A portrait of the human health system, directors Véréna Paravel and Lucien Castaing-Taylor (Leviathan, Caniba) continue their ethnographic filmmaking project, reaching unseen depths in human bodies and the health care infrastructure that struggles to maintain them. Revolutionary micro-cameras free the filmmakers to wander through the human body without limit, slithering through intestines and arteries no differently than the hallways and cavities of labyrinthian hospitals. Guided only by the scarce fragments of conversations of doctors and nurses, a picture forms of exhausted doctors, traumatized staff, and an institution crumbling under the magnitude of its work.
Unflinching in its approach, the film is a survey of twin systems, the human body and health care infrastructure, inextricably tied together and unexpectedly similar in structure. The abject horror of open surgery gives way to the abstract beauty of clinical medical imaging, as the film repurposes them to create a harrowingly immersive cinematic experience.
France/USA/Switzerland
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Best Years of Our Lives
One of the finest films to come out of WWII, The Best Years of Our Lives sympathetically conveys the difficulties returning veterans faced in readjusting to life at home. It won 7 of the top Academy Awards including Best Picture, Director and Actor.
Ray Gunn (Special Advance Screening with Brad Bird)
In an alternate future as seen from 1939, a private eye (Sam Rockwell) is drawn into a case involving aliens, murder, and a multimedia star (Scarlett Johansson). Followed by a moderated discussion with director Brad Bird (The Incredibles, Ratatouille).
The Bloodettes
In this early Afro-futurist shlocker from Cameroonian director Jean-Pierre Bekolo (made in 2005 and set in 2025), two sex workers try to dispose of the body of a high profile politician who's died on the job (theirs, not his).
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
Credits
Producer
Valentina Novati, Charles Gillibert, Pauline Gygax, Max Karli, Véréna Paravel, Lucien Castaing-Taylor
Cinematography
Véréna Paravel, Lucien Castaing-Taylor
Editor
Véréna Paravel, Lucien Castaing-Taylor
Directors
Véréna Paravel and Lucien Castaing-Taylor
Véréna Paravel and Lucien Castaing-Taylor collaborate as filmmakers at Harvard University’s Sensory Ethnography Laboratory. Their films and installations have been screened at BAFICI, the Berlinale, CPH:DOX, Toronto International Film Festival, and New York Film Festival. Recently, their work joined the permanent collections of New York’s Museum of Modern Art, the British Museum, and has been exhibited at Tate Modern, Centre Pompidou, and Berlin Kunsthalle. Their film Leviathan (2013) received many awards, including the FIPRESCI Award at Locarno International Film Festival. Their documentary Caniba (2017) won the Special Jury Award at the 74th Venice Film Festival, among other awards.
Filmography: Leviathan (2012); Somniloquies (2017); Caniba (2017)