Canadian Premiere
Fernanda (Bárbara Colen) has returned home to Goiás, Brazil in order to find herself, or rather, her origins. Arriving at the ranch belonging to her rich-but-distant adoptive family, this curious woman is intent on scattering the ashes of her deceased mother (the kin’s black sheep) and learning the truth about her conception. Instead, she uncovers her family’s dark history, much like Oedipus unwittingly learning the secrets of his birth upon his return to Thebes.
In the capable hands of director Flávia Neves, Goiás and its people are revealed to be full of mysteries. With the town home to a decades-old asylum, the locals trade the developmentally disabled like presents, forcing them to work as servants in their homes. These people, overlooked by most, have supernatural gifts like the seers and priests of the ancient world. Through a series of kind strangers with powers of their own, Fernanda learns of the disturbing source of her family’s wealth, her biological mother’s identity, and the limits of her own strength. Told through scenes of magical realism, Fogaréu forces us to question how much we really want to know about our own histories.
On Sunday, October 9, please join us for a free community event: Making Movies in the Americas
Q&A Oct 7 & Oct 9
Supported by
Bárbara Colen, Eucir de Souza, Allan Jacinto Santana, Eucir de Souza, Timothy Wilson, Kelly Crifer
Brazil/France
2022
In Portuguese with English subtitles
Sexual Violence
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Afternoons of Solitude
Pacification director Albert Serra turns his unflinching gaze on the subject of bullfighting, and in particular the famous young matador Andrés Roca Rey. The film challenges us to look its subject square in the eye and draw our own conclusions.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
The Executioner
Regularly cited as the greatest Spanish film ever made, Berlanga's masterpiece is a pitch black comedy about an undertaker lined up by the state executioner to marry his beautiful daughter -- but he'll also have to inherit the old man's job.
8
The always stylish, idiosyncratic Basque auteur Julio Medem is back with one of his most ambitious films (and our closing night gala), a sweeping historical romance in eight chapters, spanning eight decades in Spanish history from the 1930s to the present day.
The Plague
At a water polo camp, Ben is plunged into the deep end of toxic peer pressure. Terrified of incurring his campmates’ wrath, he joins them in tormenting a kid whose skin rash has been branded “the plague”. But then he experiences a breakout of his own...
Credits
Producer
Mayra Auad, Vania Catani, Thomas Sparfel, Nathalie Mesuret
Screenwriter
Melanie Dimantas, Flávia Neves
Cinematography
Luciana Baseggio, Glauco Firpo
Editor
Will Domingos, Waldir Xavier
Original Music
Fernando Aranha
Director
Photo by Thomas Sparfel
Flávia Neves
Flávia Neves graduated in Cinema and Literature from the Fluminense Federal University and studied screenwriting and Meisner Technique at the Escuela Internacional de Cine y Televisión in Cuba. At 16, she directed her first short film, Liberdade (1998), screened at Festival Internacional de Cinema Ambiental (International Environmental Film Festival). In 2019, she directed and scripted the series Amanajé, o mensageiro do futuro, aired by TV Cultura. Fogaréu is her narrative feature debut. Currently, Neves is developing her second feature film, Tempo do poder, with the support of Ibermedia.
