
F.W. Murnau, meet Thom Yorke. Radiohead’s mind-blowing “Kid A” (2000) and “Amnesiac” (2001) albums breathe new life into the first great vampire movie.
The first, albeit unofficial, adaptation of Bram Stoker’s novel Dracula, this film differs from subsequent versions in its vivid portrait of the vampire as a ghoulish fiend, bald, with rodent-like teeth, digits and ears. He preys in the shadows and merges with the darkness. If this is a creature of the Expressionist imagination, Nosferatu stands out for Murnau’s decision to film on location in medieval Baltic towns; the horror derives its special frisson from placing the supernatural within the natural world.
Radiohead’s music may have emerged 80 years after the images, yet the combination proves weirdly effective. Throw out your organs!
F.W. Murnau
Max Schreck
Germany
1922
No Dialogue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Henrik Galeen
Cinematography
Fritz Arno Wagner
Art Director
Albin Grau
Missing VIFF? Check out what's playing at the VIFF Centre
Love
This warm, thoughtful piece offers shrewd comic observations on modern dating as it trains a quizzical eye on the trysts of a female doctor, Marianne (Andrea Bræin Hovig), and her colleague, a gay male nurse, Tor (Tayo Cittadella Jacobsen).
Sex
Two chimney sweeps living in heterosexual marriages find their views on sexuality and gender challenged by a series of unexpected events. In a set of sharply scripted conversations, both men confront heretofore unexplored aspects of their identity.
3 Faces
Iranian filmmaker Panahi and actress Behnaz Jafari, both playing themselves, receive a video in which a distraught teenaged girl, whose acting dreams have been quashed appears to kill herself. Panahi and Jafari decide to investigate...
Dreams
The third installment in the Sex/Dreams/Love trilogy is another rich, absorbing tale. 17-year-old Johanne writes a confessional about her flirtation with a (female) teacher. But the writing is too good to stay private...
Transit
Trust the director of Phoenix and Barbara to re-imagine a WWII romantic intrigue into something unsettlingly contemporary. With occupying forces closing in, a German refugee (Franz Rogowski) assumes a dead writer's identity and flees to Marseille.