Skip to main content
Riotsville, U.S.A. film image, director Sierra Pettengill

Riotsville, U.S.A.

This event has passed

Consisting entirely of government and TV news footage from the 1960s (with essayistic commentary and brief on-screen contextual notes), Sierra Pettengill’s transfixing nonfiction film harks back nostalgically to a period of widespread civil unrest in the United States, when Los Angeles, Detroit, Chicago, and dozens more inner cities went up in flames. In July 1967, President Johnson established the Kerner Commission to investigate. At much the same time, a mock town was built in Fort Belvoir, Virginia, to train military and police in containing civil disorders. They called it “Riotsville.”

Pettengill’s thesis is that the wave of protests (predominantly from the Black community) threw a spotlight on social inequity that could not be ignored. Indeed, the Kerner Report was no whitewash. In some areas, it became the fastest selling paperback since Valley of the Dolls. But for the most part its recommendations—including a universal income—were ignored or not properly funded. Meanwhile, budgets for police containment and riot control began to escalate with repercussions we still see today.

Director
Credits
Country of Origin

USA

Year

2022

Language

English

Film Contact
Links
18+

At The Cinematheque & International Village

19+

At The Rio

91 min
Drama Human Rights & Social Justice Women Directors

Book Tickets

This event has passed.

Missing VIFF? Check Out What's Playing at the VIFF Centre

NAZA
Naza film image; two people sitting in a foggy night with skyscrapers in the background

NAZA

Dir. Yuval Abraham, Rachel Szor
80 min

NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.

VIFF Centre - Lochmaddy Studio Theatre

The Best Years of Our Lives

Dir. William Wyler
170 min

One of the finest films to come out of WWII, The Best Years of Our Lives sympathetically conveys the difficulties returning veterans faced in readjusting to life at home. It won 7 of the top Academy Awards including Best Picture, Director and Actor.

VIFF Centre - VIFF Cinema

Ray Gunn (Special Advance Screening with Brad Bird)

Dir. Brad Bird
119 min

In an alternate future as seen from 1939, a private eye (Sam Rockwell) is drawn into a case involving aliens, murder, and a multimedia star (Scarlett Johansson). Followed by a moderated discussion with director Brad Bird (The Incredibles, Ratatouille).

VIFF Centre - VIFF Cinema

The Bloodettes

Dir. Jean-Pierre Bekolo
92 min

In this early Afro-futurist shlocker from Cameroonian director Jean-Pierre Bekolo (made in 2005 and set in 2025), two sex workers try to dispose of the body of a high profile politician who's died on the job (theirs, not his).

VIFF Centre - Lochmaddy Studio Theatre
La Bola Negra
La Bola Negra film image; man playing a trumpet

La Bola Negra

Dir. Javier Ambrossi, Javier Calvo
155 min

A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.

VIFF Centre - VIFF Cinema
Akashi
Akashi film image; woman looking out from the back window of a car

Akashi

Dir. Mayumi Yoshida
105 min

In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.

VIFF Centre - VIFF Cinema VIFF Centre - Lochmaddy Studio Theatre

Credits

Executive Producer

Charlotte Cook, Michael Y. Chow, Sue Turley, Grace Lay, Sumalee Montano

Producer

Sara Archambault, Jamila Wignot

Screenwriter

Tobi Haslett

Editor

Nels Bangerter

Original Music

Jace Clayton

Director

Sierra Pettengill headshot, Riotsville, U.S.A. director

Sierra Pettengill

Sierra Pettengill’s work focuses on the warped narratives of the American past. Most recently, she directed the archival short The Rifleman, which premiered at the 2021 Sundance Film Festival. Her 2017 feature-length documentary, The Reagan Show, premiered at the Locarno Film Festival before airing on CNN. In 2013, she produced the Academy Award-nominated film Cutie and the Boxer, which also won an Emmy Award for Best Documentary. She was a Sundance Institute Art of Nonfiction Fellow, a fellow at the Yaddo and MacDowell artist colonies, and is a board member of Screen Slate.

Filmography: Town Hall (2013); The Reagan Show (2017)