
This was the Yellowstone of its time: a big, sweeping modern Western built around an imposing ranch and family dynamics. But instead of Kevin Costner, Elizabeth Taylor is the true centre of this tale of old money (cattle rancher Jordan Benedict, played by Rock Hudson) vs new (oil tycoon Jett Rink, James Dean). The saga sprawls across the decades but has plenty to say about the dark undercurrents flowing through the West. There Will Be Blood is just over the horizon.
A gentle satire, woven around the luminous beauty of Elizabeth Taylor and the haunting brilliance of James Dean…Stevens captures the inexorable course of age and change, social change particularly. He uses detail like a novelist: the changing decor of the living room of the main house at Reata carries us stylistically from the 30s to the 50s. Because he has to proceed visually, he makes choices novelist Edna Ferber never got around to making.
Larry McMurtry
James Dean delivers one of the most iconic performances in film history.
Time Out
It’s a freak: a wildly successful mid-1950s Technicolor film about race, class, and gender from a radical perspective, with a charismatic, unsubjugated woman at the center…Taylor’s Leslie Benedict possesses a moral stature and a fearlessness that overshadow all else: she tells off powerful men, acts on behalf of the people who are supposed to be invisible, and generally fights authority.
Rebecca Solnit, Harper’s Magazine
George Stevens
James Dean, Elizabeth Taylor, Rock Hudson, Caroll Baker, Mercedes McCambridge, Sal Mineo, Dennis Hopper
USA
1956
English
Best Director; Best Supporting Actress (McCambridge), Academy Awards
Open to youth!
$10 youth tickets available
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Fred Guiol, Ivan Moffat
Cinematography
William C. Mellor
Editor
William Hornbeck
Original Music
Dimitri Tiomkin
Production Design
Boris Leven
Also in This Series
Getting Real charts the evolution of screen acting in American film from 1945-1980, diving into the psychological realism which took audiences somewhere deeper and more authentic than ever before.
Raging Bull
In the throes of a near-fatal drug problem Martin Scorsese made what he believed could be his last movie. Its subject: the Bronx Bull, Jake La Motta, a graceless but indomitable boxer who never quits beating himself up. De Niro has never dug deeper.