Determined to escape perpetually post-apocalyptic Los Angeles, Levi (Justin Benson) instead falls in with John (Aaron Moorhead), a kindred conspiracy theorist. After witnessing an inexplicable event in Levi’s apartment, the neighbours become intent on monetizing the paranormal activity by shooting a Netflix-style docuseries. Convincing themselves that they’re piecing together a grand puzzle consisting of (but hardly limited to) numerology, symbology, energy fields, and mass simulations, they plunge through the looking glass and tumble down a succession of rabbit holes.
Serving as directors, producers, editors, stars, writer (Benson) and cinematographer (Moorhead), this dynamic duo, last seen at VIFF with 2017’s The Endless, remain the standard bearers for DIY speculative cinema. Their on-screen chemistry and adroitness with cinematic sleights of hand anchor their latest film even as Levi and John spiral further into delusion. Ultimately, it’s Benson and Moorhead’s infectious enthusiasm for mining mystery and endless possibility from the mundane that makes this lo-fi sci-fi spectacle so captivating.
Media Partner
Justin Benson & Aaron Moorhead
Justin Benson, Aaron Moorhead
USA
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.
The Track
In the middle of a mountain forest above Sarajevo, three boys train for the Olympics in a bullet-ridden luge track abandoned since the 1984 Winter Games. An ambitious, hopeful look at the next generation striving to overcome the sins of their fathers.
Yunan
In this haunting mood piece, Munir is a middle-aged Syrian writer in exile in Germany. In crisis, he takes himself up to one of the Halligan islands in the North Sea, a suitable place to end it all...
The Secret Agent
Having run afoul of an influential bureaucrat in Brazil’s military dictatorship circa 1977, Marcelo decamps to Recife to live under an assumed name — but he’ll soon come to understand precisely how rampant the country’s corruption has become.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
Credits
Producer
David Lawson, Aaron Moorhead, Justin Benson
Screenwriter
Justin Benson
Editor
Michael Felker, Justin Benson, Aaron Moorhead
Production Design
Ariel Vida
Original Music
Jimmy LaValle
Art Director
Catherine Simon
