
Hong Kong director Wong Kar-Wai spent two years obsessively shooting and reshooting this tale of two neighbours, Chow (Tony Leung) and Su-Lizhen (Maggie Cheung) who are drawn together by the long absences of their spouses. When they realize why these absences always coincide, they are shocked and hurt. In their imaginations, they entertain scenarios of revenge and tit-for-tat, rehearsing the infidelities so as to understand what can have gone awry, even as they vow never to stoop to such betrayal. And over time, quietly, but unmistakably, they fall in love…
A hypnotic, intoxicating film, In the Mood for Love is radically experimental, but only ever concerned with revealing the human heart. Wong never shows us the spouses. He structures the movie as a cycle of myriad echoes and repetitions. Yet in the space between the repetitions we sense everything that cannot be said: desire, passion, rapture and rhapsody.
In the Mood for Love has long since been recognized as a modern classic and came fifth in the 2022 Sight & Sound poll of the greatest films of all time.
+ In The Mood for Love 2001 (9 mins)
Initially conceived as one third of a triptych about food, In the Mood for Love was expanded into a stand-alone feature that won immediate recognition as a modern-day classic. Another third—intended as the “dessert,” as Wong Kar Wai has put it—was, until now, only screened during his masterclass at the 2001 Cannes Film Festival. Now available in wide release for the first time, In the Mood for Love 2001 demonstrates the director’s masterful ability to generate palpable atmosphere and striking characterizations on a miniature canvas—with Tony Leung Chiu Wai and Maggie Cheung Man Yuk once again providing the sizzling chemistry— evoking the mystery of transient, unexpected connections in the modern city through his inimitable romantic touch.
Wong expands the simple anatomy of a thwarted love affair into an elastic meditation on personal unrest, political statelessness and the violence of time’s unrelenting passage.
Guy Lodge, Sight & Sound
Wong Kar-wai
Maggie Cheung, Tony Leung
Hong Kong/France
2000
In Cantonese and Mandarin with English subtitles
Best Actor, Tony Leung, Cannes
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Credits
Producer
Wong Kar-wai
Screenwriter
Wong Kar-wai
Cinematography
Christopher Doyle, Mark Lee Ping-Bing
Editor
William Chang
Original Music
Michael Galasso
Also in This Series
These movies speak to our times and push the boundaries of the art form — the true modern classics we’re confident will withstand the test of time.
In the Mood for Love
Wong Kar-wai's most acclaimed and popular film is a love story about two neighbours (Tony Leung and Maggie Cheung) who are drawn together by the long absences of their respective spouses + a newly released short companion piece from 2001.
Oldboy
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It's Not Me
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Certain Women
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Melancholia
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Moonlight
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Lady Bird
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Silence
This sober, probing examination of faith, ego, cruelty and compassion is the most underrated film from the often under-valued latter half of Martin Scorsese's brilliant career; a passion project, about Catholic missionaries in 17th Century Japan.
Synecdoche, New York
Charlie Kaufman wrote Being John Malkovich, Adaptation and Eternal Sunshine of the Spotless Mind -- all great, all successful -- then turned director with Synecdoche, which is a masterpiece and which basically went unseen. It's overdue rediscovery.