A riveting, genre-bending feature debut following a soon-to-be mother, Valeria, as she starts experiencing odd visions and sensations that alert her to a supernatural presence lurking around the corner. As her paranoia grows, she encounters increasing resistance from her partner and immediate family, with old wounds slowly resurfacing and further alienating her from her loved ones.
Precise yet measured in its use of occult themes and genre conventions, Huesera expertly fuses elements of demonic possession and witchcraft while drawing from regional folklore. Meanwhile, it astutely taps into taboo themes around motherhood, adding weight to every bone crack and window peek. A truly chilling watch, the film leans heavily into the body horror realm, employing sound and spider analogy to evoke the nature of demonic temperament. The visceral choreographies and bone-cracking alone promise to haunt one long after the credits roll.
Q&A Oct 1 & Oct 8
Media Partner
Natalia Solián, Alfonso Dosal, Mayra Batalla, Mercedes Hernández, Aída López, Martha Claudia Moreno
Mexico/Peru
2022
In Spanish with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Mortal Storm
In this explicitly anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.
Credits
Executive Producer
Eduardo Lecuona, Javier Sepúlveda, Francisco Sánchez, Mauricio van Hasselt, Mónica Reina, Rune Hansen, Joakim Ziegler, Øyvind Stiauren, David Bond
Producer
Paulina Villavicencio, Edher Campos
Screenwriter
Michelle Garza Cervera, Abia Castillo
Cinematography
Nur Rubio Sherwell
Editor
Adriana Martínez
Production Design
Ana J. Bellido
Original Music
Gibrán Androide, Cabeza de Vaca
Director
Michelle Garza Cervera
Michelle Garza Cervera graduated from Centro de capacitación cinematográfica in Mexico City and was awarded a Chevening Scholarship to study in the United Kingdom, where she completed an MFA. Her shorts have played all over the world. Huesera, her debut feature, was co-written with Abia Castillo.