When SHAW Cable purchased Winnipeg’s local cable station VPW, rumor circulated that they had destroyed the public access television archives and were systematically dismantling the public access services. Shortly thereafter, artist Daniel Barrow began researching, compiling and archiving a history of independently produced television in Winnipeg, Manitoba.
In the late 70s and throughout the 80s, Winnipeg experienced a golden age of public access television. Anyone with a creative dream, concept or politic would be endowed with airtime and professional production services. Winnipeg Babysitter traces unique vignettes from a brief synapse in broadcasting history when Winnipeg cable companies were mandated to provide public access as a condition of their license. Because the archives were destroyed, programs could only be found in the VHS collections of the original producers, television collectors, fans and enthusiasts. Winnipeg Babysitter is an archival project that restores a previously lost history.
Daniel Barrow performs an overhead projected commentary, tracing the histories of public access television in Manitoba, and describing the various biographies of each television producer and personality.
About the Ironworks Series
VIFF Live is giving four Resident Artists the opportunity to immerse themselves in the 2023 Festival and perform at The Ironworks.
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Daniel Barrow
Artist, Curator, Archivist
Winnipeg-born, Montreal-based artist Daniel Barrow uses obsolete technologies to present written, pictorial and cinematic narratives centering on the practices of drawing and collecting. Since 1993, they have created and adapted comic book narratives to “manual” forms of animation by projecting, layering and manipulating drawings on overhead projectors. Daniel Barrow has exhibited widely in Canada and abroad. He has performed at The Walker Art Center (Minneapolis), PS1 Contemporary Art Center (New York), The Museum of Contemporary Art (Los Angeles), The International Film Festival Rotterdam, The Portland Institute for Contemporary Art TBA Festival, and the British Film Institute (London). Barrow is the winner of the 2010 Sobey Art Award.
Missing VIFF? Check Out What's Playing at the VIFF Centre
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.
The Mortal Storm
In this explicitly anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.