World Premiere
Ryuichi Hiroki’s film is shot through with the spirit of Greek tragedy. It’s the story of Rumiko (Erika Toda), who dearly loves her mother Hanae (Mao Daichi) but is unable to feel the same way about her daughter Sayaka (Mei Nagano). Told from both Rumiko and Sayaka’s perspectives, Motherhood parses the psychology of both women, laying bare the fractures that prevent affection from passing down through the family lineage. It’s a sad story, but one that has room in it for compassion and tenderness amid the harshness.
Shooting in widescreen, Hiroki displays a peculiar but very evocative sensibility; at times, his film takes on a dollhouse-like aesthetic of ordered, brittle beauty. He’s a terrific director of actors, drawing a different portrait of frustrated passion from each lead performer. We’re used to assuming that parent and child must love each other, at least in some way; Motherhood is brave enough to question that assumption and powerful enough to call forth the deepest sympathy.
Q&A Oct 5
Media Partner
Erika Toda, Mei Nagano, Masaki Miura, Yuri Nakamura, Rio Yamashita, Atsuko Takahata, Mao Daichi
Japan
2022
In Japanese with English subtitles
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Adventures of Tintin
Could this be Spielberg's most underrated film? It's his only stab at animation, and it moves like Raiders of the Lost Ark on caffeine. The plotting may be antiquarian but the action never lets up. It's delirious stuff, often laugh-out-loud funny.
Ghost Elephants
Everyone's favourite German adventurer, Werner Herzog goes on the hunt for the largest land mammal on the planet, the fabled "ghost elephant" of the Angolan highlands -- that may, or may not, exist.
Miroirs No. 3
Following a car crash that kills her boyfriend, piano student Laura is physically unhurt but emotionally distraught. A local woman takes her in, but she gradually realizes she's in the midst of an eerie, mysterious family situation.
Image: © Schramm Film A4 Kopie
The Things You Kill
Thirty-something professor Ali leads an apparently stable life. But when his ailing mother dies under ambiguous circumstances, he starts to unravel, resulting in an act that shatters our understanding of his person.
Credits
Producer
Tatsuhiko Taniguchi, Shunsuke Koga, Yasushi Minatoya
Screenwriter
Anne Horiizumi
Cinematography
Atsuhiro Nabeshima
Editor
Minoru Nomoto
Production Design
Tomoyuki Maruo
Original Music
Kotringo
Director
Ryuichi Hiroki
Ryuichi Hiroki’s breakthrough into mainstream film came with his 1994 feature 800 Two Lap Runners, which opened at the Berlin International Film Festival. That same year, he won a scholarship to the Sundance Film Festival and went to the United States. In 2003, Hiroki won numerous awards at more than 40 international film festivals in Japan and abroad, including the Best Director Award for his feature film Vibrator at the 25th Yokohama Film Festival.
Filmography: The Egoists (2011); Marmalade Boy (2018); It’s Boring Here, Pick Me Up (2018); Phases of the Moon (2022)

