A portrait of the human health system, directors Véréna Paravel and Lucien Castaing-Taylor (Leviathan, Caniba) continue their ethnographic filmmaking project, reaching unseen depths in human bodies and the health care infrastructure that struggles to maintain them. Revolutionary micro-cameras free the filmmakers to wander through the human body without limit, slithering through intestines and arteries no differently than the hallways and cavities of labyrinthian hospitals. Guided only by the scarce fragments of conversations of doctors and nurses, a picture forms of exhausted doctors, traumatized staff, and an institution crumbling under the magnitude of its work.
Unflinching in its approach, the film is a survey of twin systems, the human body and health care infrastructure, inextricably tied together and unexpectedly similar in structure. The abject horror of open surgery gives way to the abstract beauty of clinical medical imaging, as the film repurposes them to create a harrowingly immersive cinematic experience.
France/USA/Switzerland
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Afternoons of Solitude
Pacification director Albert Serra turns his unflinching gaze on the subject of bullfighting, and in particular the famous young matador Andrés Roca Rey. The film challenges us to look its subject square in the eye and draw our own conclusions.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
The Executioner
Regularly cited as the greatest Spanish film ever made, Berlanga's masterpiece is a pitch black comedy about an undertaker lined up by the state executioner to marry his beautiful daughter -- but he'll also have to inherit the old man's job.
8
The always stylish, idiosyncratic Basque auteur Julio Medem is back with one of his most ambitious films (and our closing night gala), a sweeping historical romance in eight chapters, spanning eight decades in Spanish history from the 1930s to the present day.
The Plague
At a water polo camp, Ben is plunged into the deep end of toxic peer pressure. Terrified of incurring his campmates’ wrath, he joins them in tormenting a kid whose skin rash has been branded “the plague”. But then he experiences a breakout of his own...
Credits
Producer
Valentina Novati, Charles Gillibert, Pauline Gygax, Max Karli, Véréna Paravel, Lucien Castaing-Taylor
Cinematography
Véréna Paravel, Lucien Castaing-Taylor
Editor
Véréna Paravel, Lucien Castaing-Taylor
Directors
Véréna Paravel and Lucien Castaing-Taylor
Véréna Paravel and Lucien Castaing-Taylor collaborate as filmmakers at Harvard University’s Sensory Ethnography Laboratory. Their films and installations have been screened at BAFICI, the Berlinale, CPH:DOX, Toronto International Film Festival, and New York Film Festival. Recently, their work joined the permanent collections of New York’s Museum of Modern Art, the British Museum, and has been exhibited at Tate Modern, Centre Pompidou, and Berlin Kunsthalle. Their film Leviathan (2013) received many awards, including the FIPRESCI Award at Locarno International Film Festival. Their documentary Caniba (2017) won the Special Jury Award at the 74th Venice Film Festival, among other awards.
Filmography: Leviathan (2012); Somniloquies (2017); Caniba (2017)