Canadian Premiere
Fernanda (Bárbara Colen) has returned home to Goiás, Brazil in order to find herself, or rather, her origins. Arriving at the ranch belonging to her rich-but-distant adoptive family, this curious woman is intent on scattering the ashes of her deceased mother (the kin’s black sheep) and learning the truth about her conception. Instead, she uncovers her family’s dark history, much like Oedipus unwittingly learning the secrets of his birth upon his return to Thebes.
In the capable hands of director Flávia Neves, Goiás and its people are revealed to be full of mysteries. With the town home to a decades-old asylum, the locals trade the developmentally disabled like presents, forcing them to work as servants in their homes. These people, overlooked by most, have supernatural gifts like the seers and priests of the ancient world. Through a series of kind strangers with powers of their own, Fernanda learns of the disturbing source of her family’s wealth, her biological mother’s identity, and the limits of her own strength. Told through scenes of magical realism, Fogaréu forces us to question how much we really want to know about our own histories.
On Sunday, October 9, please join us for a free community event: Making Movies in the Americas
Q&A Oct 7 & Oct 9
Supported by
Bárbara Colen, Eucir de Souza, Allan Jacinto Santana, Eucir de Souza, Timothy Wilson, Kelly Crifer
Brazil/France
2022
In Portuguese with English subtitles
Sexual Violence
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Company of Strangers
In this Canadian gem, seven elderly women find themselves stranded when their bus breaks down in the wilderness. With only their wits, memories and some roasted frogs' legs to sustain them, this remarkable group of strangers share their life stories.
Madonna: Truth or Dare
A year in the life of Madonna at the height of her fame, touring Blonde Ambition through 1990. There's concert footage, but the movie is also daringly truthful about life behind the scenes — not that Madonna is every really off-stage.
The Leopard
Lampedusa's elegiac account of a 19th century Sicilian aristocrat, Prince Salina, fading into history is one of the pinnacles of Italian cinema, an epic which influenced the tempo and gravitas of The Godfather, Age of Innocence and The Deer Hunter.
Credits
Producer
Mayra Auad, Vania Catani, Thomas Sparfel, Nathalie Mesuret
Screenwriter
Melanie Dimantas, Flávia Neves
Cinematography
Luciana Baseggio, Glauco Firpo
Editor
Will Domingos, Waldir Xavier
Original Music
Fernando Aranha
Director
Photo by Thomas Sparfel
Flávia Neves
Flávia Neves graduated in Cinema and Literature from the Fluminense Federal University and studied screenwriting and Meisner Technique at the Escuela Internacional de Cine y Televisión in Cuba. At 16, she directed her first short film, Liberdade (1998), screened at Festival Internacional de Cinema Ambiental (International Environmental Film Festival). In 2019, she directed and scripted the series Amanajé, o mensageiro do futuro, aired by TV Cultura. Fogaréu is her narrative feature debut. Currently, Neves is developing her second feature film, Tempo do poder, with the support of Ibermedia.