World Premiere
Ryuichi Hiroki’s film is shot through with the spirit of Greek tragedy. It’s the story of Rumiko (Erika Toda), who dearly loves her mother Hanae (Mao Daichi) but is unable to feel the same way about her daughter Sayaka (Mei Nagano). Told from both Rumiko and Sayaka’s perspectives, Motherhood parses the psychology of both women, laying bare the fractures that prevent affection from passing down through the family lineage. It’s a sad story, but one that has room in it for compassion and tenderness amid the harshness.
Shooting in widescreen, Hiroki displays a peculiar but very evocative sensibility; at times, his film takes on a dollhouse-like aesthetic of ordered, brittle beauty. He’s a terrific director of actors, drawing a different portrait of frustrated passion from each lead performer. We’re used to assuming that parent and child must love each other, at least in some way; Motherhood is brave enough to question that assumption and powerful enough to call forth the deepest sympathy.
Q&A Oct 5
Media Partner
Erika Toda, Mei Nagano, Masaki Miura, Yuri Nakamura, Rio Yamashita, Atsuko Takahata, Mao Daichi
Japan
2022
In Japanese with English subtitles
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Emilia Pérez
When a defence attorney (Zoe Saldana) is enlisted to tend to the affairs of a notorious drug lord (Karla Sofía Gascón) completing gender affirmation surgery, there will be blood, ballads, and dance numbers. A maximalist musical from Jacques Audiard.
Memories of Murder
Parasite director Bong Joon-ho's police procedural is the centrepiece of our retrospective and arguably his masterpiece. Certainly, among serial killer movies this one is on a par with Zodiac and The Silence of the Lambs, but more politically astute.
Flow
In this wordless and gorgeously atmospheric animated feature, a solitary black cat survives a tsunami and must confront his fear of water whilst sailing through a flooded world with a group of misfit animals. An enchanting adventure film for all ages. Rated: G
Every Little Thing
If you thought Flow was an emotional rollercoaster, wait til you meet Cactus and Wasabi, baby hummingbirds fighting for their lives under the loving care of hummingbird-whisperer Terry Masear, an Angelino who makes it her mission to nurse injured birds.
Credits
Producer
Tatsuhiko Taniguchi, Shunsuke Koga, Yasushi Minatoya
Screenwriter
Anne Horiizumi
Cinematography
Atsuhiro Nabeshima
Editor
Minoru Nomoto
Production Design
Tomoyuki Maruo
Original Music
Kotringo
Director
Ryuichi Hiroki
Ryuichi Hiroki’s breakthrough into mainstream film came with his 1994 feature 800 Two Lap Runners, which opened at the Berlin International Film Festival. That same year, he won a scholarship to the Sundance Film Festival and went to the United States. In 2003, Hiroki won numerous awards at more than 40 international film festivals in Japan and abroad, including the Best Director Award for his feature film Vibrator at the 25th Yokohama Film Festival.
Filmography: The Egoists (2011); Marmalade Boy (2018); It’s Boring Here, Pick Me Up (2018); Phases of the Moon (2022)