
Dearly beloved, we are gathered here today to celebrate Prince Nelson Rogers. Purple Rain is everything you could want from a rock film, and more – it’s sexy, sassy, slick and it captures the young Prince in the raw. Admittedly in terms of story there’s not a lot of sophistication here; it’s almost on a par with one of those films Elvis cranked out by the bucket load. But director Albert Magnoli had the good fortune to capture a electrifying talent at the very moment he is becoming a star (this is the smash hit movie that propelled Prince to the top of the charts).
Prince is “The Kid”, ruffle-shirted lead singer of bar band The Revolution, a know it all and a sexist pig on top, bearing the scars of an abusive home environment. (Worth noting, this was not a reflection of Prince’s own middle class upbringing, even if the movie does give us a vivid impression of the Minneapolis music scene.) Enter Apollonia, an aspiring musician herself, and also potential competition, and also very hot. She thinks he’s hot too, which is just as well, because that makes two of them. He’s also contending with rival Morris Day’s band, The Time, who have it going on and who know how to be professional. The Kid hasn’t got it all down yet. But on stage, The Revolution is coming and, baby, he’s a star..
Purple Rain is not a living room kind of movie. It demands to be experienced in all its awesomely ridiculous glory on the biggest screen, with the biggest speakers and the biggest crowd.
Odie Henderson, rogerebert.com
A hyperbolic rock fever dream… this is the rare pop movie that works the way a great rock & roll song does: It tells a simple, almost elemental tale and uses the music to set it aflame.
Owen Gleiberman, Entertainment Weekly
A time capsule of style and attitude. It does what musicals are supposed to do: It rides the underlying currents of its moment and renders them glorious.
Mick LaSalle, San Francisco Chronicle
Albert Magnoli
Prince, Apollonia Kotero, Morris Day
USA
1984
English
Book Tickets
Tuesday February 14
Indigenous & Community Access
Credits
Producer
Robert Cavallo, Steven Fargnoli, Joseph Ruffalo
Screenwriter
Albert Magnoli, William Blinn
Cinematography
Donald E. Thorin
Editor
Albert Magnoli, Ken Robinson
Original Music
Prince and The Revolution, Michel Colombier
Production Design
Ward Preston
Art Director
Maria Caso
Catch More Black History Month Programming
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The Bingo Long Traveling All-Stars & Motor Kings
This boisterous comedy about a breakaway barnstorming Black baseball team in the 1930s should be better known. It's an entertaining gloss on one enterprising ball player's resourceful response to segregated leagues, with Star Wars' Billy Dee Williams.
Under the Cherry Moon (35mm)
Prince is Christopher Tracy, a gigolo on the French Riviera, determined to seduce $50 million heiress Kristin Scott Thomas (!). The pop star's directorial debut is a quirky, fun throwback to old school Hollywood glamour, with knobs on.
Dispatches
Dear Jackie (Free Screening)
Henri Pardo's film is a cinematic letter to Jackie Robinson, the first African American player in Major League Baseball and a civil rights activist who broke the colour barrier when he joined the minor-league Montreal Royals in 1946. For a short time, the impossible seemed possible in a segregated North America.
James Baldwin Abroad: Istanbul - Paris - London
These three short docs, from 1968 - 1973, offer sharp, piercing glimpses of Baldwin in private and public, sometimes in repose and relaxed but more often holding forth, embroiled in the thorny discourse of racial politics, identity and self expression.
"This Time It's Personal" Films by Camille Billops & James Hatch (Programme 1)
Trailblazing artist and polymath Camille Billops and her partner James Hatch were courageous independent filmmakers who chronicled the ups and downs of their personal lives and family histories, and found in them the temperature of their times.
"This Time It's Personal" Films by Camille Billops & James Hatch (Programme 2)
The second programme in our short selection of independent films by Camille Bishops and James Hatch includes what is probably their masterpiece, Finding Christa, a deeply personal film about Camille's relationship with the daughter she gave up for adoption as a child.