North American Premiere
Pierre (writer-director Thomas Salvador) is a robotics engineer. After presenting at a sales conference in Chamonix, he calls in sick from work, buys climbing gear, and heads out into the Alps. It is a fateful, irrational turning point. Paris, work, family—these things no longer matter. The only thing that speaks to him is the mountain.
In recent years, we have seen several breathtaking climbing documentaries (Free Solo; Meru; The Summit). Like these, Salvador’s film has spectacular vistas, moments of vertiginous and claustrophobic intensity, and an obsessive protagonist, literally an outsider. But The Mountain is a reminder of how far dramatic fiction can go. A deep mystery opens up at the heart of this story, a fissure in the fabric of the real, and Salvador/Pierre plunges in after it with a zeal that will either inspire or infuriate, according to your taste for adventure. This is a simple film, but a remarkable one, that much is sure.
Cannes DF 2022 (best French film SACD)
Supported by
Thomas Salvador, Louise Bourgoin, Martine Chevallier, Laurent Poitrenaux, Andranic Manet, Sylvain Frendo
France
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Blue Trail
77-year-old Tereza makes a break for the Brazilian jungle in this trippy septuagenarian fantasy, the latest from Brazilian director Gabriel Mascaro is a quirky picaresque, lushly photographed and filled with mordant humour.
Calle Málaga
Seventy-nine-year-old María Ángeles lives independently in Tangier's Spanish quarter. When her daughter pressures her into selling her apartment, she refuses to give in, finding in her old age a new resilience and an unexpected romantic connection.
Streetwalker
Middle class and married, Elena (Miroslava Stern) has been seduced by an unscrupulous swindler, who turns out to be the pimp of Maria (Elda Peralta), a prostitute and Elena's estranged sister. But are they really so different under the skin?
Two Prosecutors
In the midst of Stalin’s purges, a naïve prosecutor sets out to investigate a prisoner’s innocence, unaware of the labyrinthine bureaucracy awaiting him. A Kafkaesque procedural thriller about the pursuit of justice in the face of corruption.
Image: © SBS Productions
Salón México
Cheated by her pimp, Mercedes recklessly steals his wallet and is only saved from a severe beating by the intervention of a kindly policeman. Hard-hitting social realism sits beside patriotic sentimentality and multiple red hot dance sequences.
The Kneeling Goddess
In which wealthy industrialist Arturo de Cordova purchases the titular nude sculpture of his lover (María Félix) as an anniversary gift for his innocent, adoring wife. Soon enough the wife is dead, though untangling just how and why is part of the fun.
Credits
Producer
Julie Salvador
Screenwriter
Thomas Salvador, Naila Guiguet
Cinematography
Alexis Kavyrchine
Editor
Mathilde Muyard
Original Music
Chloé Thevenin
Director
Thomas Salvador
Thomas Salvador is a filmmaker, screenwriter, and actor in his own films. He has directed six short films that have been selected and awarded by numerous festivals, including Petits Pas (2003), which was screened at Cannes’ Directors’ Fortnight, and De Sortie (2005), which won the 2006 Jean Vigo Prize. While hosted at the Villa Medici in Rome, he wrote his first feature film Vincent (2015), which was selected by more than 40 festivals in France and abroad. The Mountain is his second feature film.
Filmography: Vincent (2015)