A portrait of the human health system, directors Véréna Paravel and Lucien Castaing-Taylor (Leviathan, Caniba) continue their ethnographic filmmaking project, reaching unseen depths in human bodies and the health care infrastructure that struggles to maintain them. Revolutionary micro-cameras free the filmmakers to wander through the human body without limit, slithering through intestines and arteries no differently than the hallways and cavities of labyrinthian hospitals. Guided only by the scarce fragments of conversations of doctors and nurses, a picture forms of exhausted doctors, traumatized staff, and an institution crumbling under the magnitude of its work.
Unflinching in its approach, the film is a survey of twin systems, the human body and health care infrastructure, inextricably tied together and unexpectedly similar in structure. The abject horror of open surgery gives way to the abstract beauty of clinical medical imaging, as the film repurposes them to create a harrowingly immersive cinematic experience.
France/USA/Switzerland
2022
In French with English subtitles
Book Tickets
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All the Lovers in the Night
A lonely proofreader's isolated world begins to open through an unlikely friendship with a gentle physics teacher. Based on Mieko Kawakami's acclaimed novel, this luminous drama is a delicate meditation on loneliness, intimacy, and self-discovery.
Clarissa
Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.
Image: © Courtesy of Elevation Pictures
Opening Gala: The Debut
VIFF is honoured to open the festival with this special by-invitation screening of Jesse Eisenberg's The Debut. When meek Mona (Julianne Moore) lands a part in a musical, she fully inhabits her character, but grows increasingly untethered from reality.
Árru
Set against the mountains and fjords of northern Norway, Árru follows reindeer herder Maia as a proposed copper mine threatens her Sámi community, forcing her to fight to protect both her community and the land that sustains it.
The Beloved
When Esteban Martínez, an acclaimed director with violent tendences, invites his estranged daughter to star in his latest project, the stage is set for a familial reconnection. But as tensions flare, questions about his intentions rise to the surface.
MODES 1
Archive and the land reveal other ways of seeing, ensuring that what is meant to endure cannot be erased.
Credits
Producer
Valentina Novati, Charles Gillibert, Pauline Gygax, Max Karli, Véréna Paravel, Lucien Castaing-Taylor
Cinematography
Véréna Paravel, Lucien Castaing-Taylor
Editor
Véréna Paravel, Lucien Castaing-Taylor
Directors
Véréna Paravel and Lucien Castaing-Taylor
Véréna Paravel and Lucien Castaing-Taylor collaborate as filmmakers at Harvard University’s Sensory Ethnography Laboratory. Their films and installations have been screened at BAFICI, the Berlinale, CPH:DOX, Toronto International Film Festival, and New York Film Festival. Recently, their work joined the permanent collections of New York’s Museum of Modern Art, the British Museum, and has been exhibited at Tate Modern, Centre Pompidou, and Berlin Kunsthalle. Their film Leviathan (2013) received many awards, including the FIPRESCI Award at Locarno International Film Festival. Their documentary Caniba (2017) won the Special Jury Award at the 74th Venice Film Festival, among other awards.
Filmography: Leviathan (2012); Somniloquies (2017); Caniba (2017)