Canadian Premiere
Fernanda (Bárbara Colen) has returned home to Goiás, Brazil in order to find herself, or rather, her origins. Arriving at the ranch belonging to her rich-but-distant adoptive family, this curious woman is intent on scattering the ashes of her deceased mother (the kin’s black sheep) and learning the truth about her conception. Instead, she uncovers her family’s dark history, much like Oedipus unwittingly learning the secrets of his birth upon his return to Thebes.
In the capable hands of director Flávia Neves, Goiás and its people are revealed to be full of mysteries. With the town home to a decades-old asylum, the locals trade the developmentally disabled like presents, forcing them to work as servants in their homes. These people, overlooked by most, have supernatural gifts like the seers and priests of the ancient world. Through a series of kind strangers with powers of their own, Fernanda learns of the disturbing source of her family’s wealth, her biological mother’s identity, and the limits of her own strength. Told through scenes of magical realism, Fogaréu forces us to question how much we really want to know about our own histories.
On Sunday, October 9, please join us for a free community event: Making Movies in the Americas
Q&A Oct 7 & Oct 9
Supported by
Bárbara Colen, Eucir de Souza, Allan Jacinto Santana, Eucir de Souza, Timothy Wilson, Kelly Crifer
Brazil/France
2022
In Portuguese with English subtitles
Sexual Violence
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Vivaldi and Me
Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.
Rear Window
James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).
Rose of Nevada
This disconcerting film from the director of Bait and Enys Men feels like a message from another era: two men sign on to a Cornish fishing trawler, but when they return to port they are welcomed into the community 30 years before they left...
To Die For
Buck Henry (The Graduate) wrote this acidic black comedy about a ruthless weather girl on the make (Nicole Kidman in her breakout role). A young Joaquin Phoenix is the dim teen she seduces on her way to achieving stardom.
Camp
Reeling from two devastating tragedies, Emily (Zola Grimmer) takes refuge at a summer camp for troubled youth, where she has been offered a position as counsellor. She finds friendship, but also something more unexpected, something truly troubling...
Credits
Producer
Mayra Auad, Vania Catani, Thomas Sparfel, Nathalie Mesuret
Screenwriter
Melanie Dimantas, Flávia Neves
Cinematography
Luciana Baseggio, Glauco Firpo
Editor
Will Domingos, Waldir Xavier
Original Music
Fernando Aranha
Director
Photo by Thomas Sparfel
Flávia Neves
Flávia Neves graduated in Cinema and Literature from the Fluminense Federal University and studied screenwriting and Meisner Technique at the Escuela Internacional de Cine y Televisión in Cuba. At 16, she directed her first short film, Liberdade (1998), screened at Festival Internacional de Cinema Ambiental (International Environmental Film Festival). In 2019, she directed and scripted the series Amanajé, o mensageiro do futuro, aired by TV Cultura. Fogaréu is her narrative feature debut. Currently, Neves is developing her second feature film, Tempo do poder, with the support of Ibermedia.