North American Premiere
Pierre (writer-director Thomas Salvador) is a robotics engineer. After presenting at a sales conference in Chamonix, he calls in sick from work, buys climbing gear, and heads out into the Alps. It is a fateful, irrational turning point. Paris, work, family—these things no longer matter. The only thing that speaks to him is the mountain.
In recent years, we have seen several breathtaking climbing documentaries (Free Solo; Meru; The Summit). Like these, Salvador’s film has spectacular vistas, moments of vertiginous and claustrophobic intensity, and an obsessive protagonist, literally an outsider. But The Mountain is a reminder of how far dramatic fiction can go. A deep mystery opens up at the heart of this story, a fissure in the fabric of the real, and Salvador/Pierre plunges in after it with a zeal that will either inspire or infuriate, according to your taste for adventure. This is a simple film, but a remarkable one, that much is sure.
Cannes DF 2022 (best French film SACD)
Supported by
Thomas Salvador, Louise Bourgoin, Martine Chevallier, Laurent Poitrenaux, Andranic Manet, Sylvain Frendo
France
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Best Boy
Sibling rivalry is the name of the game in Jesse Noah Klein's pitch black comedy. Eli, Lawrence and Phillip (who's a woman) reunite after the passing of their father and, in accordance with his last wishes, compete for the prized title of "Best Boy".
The End of the Internet + Installation & Talk
Forget the cloud. "The net" is a far more accurate metaphor for the www. Filmmaker Dylan Reibling meets the hacktavists around the world fighting for the independent flow of information free from censorship and exploitation.
Lucid
Art student Mia is struggling with a make-or-break assignment, a self-portrait. It's only when grandma lets slip that her mom used to hypnotize her as a child to blank out the bad bits that she realizes the severity of the challenge...
Two Pianos
Once promising concert pianist Mathias (François Civil) returns to his native Lyon after a long absence. He's here to pay homage to his mentor, Elena (Charlotte Rampling). But a chance encounter with an old flame sends him spiraling.
The Richest Woman in the World
Isabelle Huppert plays cosmetics CEO Marianne in this teasingly ambivalent satire inspired by the Bettancourt Affair, when L'Oreal heir Francoise Bettancourt scandalized France by frittering away her fortune on a notorious celebrity photographer.
Credits
Producer
Julie Salvador
Screenwriter
Thomas Salvador, Naila Guiguet
Cinematography
Alexis Kavyrchine
Editor
Mathilde Muyard
Original Music
Chloé Thevenin
Director
Thomas Salvador
Thomas Salvador is a filmmaker, screenwriter, and actor in his own films. He has directed six short films that have been selected and awarded by numerous festivals, including Petits Pas (2003), which was screened at Cannes’ Directors’ Fortnight, and De Sortie (2005), which won the 2006 Jean Vigo Prize. While hosted at the Villa Medici in Rome, he wrote his first feature film Vincent (2015), which was selected by more than 40 festivals in France and abroad. The Mountain is his second feature film.
Filmography: Vincent (2015)