’ve ever seen and - dare I say - I’ve seen ’em all.” Dave Zirin, The Nation
"A wholly illuminating look at Muhammad Ali in all his complexity, providing a surprisingly fresh and vivid portrait of a man who played rope-a-dope with history, religion and sport." Kevin Jagernauth, The Playlist
"Bill Siegel’s audacious documentary puts new heat and focus on what an extraordinary figure Muhammad Ali was outside the boxing ring. No film has probed this deeply into the fallout from his name change or his complex bond with Malcolm X and the Nation of Islam. And the saga of Ali’s refusal to be drafted during Vietnam becomes a profile in courage — a tale of shocking vilification and faith lost and found. A-" Owen Gleiberman, Entertainment Weekly
Inexplicably repudiated by most critics and audiences last year, Killing Them Softly is ripe for rediscovery, a highly stylized, caustic satire which uses a hired killer (Brad Pitt) as an emblem for the last word in private enterprise. Based on George V Higgins’ novel Cogan’s Trade, but updated to the economic meltdown (and Presidential election campaign) of 2008, and set in a mildewed, post Katrina New Orleans, the movie may be the last great film noir. Gandolfini is at his very best as another professional killer, a bloated, vicious, self-pitying wreck of a man, perhaps the ghost of Coogan’s Future.
"Andrew Dominik’s Killing Them Softly is a slick ensemble-nightmare of middle-management mobster brutality and incompetence in the tradition of Goodfellas and Casino, Pulp Fiction and TV’s The Sopranos, with something of the opening voiceover monologue from the Coens’ Blood Simple: the one about being on your own. It is outstandingly watchable, superbly and casually pessimistic… a smart, nasty, gripping movie." Peter Bradshaw, The Guardian
Our tribute to the late, great James Gandolfini consists of two recent feature films, both released at the tail end of last year, neither of which found the audience they deserved. The first feature written and directed by Sopranos creator David Chase, Not Fade Away is an overtly autobiographical piece about a young man (newcomer John Magaro) trying to make it in rock n roll in the 1960s. Gandolfini has a relatively small yet crucial role, as the young man’s conservative father, dismayed by his boy’s directionless. It’s a part that could have been clichéd, but Gandolfini invests his scenes with such expert comic timing and emotion, he transcends any such traps. Reminiscent of Barry Levinson’s Diner, Not Fade Away is a personal movie in the best sense, true and honest and lived in, and Gandolfini has much to do with that.
"A warm, funny, poignant scrapbook." Hollywood Reporter
"A gritty, graceful salute to rock and roll." Rolling Stone
Produced by Fernando Meirelles (Blindness, City of God), the film focuses on the musical portion of the turbulent, inspiring cultural movement headed by Gilberto Gil and Caetano Veloso in the late 1960s. With a psychedelic aesthetic much in vogue at the time, the film mixes archival footage (some rarely seen), with interviews, animation, and cool graphics.
Join us for the opening of The Copacabana Social Club Series with a special event featuring the film Tropicalia, live music, food and a free Caipirinha!
Doors open at 7.00pm, Film at 7.30, followed by music and mixer. Tickets $20 ($22 non-members). No student/senior discounts, guest or volunteer passes apply.
When livestock begin dying and people become mysteriously ill after gas leaks in Peace River Country in northwestern BC, a series of bombs are set off on the pipelines in reaction. "Trouble in the Peace" follows Karl Mattson, an enigmatic and reclusive cowboy, as he struggles to make sense of what’s happening to his town and the people in it. Feeling scared and alone, he embarks on a unique course of action in an attempt to save his family and unite the community.
Millions know their voices, but no one knows their names. Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century.
"Nails the sense of joie de vivre these extraordinary artists put into every note-a tribute to doing it for the love of the expression over stardom that provides incalculable amounts of inspiration." David Fear, Time Out New York
"You may never hear the Rolling Stones’s Gimme Shelter the same way again after hearing Jagger’s and Clayton’s separate accounts of the recording of the song." Liam Lacey, Globe & Mail
"I have rarely seen a movie that better expressed the revivifying nature of music." Peter Rainer, Christian Science Monitor