World Premiere
Ryuichi Hiroki’s film is shot through with the spirit of Greek tragedy. It’s the story of Rumiko (Erika Toda), who dearly loves her mother Hanae (Mao Daichi) but is unable to feel the same way about her daughter Sayaka (Mei Nagano). Told from both Rumiko and Sayaka’s perspectives, Motherhood parses the psychology of both women, laying bare the fractures that prevent affection from passing down through the family lineage. It’s a sad story, but one that has room in it for compassion and tenderness amid the harshness.
Shooting in widescreen, Hiroki displays a peculiar but very evocative sensibility; at times, his film takes on a dollhouse-like aesthetic of ordered, brittle beauty. He’s a terrific director of actors, drawing a different portrait of frustrated passion from each lead performer. We’re used to assuming that parent and child must love each other, at least in some way; Motherhood is brave enough to question that assumption and powerful enough to call forth the deepest sympathy.
Q&A Oct 5
Media Partner
Erika Toda, Mei Nagano, Masaki Miura, Yuri Nakamura, Rio Yamashita, Atsuko Takahata, Mao Daichi
Japan
2022
In Japanese with English subtitles
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
A Sad and Beautiful World
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Chronovisor
A device so sensitive it can pick up emanations from history, the Chronovisor caused a ripple in scientific circles in the latter half of the 20th century, although most dismissed it as a hoax. But why would anyone want to suppress a hoax?
Tokyo Taxi
An overworked taxi driver takes 85-year-old Madame Sumire on a final journey through Tokyo, revisiting the places that shaped her life. Yoji Yamada’s 91st film is a moving, heartwarming love letter to Tokyo, nominated for nine Japanese Academy Awards.
KAKU KAKU SHIKA JIKA fka Blank Canvas: My So-Called Artist's Journey
Adapted from acclaimed manga artist Akiko Higashimura’s autobiographical manga is a funny and sharply observed coming-of-age story about the creative awakening of a master of manga.
Blue Boy Trial
Transgender filmmaker Kasho Iizuka revisits 1960s Japan and the sensational “Blue Boy Trial,” sparked by the arrest of a doctor performing sex reassignment surgeries. With trans actors in central roles, the film powerfully illuminates buried history, identity, dignity, and resilience.
Credits
Producer
Tatsuhiko Taniguchi, Shunsuke Koga, Yasushi Minatoya
Screenwriter
Anne Horiizumi
Cinematography
Atsuhiro Nabeshima
Editor
Minoru Nomoto
Production Design
Tomoyuki Maruo
Original Music
Kotringo
Director
Ryuichi Hiroki
Ryuichi Hiroki’s breakthrough into mainstream film came with his 1994 feature 800 Two Lap Runners, which opened at the Berlin International Film Festival. That same year, he won a scholarship to the Sundance Film Festival and went to the United States. In 2003, Hiroki won numerous awards at more than 40 international film festivals in Japan and abroad, including the Best Director Award for his feature film Vibrator at the 25th Yokohama Film Festival.
Filmography: The Egoists (2011); Marmalade Boy (2018); It’s Boring Here, Pick Me Up (2018); Phases of the Moon (2022)