In the personal and poetic documentary, Nataša Urban (b. 1977) revisits the conflict that tore Yugoslavia apart through the prism of her immediate family and friends' often reluctant recollections, piercing a web of self-protective amnesia.
Originally constructed around a copper mine, the once thriving company town of Anyox now boasts only two year-round residents. An immaculately crafted portrait of the damage wrought by the callousness of colonial ambition.
In the 1980s Balkan countryside, a family prepares for the arrival of their uncle, who will inspect every detail of the Christmas presentation. They eat turkey, sing, watch family videos, and open presents. But something is amiss.