Skip to main content
Motherhood film image, director Ryuichi Hiroki

Motherhood

Bosei / 母性

This event has passed

World Premiere

Ryuichi Hiroki’s film is shot through with the spirit of Greek tragedy. It’s the story of Rumiko (Erika Toda), who dearly loves her mother Hanae (Mao Daichi) but is unable to feel the same way about her daughter Sayaka (Mei Nagano). Told from both Rumiko and Sayaka’s perspectives, Motherhood parses the psychology of both women, laying bare the fractures that prevent affection from passing down through the family lineage. It’s a sad story, but one that has room in it for compassion and tenderness amid the harshness.

Shooting in widescreen, Hiroki displays a peculiar but very evocative sensibility; at times, his film takes on a dollhouse-like aesthetic of ordered, brittle beauty. He’s a terrific director of actors, drawing a different portrait of frustrated passion from each lead performer. We’re used to assuming that parent and child must love each other, at least in some way; Motherhood is brave enough to question that assumption and powerful enough to call forth the deepest sympathy.

 

Q&A Oct 5

 

Media Partner

     

Director
Cast

Erika Toda, Mei Nagano, Masaki Miura, Yuri Nakamura, Rio Yamashita, Atsuko Takahata, Mao Daichi

Credits
Country of Origin

Japan

Year

2022

Language

In Japanese with English subtitles

Film Contact
Content Warning

Self Harm

18+
116 min
Drama

Book Tickets

This event has passed.

Missing VIFF? Check out what's playing at the VIFF Centre

Who's Afraid of Virginia Woolf?

Dir. Mike Nichols
131 min

A young couple accept an invitation for a nightcap with history professor George (Richard Burton) and his wife Martha (Elizabeth Taylor). At first it's fun and games. But what passes for caustic wit soon degenerates into vicious mind games.

VIFF Centre - VIFF Cinema
Drop Dead City
Drop Dead City film image; someone holding a newspaper up in front of a brick wall

Drop Dead City

Dir. Michael Rohatyn & Peter Yost
108 min

New York, 1975. The city is minutes away from bankruptcy and President Gerald Ford wants no part of it. Sanitation workers are on strike and cops are telling tourists it's not safe to visit. The town is going up in flames and they can't pay the firemen.

VIFF Centre - Lochmaddy Studio Theatre

Shall We Dance?

Dir. Masayuki Suô
137 min

Masayuki Suô's delightful and charming 1996 film was a box office smash and won 14 Japanese Academy Awards including Best Film. It's the story of a married salaryman who falls in love with... dance.

VIFF Centre - Lochmaddy Studio Theatre

In the Mood for Love

Dir. Wong Kar-wai
107 min

Wong Kar-wai's most acclaimed and popular film is a love story about two neighbours (Tony Leung and Maggie Cheung) who are drawn together by the long absences of their respective spouses + a newly released short companion piece from 2001.

VIFF Centre - VIFF Cinema
Georgia O'Keeffe: the Brightness of Light
Georgia O’Keeffe: The Brightness of Light film image; painted reds, pinks, oranges, and yellows that combine to look like a flower

Georgia O'Keeffe: the Brightness of Light

Dir. Paul Wagner
118 min

Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."

VIFF Centre - Lochmaddy Studio Theatre

Familiar Touch

Dir. Sarah Friedland
90 min

A loving portrait of an octogenarian transitioning into an assisted living facility, this award-winning first feature by choreographer Sarah Friedland has a simplicity and warmth that's exceptionally poignant.

VIFF Centre - Lochmaddy Studio Theatre

Credits

Producer

Tatsuhiko Taniguchi, Shunsuke Koga, Yasushi Minatoya

Screenwriter

Anne Horiizumi

Cinematography

Atsuhiro Nabeshima

Editor

Minoru Nomoto

Production Design

Tomoyuki Maruo

Original Music

Kotringo

Director

Ryuichi Hiroki headshot, Motherhood director

Ryuichi Hiroki

Ryuichi Hiroki’s breakthrough into mainstream film came with his 1994 feature 800 Two Lap Runners, which opened at the Berlin International Film Festival. That same year, he won a scholarship to the Sundance Film Festival and went to the United States. In 2003, Hiroki won numerous awards at more than 40 international film festivals in Japan and abroad, including the Best Director Award for his feature film Vibrator at the 25th Yokohama Film Festival.

Filmography: The Egoists (2011); Marmalade Boy (2018); It’s Boring Here, Pick Me Up (2018); Phases of the Moon (2022)