Determined to escape perpetually post-apocalyptic Los Angeles, Levi (Justin Benson) instead falls in with John (Aaron Moorhead), a kindred conspiracy theorist. After witnessing an inexplicable event in Levi’s apartment, the neighbours become intent on monetizing the paranormal activity by shooting a Netflix-style docuseries. Convincing themselves that they’re piecing together a grand puzzle consisting of (but hardly limited to) numerology, symbology, energy fields, and mass simulations, they plunge through the looking glass and tumble down a succession of rabbit holes.
Serving as directors, producers, editors, stars, writer (Benson) and cinematographer (Moorhead), this dynamic duo, last seen at VIFF with 2017’s The Endless, remain the standard bearers for DIY speculative cinema. Their on-screen chemistry and adroitness with cinematic sleights of hand anchor their latest film even as Levi and John spiral further into delusion. Ultimately, it’s Benson and Moorhead’s infectious enthusiasm for mining mystery and endless possibility from the mundane that makes this lo-fi sci-fi spectacle so captivating.
Media Partner
Justin Benson & Aaron Moorhead
Justin Benson, Aaron Moorhead
USA
2022
English
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
To Be Or Not To Be
Strange but true: one of the greatest comedies of Hollywood's golden era was inspired by Hitler's annexation of Poland in 1938. Jack Benny is the renowned theatre actor whose performance of Hamlet is interrupted by the Germans.
Shadow of a Doubt
In our latest film studies series, FRAMEWORK, Michael van den Bos explores the work of Alfred Hitchcock across four monochrome masterworks. This week: smalltown US thriller Shadow of a Doubt (1943), one of the director's personal favourites.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
Credits
Producer
David Lawson, Aaron Moorhead, Justin Benson
Screenwriter
Justin Benson
Editor
Michael Felker, Justin Benson, Aaron Moorhead
Production Design
Ariel Vida
Original Music
Jimmy LaValle
Art Director
Catherine Simon