Vancity Theatre Screening
Films in this Series
Do your kids spend too much time on electronic devices? Do you? Suzanne and her husband decided to change that. They abandoned C21st comforts to take their three kids to a cabin off the grid in the remote Yukon wilderness for nine months. It was a grand adventure, a return to the self-sustaining pioneering lifestyle of the kind described by Laura Ingalls Wilder, and it transformed this Canadian family’s understanding of "Quality time".
"A magnificent film." — David Suzuki
"Timely and inspring. 5 stars." — Michael Reid, Times Colonist
"Family-friendly, heartwarming, uplifting and important." — Allan MacInnis, Alienated in Vancouver
Vancouver film scholar Michael van den Bos returns with an all-new edition of Dancing in the Dark – The Surreal, The Sublime and The Spectacular. Michael will introduce a choreographic compilation of delirious, divine and dazzling dances from such films as The Band Wagon, Cabaret, Cabin in the Sky, Cover Girl, Dames, Kiss Me Kate, Seven Brides for Seven Brothers, Singin’ in the Rain, Swing Time and White Nights among other terpsichorean treats.
This crisp, unexpected drama from regular Laurent Cantet collaborator (and Les Revenants creator) Robin Campillo oscillates between thriller, social realism, and gay love story without ever missing a beat. It begins with a classic mis-step. Bourgeois businessman Daniel foolishly picks up an Eastern European hustler at the Gare du Nord, and invites him back to his apartment the next day. But when he buzzes in his new acquaintance, he’s in for an unpleasant surprise…
"Fascinating... Sleek, shape-shifting... by turns a frightening home-invasion drama, a tender love story and a tense hide-and-seek thriller." — Guy Lodge, Variety
"A surprisingly resonant thrill ride." — Bob Mondello, NPR
"Explores interlocking themes of sexuality, immigration and power dynamics with a cleareyed sensitivity and refuses to demonize even its shadiest characters." — Stephen Holden, New York Times
Two years to the day since the collapse of the garment factory in Rana Plaza, Bangladesh, that claimed the lives of 1129 workers, Eco Fashion Week, Fashion Revolution Day and VIFF Vancity Theatre present this inspiring documentary about individuals and organizations forging change. ‘Traceability’ is the aim to have a proper trail for every single step in the supply chain. As well as where, it wants consumers to be concerned with how garments are made. Sharpe’s film follows young designer Laura Seigel as she seeks to connect her work with the people and the places who manufacture them, putting an altogether brighter spin on "globalization".
In your lifetime, the history of photography has seen a seismic shift, the dramatic change from film to digital. Harvey Wang was mid-career when the tools of his craft were made nearly obsolete. He interviewed more than 20 photographers and prominent figures in the field, including Jerome Liebling, George Tice, David Goldblatt, Sally Mann, Eugene Richards, Ruud van Empel, John Cohen and Jeff Jacobson, as well as Steven Sasson, co-inventor of the digital camera, and Thomas Knoll, co-creator of Photoshop.
Fed up with her abusive family situation, lack of school prospects and the “boys’ law” in the neighborhood, Marieme (Karidja Touré) starts a new life after meeting a group of three free-spirited girls. She changes her name, her style, drops out of school and starts stealing to be accepted into the gang. Tomboy director Celine Sciamma may not approve of these choices but she revels in the exuberance of adolescent discovery - the euphoria of first love, fast friends, and living on the edge - while lip-synching to Rihanna.
“It’s the feminist answer to Boyhood, yet it manages to dig deeper ... Girlhood is one of the most exceptional films you’ll see this year. Truly a must-see. Highly recommended!” — Jeff Nelson, DVD Talk
"One of the best coming of age movies in years!" — Eric Kohn, Indiewire
"Beautifully observed, precisely directed and acted with wonderful conviction, it pulls us into the life of its protagonist in a deeply involving way." — Kenneth Turan, LA Times
A favourite at VIFF 2014, this enormously affectionate film celebrates the artisans who crafted fabulous haute-couture outfits for Dior, Chanel and Yves Saint Laurent: M. Gérard Lognon, a third-generation specialist in pleat-making; M. Bruno Legeron, a designer of perfect artificial flowers whose atelier opened in 1880; and M. Lorenzo Ré, one of three remaining sculptors of wooden forms for hat-making. But can small remain beautiful in today’s big money world?
Something wicket this way comes… In this terrifying cult movie in the making, a teenager is stalked by a shape-shifting nemesis, and the only escape is to pass this walking vendetta onto somebody else - through sexual congress.
"The most exciting film in Cannes ... Tender, remarkably ingenious and scalp-pricklingly scary.” — Tim Robey, Daily Telegraph
Inspired by the true story of a Japanese office worker who travelled from Tokyo to wintery North Dakota to dig up the loot buried by Steve Buscemi at the end of Fargo, this piquant gem is a funny but poignant portrait of madness and obsession. It also opens up an intriguing dialogue between the Zellner Brothers’ brand of humane comedy and the Coens’ quirky original.
"Inspirational and devastating." — Eric Kohn, Indiewire
A charming comic drama inspired by the true story of a high school English teacher who drove across Spain in 1966 to meet his idol John Lennon in hopes of clarifying some lyrics he couldn’t quite understand. On the way, he picks up two runaway teenagers — a pregnant girl fleeing a convent, and a boy escaping his dictatorial father.
“This small gem offers a lovely evocation of Spain as well as a touching tribute to an unforgettable moment in time when the Beatles seemed to offer brand new possibilities, the idea that strawberry fields might indeed go on forever.” — Stephen Farber, Hollywood Reporter
Bert Bush was a fixture in Vancouver’s film & video scene for over 45 years. He supervised printing for Trans Canada Films before opening his own post-production firm, Bush Edit House, at the foot of Lonsdale in 1971. Bert cut film & video, rented equipment and mentored young filmmakers until his death in 2006. When archivists were invited to investigate his legacy, they found nearly 100 films of all kinds — mixing BC tourism titles (A Date with BC, A Place To Be) with cautionary tales of alcohol abuse (Voices) & heart disease (Heartbeat), a ’how-to’ film about placing a long-distance call without operator assistance (DDD- Direct Distance Dialing) and rare examples of locally-produced 50’s & 60’s TV ads. Curated by Colin Preston and Christine Hagemoen.
The charismatic Giuseppe Marinoni has been making some of the most desirable bicycle frames in Canada for decades. A competitive cyclist in Italy in his youth, he decides, at age 75, to attempt a World Record for distance cycled in one hour for his age group. Giuseppe’s determination and perseverance lead him back to his native Italy for his training and, ultimately, his attempt at the record. This is a film not only for the spandex-and-helmet crowd but for anyone who believes that a man’s reach should exceed his grasp.
The entire Indian continent sets its annual clock by the coming of the monsoon season. The rains bring life to barren fields, stave off drought and starvation, bring the economy back to life… But they also bring disaster, death and destruction. Gunnarsson traces the trajectory of the season from the southeastern state of Kerala, where the monsoons first hit land, across the continent to Assam in the northwest. In a word: elemental.
"Awe-inspiring sights... unforgettable vistas." — Deborah Young, Hollywood Reporter
What would happen if you could take your quiet desperation and channel it into song? Office drudge Carol does just that, and what starts as an exercise in therapeutic self-expression turns out to have serious drawbacks. In short order she is visited by the cops, fired, and worst of all, becomes the fixation of her ex-boss, "Asshole Dave", who quits to pursue his own rock-n-roll dream, and insists on Carol coming along. This oddball musical comedy comes from the peculiar mind of Vancouver filmmaker Kris Elgstrand (Doppelganger Paul).
"Bushnell and Dryborough make for a wonderful comedic odd couple, delivering what finally amounts to a heartfelt search for self-improvement." — Andrew Parker, Dork Shelf
"Often gob-smackingly good... Strangely beautiful... Uber-quirky." — Susan G Cole, Now magazine
Told in fourteen fixed-angle, single shot, individual tableaus that parallel Christ’s journey to his own crucifixion,Stations ... is both an indictment of fundamentalist faith and the articulation of an impressionable teen’s struggle to find her own path in life. Though from the outside Maria lives in the modern world, her family and her heart are faithful to a Catholic radicalism that requires sacrifice and devotion at every turn.
"This brilliant and subtle comedy about teenage martyrdom argues that extremism has no place in the modern world." — David Jenkins, Little White Lies
"Passionate, generous, witty; Dietrich Bruggemann’s study of a fanatical Catholic family renews one’s faith in the power of slow art movies to change the world." — London Evening Standard
Not just a celebration of the New York Review of Books (though it is certainly that), Martin Scorsese and David Tedescho’s documentary chronicles many of the historical, political and cultural landmarks of the past half century, through the prism of that august publication’s intellectual insight and rigour. Along the way, they interview (or unearth archival footage of) some of the finest minds of the period, including Joan Didion, Gore Vidal, Susan Sontag, Norman Mailer, Noam Chomsky, Stephen Jay Gould, Andrei Sakharov, Vaclev Havel, Oliver Sacks and James Baldwin. As you might expect, the film sparkles with wit and wisdom, erudition and elucidation.
"A bracing film about the value of radical ideas and the importance of being courageous enough to consider them." — Norman Wilner, Now
Like 12th graders everywhere, the students at Shanti Bhavan School are preparing for their graduation exams. But imagine the pressure: they’re the first of India’s "untouchables" to be granted the opportunity to study for the tests. And if they fail, the fate of the non-profit school which has been their home for a decade lies in the balance...
“A genuinely moving and inspiring documentary that will resonate with viewers." — Craig Takeuchi, The Georgia Straight
“Had me crying and cheering at the end...” — Alex Hutt, Canadian Film Review
A girl’s best friend is her dog in this exuberantly odd political parable from Hungary. When a new law places onerous taxes on the owners of mutts, the streets of Budapest start to fill up with abandoned dogs - including Hagen, beloved pet of 13-year-old Lili. While the child defies her father and the odds to try to track down her dog, Hagen suffers a series of grueling adventures involving various ill-intentioned individuals. "Fierce and beautiful." — The New York Times
“A fierce and beautiful Hungarian parable about a girl, her dog, and the uprising that’s sparked after they are separated ... When the dogs break free and run through the streets in White God, demolishing barriers and biting the hands that have hit them, the movie takes a leap into bold political metaphor, offering up a memorable image of the great unwashed gone (literally) barking mad.” — Manhola Dargis, The New York Times
“White God confirms Mundruczó’s position as one of Europe’s most exciting, unpredictable and technically competent directors. In a world where so many filmmakers seem to rework the same material over and over, he is a true wild card — a filmmaker with ‘un certain regard’ if ever there was one.” — Nick Roddick, Sight & Sound
“Thrillingly strange ... tense, stunningly staged set-pieces recall the uncanny power of Hitchcock’s The Birds [...] A risky shift toward the poetically aberrant that would not work if Mundruczo’s storytelling weren’t so rousing and emotionally purposeful — not to mention morally challenging, as man and dog are accorded equally flawed, vengeful psychologies in the film’s universe.” — Guy Lodge, Variety