The Battle of Algiers

Walt Disney pushed the boundaries of animation and sound recording when he put together a movie concert: eight classical pieces by Bach, Beethoven, Stravinski et al, each animated in a different style. It's playful, sometimes cute, other times inspired.

Image: © Disney, 1940

Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.

Jean Vigo died from TB in 1934 at the age of 29. Yet he is revered as one of the great innovators of the medium, and his only feature, L'Atalante, is a seminal film, a tender, lyrical love story set on a barge on the Seine.

This month's Pantheon selection spotlights the first woman to win the Academy Award for Best Foreign Language Film, the Dutch feminist filmmaker Marleen Gorris, and her charming, vibrant tale of an emancipated farmer who refuses to conform.

The third of the great Japanese masters (with Ozu and Kurosawa), Mizoguchi is a poet of suffering. There's plenty of that here in his exquisite telling of an ancient folktale about the enslavement of a woman and her two children.

A sophisticated and gripping suspense drama about the hunt for a child murderer, played with disturbing compassion by the great Peter Lorre. M was Fritz Lang's first sound film, and you can sense his excitement at the possibilities.

Lampedusa's elegiac account of a 19th century Sicilian aristocrat, Prince Salina, fading into history is one of the pinnacles of Italian cinema, an epic which influenced the tempo and gravitas of The Godfather, Age of Innocence and The Deer Hunter.

James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).

Ousmane Sembène is known as the "father of African cinema". An adaptation of his own 1973 novel, Xala is a hilarious, caustic satire of political corruption under an inept post-colonial patriarchy.

Andrei Tarkovsky's vast and vivid episodic epic tells the story of a Russian monk and painter of religious icons 1400-1428, during the time of the Tartar invasions.

Anna, the young second wife of a well-respected but much older pastor, falls in love with her stepson when he returns to their small seventeenth-century village. Stepping outside the bounds of the village's harsh moral code has disastrous results.

Chris Marker's dazzling and discursive essay film ranges across Japan, Africa, San Francisco, Iceland, politics, philosophy, ritual, movies and memory. It's a film for the permanently curious.