Canadian Premiere
Fernanda (Bárbara Colen) has returned home to Goiás, Brazil in order to find herself, or rather, her origins. Arriving at the ranch belonging to her rich-but-distant adoptive family, this curious woman is intent on scattering the ashes of her deceased mother (the kin’s black sheep) and learning the truth about her conception. Instead, she uncovers her family’s dark history, much like Oedipus unwittingly learning the secrets of his birth upon his return to Thebes.
In the capable hands of director Flávia Neves, Goiás and its people are revealed to be full of mysteries. With the town home to a decades-old asylum, the locals trade the developmentally disabled like presents, forcing them to work as servants in their homes. These people, overlooked by most, have supernatural gifts like the seers and priests of the ancient world. Through a series of kind strangers with powers of their own, Fernanda learns of the disturbing source of her family’s wealth, her biological mother’s identity, and the limits of her own strength. Told through scenes of magical realism, Fogaréu forces us to question how much we really want to know about our own histories.
On Sunday, October 9, please join us for a free community event: Making Movies in the Americas
Q&A Oct 7 & Oct 9
Supported by
Bárbara Colen, Eucir de Souza, Allan Jacinto Santana, Eucir de Souza, Timothy Wilson, Kelly Crifer
Brazil/France
2022
In Portuguese with English subtitles
Sexual Violence
Book Tickets
Missing VIFF? Check out what’s playing at the VIFF Centre
Chicken For Linda!
Husband and wife duo Chiara Malta and Sébastien Laudenbach (The Girl Without Hands) evoke the freewheeling farcical slapstick spirit of Jacques Tati and the palette of Henri Matisse in this sparkling animated gem for all ages.
The Zone of Interest
Glazer's award-winning film follows Hedwig Höss (Sandra Hüller), mother of five, and wife to Rudolph. They live in an idyllic villa with a the bucolic garden, literally a stone's throw from Rudolph's place of work -- he's Camp Commandant at Auschwitz.
Before I Change My Mind
Trevor Anderson's coming of age movie -- set in Edmonton, 1987 -- slyly subverts expectations, embracing complexity and contradiction in its nuanced take on fledgling identities, while delivering laugh-out-loud moments and big emotional showdowns.
Do Not Expect Too Much From the End of the World
Radu Jude takes two days in the life of a stressed Romanian p.a. and gives us an urgent, pissed off, sourly funny polemic on the state of late capitalism. Exploitation, discrimination and hypocrisy are his targets; dialectics are his dynamite.
With Love and a Major Organ
Anabel has a heart problem: it's just too big for this world. Kim Albright's acclaimed debut strikes a lo-(sci-)fi surrealist vibe reminiscent of Eternal Sunshine of the Spotless Mind. It's whimsical, unpredictable, and it hits close to home.
Credits
Producer
Mayra Auad, Vania Catani, Thomas Sparfel, Nathalie Mesuret
Screenwriter
Melanie Dimantas, Flávia Neves
Cinematography
Luciana Baseggio, Glauco Firpo
Editor
Will Domingos, Waldir Xavier
Original Music
Fernando Aranha
Director
Photo by Thomas Sparfel
Flávia Neves
Flávia Neves graduated in Cinema and Literature from the Fluminense Federal University and studied screenwriting and Meisner Technique at the Escuela Internacional de Cine y Televisión in Cuba. At 16, she directed her first short film, Liberdade (1998), screened at Festival Internacional de Cinema Ambiental (International Environmental Film Festival). In 2019, she directed and scripted the series Amanajé, o mensageiro do futuro, aired by TV Cultura. Fogaréu is her narrative feature debut. Currently, Neves is developing her second feature film, Tempo do poder, with the support of Ibermedia.