Presenting one of the most popular romances of recent times in a less than wholesome new light, this is the Valentine’s Day show for anyone who can’t get date, doesn’t want one, or has partnered up with someone as cynical, bitter and sardonic as themselves. Whether you love The Notebook, hate it, hate that you love it, or tell anyone who will listen that you’ve never seen it, come vent your "frustrations" at the saccharine love story that set the bar for romance at an unattainable height and unleashed Gosling fever upon the universe with a no-holds-barred text takedown. Bring your drinks into the theatre, leave your phone on, flex your thumbs, stretch your wit, and heckle until your sides split.
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Once upon a time in Vancouver, there was a baseball team called the Asahi, This was in the 1930s, when the city had a small Japantown on the downtown wharves, and the team was formed by the Canadian-born kids of immigrants. Smaller, and weaker, than the Caucasian teams, they struggled at first — but then they figured out a smarter way to win ... Like a Fred Herzog exhibition brought to life, this is a lavish historical piece, a more philosophical type of sports movie than we’re used to in N America, but something that we can recognize as part and parcel of our own cultural heritage.
"From a Vancouver perspective it’s a fascinating film. Beautifully shot, it recreates a lost world in Japantown, when Powell Street was all Japanese businesses and the Powell Street Grounds (today’s Oppenheimer Park) was a baseball park filled with throngs of Asahi fans." — John Mackie, Vancouver Sun
The Vancouver Serbian FilmFest is an annual celebration of the best in current film production of Serbia. Every year, a chosen selection of recently produced Serbian movies is shown over the course of four nights. With the attendance of guest actors and filmmakers who, after each movie, engage in Q&A session with the audience, this event has been growing steadily and attracting a loyal following. See www.vsfilmfest.com for program info.
Paris in 1855, when the opera was first performed, provides the starting point for the interpretation by celebrated Norwegian born director Stefan Herheim. The opera ballet plays a significant role too, with Johann Kobborg choreographing for dancers from the Royal Ballet and Royal Danish Ballet. The story is set to impassioned and dramatic music, rich in showpiece arias and ensembles with striking choruses. Antonio Pappano conducts a world-class cast including Erwin Schrott, Bryan Hymel and Lianna Haroutounian in The Royal Opera’s first ever staging of Verdi’s grand opera.