World Premiere
Ryuichi Hiroki’s film is shot through with the spirit of Greek tragedy. It’s the story of Rumiko (Erika Toda), who dearly loves her mother Hanae (Mao Daichi) but is unable to feel the same way about her daughter Sayaka (Mei Nagano). Told from both Rumiko and Sayaka’s perspectives, Motherhood parses the psychology of both women, laying bare the fractures that prevent affection from passing down through the family lineage. It’s a sad story, but one that has room in it for compassion and tenderness amid the harshness.
Shooting in widescreen, Hiroki displays a peculiar but very evocative sensibility; at times, his film takes on a dollhouse-like aesthetic of ordered, brittle beauty. He’s a terrific director of actors, drawing a different portrait of frustrated passion from each lead performer. We’re used to assuming that parent and child must love each other, at least in some way; Motherhood is brave enough to question that assumption and powerful enough to call forth the deepest sympathy.
Q&A Oct 5
Media Partner
Erika Toda, Mei Nagano, Masaki Miura, Yuri Nakamura, Rio Yamashita, Atsuko Takahata, Mao Daichi
Japan
2022
In Japanese with English subtitles
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
It's a Wonderful Life
Every time a bell rings, an angel gets its wings. This Christmas classic is whimsical, sure, but it has the depth to stand up to multiple watches, and it really should be a communal experience, because that is what it's about. Rated: G
Wallace & Gromit: Vengeance Most Fowl
Aardman Animation's handcrafted mix of dad jokes, slapstick, mock dramatics and understated emotion makes this return for the claymation odd couple a constant delight. The villainous Feathers McGraw is back to no good, commandeering Norbot the robot. Rated: G
The Count of Monte Cristo
You can't beat this evergreen Alexandre Dumas tale for adventure, intrigue and romance. This lavish French blockbuster from the writers of the recent Three Musketeers movies pulls you in from the first scene and doesn't let off for the next three hours. Rated: PG
Flow
In this wordless and gorgeously atmospheric animated feature, a solitary black cat survives a tsunami and must confront his fear of water whilst sailing through a flooded world with a group of misfit animals. An enchanting adventure film for all ages. Rated: G
The Holdovers
Destined to become a seasonal staple, this bittersweet comedy reunites Sideways director and star Alexander Payne and Paul Giamatti in the portrait of a surly classics teacher forced to babysit five "orphans" at boarding school over the holidays.
Who by Fire
Jeff, a 17-year-old aspiring filmmaker, goes on vacation with his friend Max and his family to an isolated lodge. Philippe Lesage’s film is a tense, mesmerizing tour de force that is both agonizing and cathartic. A Berlinale award winner.
Credits
Producer
Tatsuhiko Taniguchi, Shunsuke Koga, Yasushi Minatoya
Screenwriter
Anne Horiizumi
Cinematography
Atsuhiro Nabeshima
Editor
Minoru Nomoto
Production Design
Tomoyuki Maruo
Original Music
Kotringo
Director
Ryuichi Hiroki
Ryuichi Hiroki’s breakthrough into mainstream film came with his 1994 feature 800 Two Lap Runners, which opened at the Berlin International Film Festival. That same year, he won a scholarship to the Sundance Film Festival and went to the United States. In 2003, Hiroki won numerous awards at more than 40 international film festivals in Japan and abroad, including the Best Director Award for his feature film Vibrator at the 25th Yokohama Film Festival.
Filmography: The Egoists (2011); Marmalade Boy (2018); It’s Boring Here, Pick Me Up (2018); Phases of the Moon (2022)