The year is 1900 in the French-speaking Swiss Alps. Elisabeth (Lilith Grasmug), 17, is forced to leave her convent because her sister, Innocente, has died and the family farm needs another hand. So far, so classical, but what begins as a gorgeously photographed tale of a deeply religious community eking out a subsistence living soon evolves into a fever dream of sexual hysteria when Elisabeth, emboldened by her sister’s explicit journal, seeks spiritual enlightenment through sexual exultation.
First-time writer-director Carmen Jaquier tackles some big issues here—religious repression vs. female liberation via sexuality; the relationship between religious ecstasy and orgasmic pleasures; the body vs. the spirit—but the foundational point of her story is the dramatization and embrace of the vividness of being alive: the bracingly fresh air, crystalline running water, effusive vegetation, and above all, the penetrating light of the immense mountain setting. Replete with indelible images that will remain with you for days, Thunder marks a bold debut from a talent to watch.
Supported by
Lilith Grasmug, Mermoz Melchior, Benjamin Python, Noah Watzlawick, Sabine Timoteo, François Revaclier
Switzerland
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Minotaur
Russia, 2022. While contending with the fallout of the Russian invasion of Ukraine, a corporate executive tries to insulate his home life from the consequences of the war. But when he discovers that his wife has been unfaithful, things start to implode.
The Story of Documentary Film – The 2010s & 2020s
In The Story of Documentary Film – The 2010s & 2020s, Mark Cousins follows nonfiction into phones, GoPros, YouTube, TikTok, live streams, and feeds to look at bodily autonomy, surveillance, racism, borders, and truth after vérité.
Image: © Fire of Love, 2022, dir. Sara Dosa, Canada, USA, Sandbox Films, Cottage M, Intuitive Pictures, National Geographic Documentary Films
Tangles
Based on the graphic memoir by Vancouver artist Sarah Leavitt, Tangles is a stunning, hand-drawn animated feature about a cartoonist coming to terms with her mom’s early-onset Alzheimer’s diagnosis. Nominated for the Caméra d’Or at Cannes 2026.
How We Stand
How We Stand follows three Indigenous sisters separated after their family relocates to Los Angeles under Native American Relocation Program in the 1950s. Twenty years later, they navigate identity, trauma, and very different lives.
Afterpiece
This wry, twisty theatrical farce stars Stephen Fung as a playwright, actor, and director who writes a play based on his own past. His rich ex-lover wants to co-star, but our hero has found a sexy new actress, and he’s got a plan to get her the part…
Credits
Producer
Flavia Zanon, Joëlle Bertossa
Screenwriter
Carmen Jaquier
Cinematography
Marine Atlan
Editor
Xavier Sirven
Production Design
Ivan Niclass, Rekha Musale
Original Music
Nicolas Rabaeus
Director
Carmen Jaquier
Born in Geneva, Switzerland, Carmen Jaquier studied graphic design before entering the Cantonal School of Art in Lausanne (ECAL). Her films have been showcased at the Locarno Film Festival: her graduation film Le Tombeau des filles (2011) received the Pardino d’argento, and La Rivière sous la langue and Heimatland were selected in 2015. She was a cinematographer on the documentary A Bright Light: Karen and the Process (2018), which was presented at Visions du Réel. Thunder is her first feature film.
