In the personal and poetic documentary, Nataša Urban (b. 1977) revisits the conflict that tore Yugoslavia apart through the prism of her immediate family and friends' often reluctant recollections, piercing a web of self-protective amnesia.
In 1999, 11-year-old Nisha Platzer lost her brother, Josh, to suicide. Twenty years later, her search leads her to the door of Josh's chosen family. An eloquent collage that asserts that both grieving and healing are meant to be communal experiences.
Like many young Moroccans, Samir considers marrying a foreigner the key to a better life in Europe—but his family would rather arrange a marriage for him with a Moroccan woman. When he falls in love with a tourist, he weighs a life-changing decision.
Originally constructed around a copper mine, the once thriving company town of Anyox now boasts only two year-round residents. An immaculately crafted portrait of the damage wrought by the callousness of colonial ambition.
In 1968 Czechoslovakia, a small-town notary refuses to join the Communist Party. Inspired by director Beata Parkanová's own grandparents, The Word depicts the intimate lives of Václav and Věra and their bond in the face of political intimidation.
The Rocket—a paddle steamer—has been ferrying rich and poor through Bangladesh for the best part of a century. This kinetic and artfully chaotic hybrid documentary immerses us in a two-day journey and gives us a vivid snapshot of the country.
Lin Jing-Jie’s film is a detailed, deeply poignant tribute to master filmmaker King Hu (1932-1997). Actors, crew members, and fellow directors pay tribute to the man and his work, and their recollections and analyses form a mosaic-like depiction.
Compiled from government and TV news footage from the 1960s (with commentary and brief on-screen contextual notes), this transfixing, resonant essay film looks at the widespread civil unrest of the period, and how the establishment chose to respond.
Miryam Charles’ haunting work examines the circumstances surrounding her cousin Tessa’s death, while speculating on the life that she might've had. A lyrical reminder of violence’s capacity to rupture reality and shake the foundations of family.
Lynn (Yao Honggui), a 20-something looking forward to a career as a flight attendant, has a pushy, patriarchal boyfriend and a mother deep in debt. When she finds herself pregnant, she decides to sell her unborn child to her mother's debtors.
It may sound esoteric but this is a joyous film about the historical anomaly of whimsical, eccentric, aesthetically audacious bus stops that permeated the vast Soviet Bloc, lovingly, obsessively tracked down by Canadian photographer Chris Herwig.
In this rather special film, Lizzie MacKenzie trains her camera on octogenarian Ken Smith, who has lived more than four decades off-the-grid on the shores of Loch Treig, in the Scottish Highlands. This cheerful hermit is a personable storyteller.