Determined to escape perpetually post-apocalyptic Los Angeles, Levi (Justin Benson) instead falls in with John (Aaron Moorhead), a kindred conspiracy theorist. After witnessing an inexplicable event in Levi’s apartment, the neighbours become intent on monetizing the paranormal activity by shooting a Netflix-style docuseries. Convincing themselves that they’re piecing together a grand puzzle consisting of (but hardly limited to) numerology, symbology, energy fields, and mass simulations, they plunge through the looking glass and tumble down a succession of rabbit holes.
Serving as directors, producers, editors, stars, writer (Benson) and cinematographer (Moorhead), this dynamic duo, last seen at VIFF with 2017’s The Endless, remain the standard bearers for DIY speculative cinema. Their on-screen chemistry and adroitness with cinematic sleights of hand anchor their latest film even as Levi and John spiral further into delusion. Ultimately, it’s Benson and Moorhead’s infectious enthusiasm for mining mystery and endless possibility from the mundane that makes this lo-fi sci-fi spectacle so captivating.
Media Partner
Justin Benson & Aaron Moorhead
Justin Benson, Aaron Moorhead
USA
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Sentimental Value
A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.
The Ice Tower
In Lucile Hadžihalilović's spellbinding fantasy drama, an orphan (Clara Pacini) becomes enthralled by a movie star (Marion Cotillard) playing the Snow Queen in a fairy tale film adaptation. Winner of the Silver Bear for Outstanding Artistic Contribution.
La Grazia
A contemplative, mournful but richly imagined movie about a retiring Italian President (Toni Servillo from The Great Beauty) facing two thorny ethical decisions that may define his legacy.
Image: © Andrea Pirrello
Innocence
Lucile Hadžihalilović's first feature is a suggestive, subversive fairy tale set in a private school for young girls, the kind of film David Lynch might have made, if he'd been born a French woman in the early 1960s.
Where to Land
Hal Hartley's first new film in a decade is a melancholy farce about mortality and what we'll call "late middle-age". Bill Sage is a semi-retired filmmaker who isn't dying faster than the rest of us but who behaves like he might be.
La venue de l'avenir
Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.
Credits
Producer
David Lawson, Aaron Moorhead, Justin Benson
Screenwriter
Justin Benson
Editor
Michael Felker, Justin Benson, Aaron Moorhead
Production Design
Ariel Vida
Original Music
Jimmy LaValle
Art Director
Catherine Simon
