The year is 1900 in the French-speaking Swiss Alps. Elisabeth (Lilith Grasmug), 17, is forced to leave her convent because her sister, Innocente, has died and the family farm needs another hand. So far, so classical, but what begins as a gorgeously photographed tale of a deeply religious community eking out a subsistence living soon evolves into a fever dream of sexual hysteria when Elisabeth, emboldened by her sister’s explicit journal, seeks spiritual enlightenment through sexual exultation.
First-time writer-director Carmen Jaquier tackles some big issues here—religious repression vs. female liberation via sexuality; the relationship between religious ecstasy and orgasmic pleasures; the body vs. the spirit—but the foundational point of her story is the dramatization and embrace of the vividness of being alive: the bracingly fresh air, crystalline running water, effusive vegetation, and above all, the penetrating light of the immense mountain setting. Replete with indelible images that will remain with you for days, Thunder marks a bold debut from a talent to watch.
Supported by
Lilith Grasmug, Mermoz Melchior, Benjamin Python, Noah Watzlawick, Sabine Timoteo, François Revaclier
Switzerland
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Afternoons of Solitude
Pacification director Albert Serra turns his unflinching gaze on the subject of bullfighting, and in particular the famous young matador Andrés Roca Rey. The film challenges us to look its subject square in the eye and draw our own conclusions.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
The Executioner
Regularly cited as the greatest Spanish film ever made, Berlanga's masterpiece is a pitch black comedy about an undertaker lined up by the state executioner to marry his beautiful daughter -- but he'll also have to inherit the old man's job.
8
The always stylish, idiosyncratic Basque auteur Julio Medem is back with one of his most ambitious films (and our closing night gala), a sweeping historical romance in eight chapters, spanning eight decades in Spanish history from the 1930s to the present day.
The Plague
At a water polo camp, Ben is plunged into the deep end of toxic peer pressure. Terrified of incurring his campmates’ wrath, he joins them in tormenting a kid whose skin rash has been branded “the plague”. But then he experiences a breakout of his own...
Credits
Producer
Flavia Zanon, Joëlle Bertossa
Screenwriter
Carmen Jaquier
Cinematography
Marine Atlan
Editor
Xavier Sirven
Production Design
Ivan Niclass, Rekha Musale
Original Music
Nicolas Rabaeus
Director
Carmen Jaquier
Born in Geneva, Switzerland, Carmen Jaquier studied graphic design before entering the Cantonal School of Art in Lausanne (ECAL). Her films have been showcased at the Locarno Film Festival: her graduation film Le Tombeau des filles (2011) received the Pardino d’argento, and La Rivière sous la langue and Heimatland were selected in 2015. She was a cinematographer on the documentary A Bright Light: Karen and the Process (2018), which was presented at Visions du Réel. Thunder is her first feature film.