Clement Virgo (The Book of Negroes) makes a brilliant return to feature filmmaking with this propulsive adaptation of David Chariandy’s celebrated novel. Set against the backdrop of suburban Scarborough, Brother follows siblings Michael (Lamar Johnson) and Francis (Aaron Pierre) as they strive to justify the sacrifices of their devoting mother (Marsha Stephanie Blake) and realise their own ambitions: for Francis, that’s a career in hip-hop; for Michael, it’s the love of Aisha (Kiana Madeira). However, fates has other plans for this pair and all those they hold dear.
While maintaining the precision of Chariandy’s prose, Virgo’s film is a wholly cinematic and remarkably sensorial work. Skipping between past and present to explore masculinity, race, and family, Virgo’s direction is elegant in its handling of evolving character dynamics and authoritative in ensuring that instances of brutality possess harrowing verisimilitude. While detailing the devastating repercussions of senseless acts of violence, Brother also distinguishes itself with its powerful depictions of the healing process.
Q&A Oct 1
Media Partner
Lamar Johnson, Aaron Pierre, Kiana Madeira, Marsha Stephanie Blake, Lovell Adams-Gray, Maurice Dean Wint
Canada
2022
English
Racial Discrimination, Coarse Language, Sexually Suggestive Scenes
Open to youth at Vancouver Playhouse
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Dreams
The third installment in the Sex/Dreams/Love trilogy is another rich, absorbing tale. 17-year-old Johanne writes a confessional about her flirtation with a (female) teacher. But the writing is too good to stay private...
Transit
Trust the director of Phoenix and Barbara to re-imagine a WWII romantic intrigue into something unsettlingly contemporary. With occupying forces closing in, a German refugee (Franz Rogowski) assumes a dead writer's identity and flees to Marseille.
Riefenstahl
This fascinating documentary is a complex, sad portrait of Adolf Hitler's favourite filmmaker, Leni Riefenstahl, whose 1938 film Olympia is deemed a masterpiece in some circles, and who spent her last half century disowning her Nazi sympathies.
Afire
Christian Petzold (Transit; Phoenix) returns with this multilayered, serio-comic portrait of a sulky writer struggling with his novel at a friend's summer cottage. An impending deadline guarantees he'll be miserable but not that he'll get any work done.
Image: © Marco Krüger-Schramm
Neon Bull
Wild, sensual and utterly transporting, Brazilian writer-director Gabriel Mascaro's second fiction feature unfolds within the world of the vaquejada, a traditional exhibition sport in which cowboys try to pull bulls to the ground by their tails.
August Winds
A film of quietly unfolding sensual pleasure: Shirley (Dandara de Morais), a gorgeous young woman, is in the countryside taking care of her aging grandmother when her diver boyfriend discovers a skull in the ocean. Then a corpse washes ashore...
Credits
Executive Producer
Aaron L. Gilbert, Steven Thibault, Laurie May, Noah Segal
Producer
Damon D’Oliveira, Aeschylus Poulos, Sonya Di Rienzo, Clement Virgo
Screenwriter
Clement Virgo
Cinematography
Guy Godfree
Editor
Kye Meechan
Production Design
Jason Clarke
Original Music
Todor Kobakov
Director
Clement Virgo
Clement Virgo is one of Canada’s foremost film directors. His first feature film, Rude (1995), premiered at Cannes’ Un Certain Regard section, and was included at the 2019 Locarno Film Festival’s Black Light Retrospective of significant 20th century Black cinema. Virgo’s other features include Lie With Me (2005) and Poor Boy’s Game (2007).
Known for his unique POV as a Black filmmaker, he has brought his cinematic approach to TV dramas including The Wire, Monster, and Billions. Virgo’s adaptation of Lawrence Hill’s The Book Of Negroes was nominated for two Critics Choice Awards and a Peabody Award.
Filmography: Rude (1995); Love Come Down (2000); Lie With Me (2005); Poor Boy’s Game (2007)