
F.W. Murnau, meet Thom Yorke. Radiohead’s mind-blowing “Kid A” (2000) and “Amnesiac” (2001) albums breathe new life into the first great vampire movie.
The first, albeit unofficial, adaptation of Bram Stoker’s novel Dracula, this film differs from subsequent versions in its vivid portrait of the vampire as a ghoulish fiend, bald, with rodent-like teeth, digits and ears. He preys in the shadows and merges with the darkness. If this is a creature of the Expressionist imagination, Nosferatu stands out for Murnau’s decision to film on location in medieval Baltic towns; the horror derives its special frisson from placing the supernatural within the natural world.
Radiohead’s music may have emerged 80 years after the images, yet the combination proves weirdly effective. Throw out your organs!
F.W. Murnau
Max Schreck
Germany
1922
No Dialogue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Henrik Galeen
Cinematography
Fritz Arno Wagner
Art Director
Albin Grau
Missing VIFF? Check out what's playing at the VIFF Centre
The Sacred Arrow
A romantic, gorgeously shot, widescreen modern fable, this is a marked departure from Pema Tseden's usual stye. Handsome Nyima and brooding Dradon are ace archers from rival villages who vie in an annual contest for the ultimate prize, the Sacred Arrow.
The True Story of Tamara De Lempicka & The Art of Survival
If Art Deco had a face, it was surely Tamara De Lempicka, giving us the side-eye at the wheel of a green Bugati in her famous self-portrait. Rubio's invaluable doc teases out the truths behind the myths, shedding light on De Lempicka's still underrated art.
Image: © 2024 TAMARA DE LEMPICKA ESTATE, LLC ADAGP, PARIS ARS, NY
Amiko
Teenage rebel Amiko loves Radiohead but hates everything else about her boring and banal existence -- and her provincial high school above all. Then she meets a boy... The micro-budget debut of 19-year-old Desert of Namibia director Yôko Yamanaka.
Desert of Namibia
A prizewinner at Cannes, Yôko Yamanaka's second film is an acerbic portrait of an arrogant, attractive, diffident, "difficult" 21-year-old woman, Kana (a mesmerizing Yuumi Kawai), who numbly drifts between boyfriends, leaving wreckage in her wake.