World Premiere
Ryuichi Hiroki’s film is shot through with the spirit of Greek tragedy. It’s the story of Rumiko (Erika Toda), who dearly loves her mother Hanae (Mao Daichi) but is unable to feel the same way about her daughter Sayaka (Mei Nagano). Told from both Rumiko and Sayaka’s perspectives, Motherhood parses the psychology of both women, laying bare the fractures that prevent affection from passing down through the family lineage. It’s a sad story, but one that has room in it for compassion and tenderness amid the harshness.
Shooting in widescreen, Hiroki displays a peculiar but very evocative sensibility; at times, his film takes on a dollhouse-like aesthetic of ordered, brittle beauty. He’s a terrific director of actors, drawing a different portrait of frustrated passion from each lead performer. We’re used to assuming that parent and child must love each other, at least in some way; Motherhood is brave enough to question that assumption and powerful enough to call forth the deepest sympathy.
Q&A Oct 5
Media Partner
Erika Toda, Mei Nagano, Masaki Miura, Yuri Nakamura, Rio Yamashita, Atsuko Takahata, Mao Daichi
Japan
2022
In Japanese with English subtitles
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Agent of Happiness
In the Kingdom of Bhutan, the government makes a point of asking citizens about their level of contentment. This droll, poetical doc follows census-taker Amber as he takes villagers through the 148-question survey and contemplates his own life too.
Bird
In Andrea Arnold's latest, 12-year-old Bailey (Nykiya Adams) lives in a squat near the English seaside. Neglected by her chaotic father (Barry Keoghan), she pursues an adventure with a magnetic stranger named Bird (Franz Rogowski).
Arthur Erickson: Beauty Between the Lines
This new documentary offers the most complete account so far of the life and work of Canada's greatest architect, the man responsible for several of the finest buildings in Vancouver -- including the Museum of Anthropology and the SFU Campus.
Feven Kidane Quartet: Music Inspired by the Film Soundtrack to a Coup D'Etat + Film Screening
Trumpeter Feven Kidane, with Quincy Mayes on keys, Bernie Arai on drums, and Milo Johnson on bass, present a special set of original music inspired by Johan Grimonprez's brilliant essay film on the assassination of Patrice Lumumba, Jazz, and the Cold War.
Ghost Cat Anzu
When fifth grader Karin is deposited with her grandfather for the summer she takes out her unhappiness on his giant talking cat, Anzu -- who looks out for her even so. This wildly original anime riffs on Spirited Away with pleasing irreverence. Rated: PG.
Credits
Producer
Tatsuhiko Taniguchi, Shunsuke Koga, Yasushi Minatoya
Screenwriter
Anne Horiizumi
Cinematography
Atsuhiro Nabeshima
Editor
Minoru Nomoto
Production Design
Tomoyuki Maruo
Original Music
Kotringo
Director
Ryuichi Hiroki
Ryuichi Hiroki’s breakthrough into mainstream film came with his 1994 feature 800 Two Lap Runners, which opened at the Berlin International Film Festival. That same year, he won a scholarship to the Sundance Film Festival and went to the United States. In 2003, Hiroki won numerous awards at more than 40 international film festivals in Japan and abroad, including the Best Director Award for his feature film Vibrator at the 25th Yokohama Film Festival.
Filmography: The Egoists (2011); Marmalade Boy (2018); It’s Boring Here, Pick Me Up (2018); Phases of the Moon (2022)