A portrait of the human health system, directors Véréna Paravel and Lucien Castaing-Taylor (Leviathan, Caniba) continue their ethnographic filmmaking project, reaching unseen depths in human bodies and the health care infrastructure that struggles to maintain them. Revolutionary micro-cameras free the filmmakers to wander through the human body without limit, slithering through intestines and arteries no differently than the hallways and cavities of labyrinthian hospitals. Guided only by the scarce fragments of conversations of doctors and nurses, a picture forms of exhausted doctors, traumatized staff, and an institution crumbling under the magnitude of its work.
Unflinching in its approach, the film is a survey of twin systems, the human body and health care infrastructure, inextricably tied together and unexpectedly similar in structure. The abject horror of open surgery gives way to the abstract beauty of clinical medical imaging, as the film repurposes them to create a harrowingly immersive cinematic experience.
France/USA/Switzerland
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Credits
Producer
Valentina Novati, Charles Gillibert, Pauline Gygax, Max Karli, Véréna Paravel, Lucien Castaing-Taylor
Cinematography
Véréna Paravel, Lucien Castaing-Taylor
Editor
Véréna Paravel, Lucien Castaing-Taylor
Directors
Véréna Paravel and Lucien Castaing-Taylor
Véréna Paravel and Lucien Castaing-Taylor collaborate as filmmakers at Harvard University’s Sensory Ethnography Laboratory. Their films and installations have been screened at BAFICI, the Berlinale, CPH:DOX, Toronto International Film Festival, and New York Film Festival. Recently, their work joined the permanent collections of New York’s Museum of Modern Art, the British Museum, and has been exhibited at Tate Modern, Centre Pompidou, and Berlin Kunsthalle. Their film Leviathan (2013) received many awards, including the FIPRESCI Award at Locarno International Film Festival. Their documentary Caniba (2017) won the Special Jury Award at the 74th Venice Film Festival, among other awards.
Filmography: Leviathan (2012); Somniloquies (2017); Caniba (2017)