North American Premiere
Pierre (writer-director Thomas Salvador) is a robotics engineer. After presenting at a sales conference in Chamonix, he calls in sick from work, buys climbing gear, and heads out into the Alps. It is a fateful, irrational turning point. Paris, work, family—these things no longer matter. The only thing that speaks to him is the mountain.
In recent years, we have seen several breathtaking climbing documentaries (Free Solo; Meru; The Summit). Like these, Salvador’s film has spectacular vistas, moments of vertiginous and claustrophobic intensity, and an obsessive protagonist, literally an outsider. But The Mountain is a reminder of how far dramatic fiction can go. A deep mystery opens up at the heart of this story, a fissure in the fabric of the real, and Salvador/Pierre plunges in after it with a zeal that will either inspire or infuriate, according to your taste for adventure. This is a simple film, but a remarkable one, that much is sure.
Cannes DF 2022 (best French film SACD)
Supported by
Thomas Salvador, Louise Bourgoin, Martine Chevallier, Laurent Poitrenaux, Andranic Manet, Sylvain Frendo
France
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
The Secret in Their Eyes
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The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Credits
Producer
Julie Salvador
Screenwriter
Thomas Salvador, Naila Guiguet
Cinematography
Alexis Kavyrchine
Editor
Mathilde Muyard
Original Music
Chloé Thevenin
Director
Thomas Salvador
Thomas Salvador is a filmmaker, screenwriter, and actor in his own films. He has directed six short films that have been selected and awarded by numerous festivals, including Petits Pas (2003), which was screened at Cannes’ Directors’ Fortnight, and De Sortie (2005), which won the 2006 Jean Vigo Prize. While hosted at the Villa Medici in Rome, he wrote his first feature film Vincent (2015), which was selected by more than 40 festivals in France and abroad. The Mountain is his second feature film.
Filmography: Vincent (2015)