Central Europe, 2041. Citizens have the right to be revived from unnatural deaths. When a scientist is murdered and revived through an unstable, outdated backup detective Em Trochinowska pursues her prime suspect, a hacker tied to a Luddite terror cell.
In her seventies Agnieszka Holland has made a ferocious, emotionally charged film about the brutal treatment of refugees arriving over the Polish land border from Belarus. This is a vehement denunciation of resurgent fascism and utterly compelling cinema.
In the baroque courts of 18th Century Venice, the egos of patrons and artists clash in the rise and fall of one of history’s greatest unsung composers, Josef Mysliveček.