Canadian Premiere
Fernanda (Bárbara Colen) has returned home to Goiás, Brazil in order to find herself, or rather, her origins. Arriving at the ranch belonging to her rich-but-distant adoptive family, this curious woman is intent on scattering the ashes of her deceased mother (the kin’s black sheep) and learning the truth about her conception. Instead, she uncovers her family’s dark history, much like Oedipus unwittingly learning the secrets of his birth upon his return to Thebes.
In the capable hands of director Flávia Neves, Goiás and its people are revealed to be full of mysteries. With the town home to a decades-old asylum, the locals trade the developmentally disabled like presents, forcing them to work as servants in their homes. These people, overlooked by most, have supernatural gifts like the seers and priests of the ancient world. Through a series of kind strangers with powers of their own, Fernanda learns of the disturbing source of her family’s wealth, her biological mother’s identity, and the limits of her own strength. Told through scenes of magical realism, Fogaréu forces us to question how much we really want to know about our own histories.
On Sunday, October 9, please join us for a free community event: Making Movies in the Americas
Q&A Oct 7 & Oct 9
Supported by
Bárbara Colen, Eucir de Souza, Allan Jacinto Santana, Eucir de Souza, Timothy Wilson, Kelly Crifer
Brazil/France
2022
In Portuguese with English subtitles
Sexual Violence
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Sandbox
Borders are the faultlines of the world. Kenya-Jade Pinto's doc examines how modern surveillance technology, bio-metrics and AI are combining to make land and sea borders as impenetrable as air travel, and suggests the unspoken cost is our own humanity.
Atonement
A former Marine suffering from PTSD seeks a meeting with the Iraqi family to which he did great wrong ten years earlier in the Gulf War. Atonement navigates challenging, politically-charged psychological territory with diligence and sensitivity.
The Pervert's Guide to Ideology
Slavoj Zizek re-teams with director Sophie Fiennes for another wildly entertaining romp through the crossroads of cinema and philosophy. From The Sound of Music to Titanic, Jaws to The Dark Knight, Zizek offers new ways to understanding Hollywood.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Pervert's Guide to Cinema
The Pervert's Guide to Cinema takes the viewer on an exhilarating ride through some of the greatest movies ever made (Hitchcock, Lynch, Tarkovsky et al). Serving as guide is Slavoj Zizek, the superstar Slovenian philosopher and psychoanalyst.
You Had to Be There
In a strange quirk of fate, the legendary Toronto '72 production of the musical comedy Jesus hit Godspell launched a constellation of comedy stars, all unknown at the time but now known to us as Martin Short, Eugene Levy, Dave Thomas, Victor Garber, et al
Credits
Producer
Mayra Auad, Vania Catani, Thomas Sparfel, Nathalie Mesuret
Screenwriter
Melanie Dimantas, Flávia Neves
Cinematography
Luciana Baseggio, Glauco Firpo
Editor
Will Domingos, Waldir Xavier
Original Music
Fernando Aranha
Director
Photo by Thomas Sparfel
Flávia Neves
Flávia Neves graduated in Cinema and Literature from the Fluminense Federal University and studied screenwriting and Meisner Technique at the Escuela Internacional de Cine y Televisión in Cuba. At 16, she directed her first short film, Liberdade (1998), screened at Festival Internacional de Cinema Ambiental (International Environmental Film Festival). In 2019, she directed and scripted the series Amanajé, o mensageiro do futuro, aired by TV Cultura. Fogaréu is her narrative feature debut. Currently, Neves is developing her second feature film, Tempo do poder, with the support of Ibermedia.