A riveting, genre-bending feature debut following a soon-to-be mother, Valeria, as she starts experiencing odd visions and sensations that alert her to a supernatural presence lurking around the corner. As her paranoia grows, she encounters increasing resistance from her partner and immediate family, with old wounds slowly resurfacing and further alienating her from her loved ones.
Precise yet measured in its use of occult themes and genre conventions, Huesera expertly fuses elements of demonic possession and witchcraft while drawing from regional folklore. Meanwhile, it astutely taps into taboo themes around motherhood, adding weight to every bone crack and window peek. A truly chilling watch, the film leans heavily into the body horror realm, employing sound and spider analogy to evoke the nature of demonic temperament. The visceral choreographies and bone-cracking alone promise to haunt one long after the credits roll.
Q&A Oct 1 & Oct 8
Media Partner
Natalia Solián, Alfonso Dosal, Mayra Batalla, Mercedes Hernández, Aída López, Martha Claudia Moreno
Mexico/Peru
2022
In Spanish with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Best Years of Our Lives
One of the finest films to come out of WWII, The Best Years of Our Lives sympathetically conveys the difficulties returning veterans faced in readjusting to life at home. It won 7 of the top Academy Awards including Best Picture, Director and Actor.
Ray Gunn (Special Advance Screening with Brad Bird)
In an alternate future as seen from 1939, a private eye (Sam Rockwell) is drawn into a case involving aliens, murder, and a multimedia star (Scarlett Johansson). Followed by a moderated discussion with director Brad Bird (The Incredibles, Ratatouille).
The Bloodettes
In this early Afro-futurist shlocker from Cameroonian director Jean-Pierre Bekolo (made in 2005 and set in 2025), two sex workers try to dispose of the body of a high profile politician who's died on the job (theirs, not his).
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
Credits
Executive Producer
Eduardo Lecuona, Javier Sepúlveda, Francisco Sánchez, Mauricio van Hasselt, Mónica Reina, Rune Hansen, Joakim Ziegler, Øyvind Stiauren, David Bond
Producer
Paulina Villavicencio, Edher Campos
Screenwriter
Michelle Garza Cervera, Abia Castillo
Cinematography
Nur Rubio Sherwell
Editor
Adriana Martínez
Production Design
Ana J. Bellido
Original Music
Gibrán Androide, Cabeza de Vaca
Director
Michelle Garza Cervera
Michelle Garza Cervera graduated from Centro de capacitación cinematográfica in Mexico City and was awarded a Chevening Scholarship to study in the United Kingdom, where she completed an MFA. Her shorts have played all over the world. Huesera, her debut feature, was co-written with Abia Castillo.