
If you go down to the woods today, you’re sure for a big surprise… American poet James Dickey’s best-selling novel has the plotline of any number of rural nightmare stories. Four city folk (Burt Reynolds, Jon Voight, Ned Beatty and Ronny Cox) venture into Georgia for a male-bonding canoe trip. But the locals aren’t exactly tourist-friendly…
Dickey saw this as a survivalist tale about our doomed civilization. There are environmental themes, and ethical dilemmas too. The film takes great care in setting up its characters (it’s exceptionally well cast) but more than that Boorman (Point Blank) creates a vivid and unsettling world where nothing can be taken for granted, a voyage to the heart of darkness where the civilized men’s recourse to violence is never unambiguously heroic.
“It’s the best film I’ve ever done,” 70s box office king Burt Reynolds said. “It’s a picture that just picks you up and send you crashing against the rocks. You feel everything and just crawl out of the theatre.”
Ultimately the movie goes beyond harrowing into absolute heartbreak.
Glenn Kenny, Dissolve
In some of our more terrifying dreams we may find ourselves thrust into an alien, hostile environment where we are at the mercy of strangers from another culture who want to kill us for reasons we cannot comprehend. No film better captures the essence of this particular nightmare.
Danny Peary, Cult Movies
Rich, meaty and unsettling.
Philip Strick, Sight & Sound
July 27 Only: Introduction from filmmaker Ross Munro
John Boorman
Jon Voight, Burt Reynolds, Ned Beatty, Ronny Cox
USA
1972
English
Book Tickets
Credits
Producer
John Boorman
Screenwriter
James Dickey
Cinematography
Vilmos Zsigmond
Editor
Tom Priestley
Original Music
Eric Weissberg
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John Waters' trashiest, most robustly offensive, and funniest satire is a film about women, and what they really, really want. Sensitive types should avert their eyes.
Saturday Night Fever
John Travolta - 22 playing 19 - is Tony Manero, a Brooklyn-born and bred Italian American. By day he works in a paint store. At night, he struts his stuff on the dance floor. An enthralling mixture of working class realism and dance floor euphoria