Clement Virgo (The Book of Negroes) makes a brilliant return to feature filmmaking with this propulsive adaptation of David Chariandy’s celebrated novel. Set against the backdrop of suburban Scarborough, Brother follows siblings Michael (Lamar Johnson) and Francis (Aaron Pierre) as they strive to justify the sacrifices of their devoting mother (Marsha Stephanie Blake) and realise their own ambitions: for Francis, that’s a career in hip-hop; for Michael, it’s the love of Aisha (Kiana Madeira). However, fates has other plans for this pair and all those they hold dear.
While maintaining the precision of Chariandy’s prose, Virgo’s film is a wholly cinematic and remarkably sensorial work. Skipping between past and present to explore masculinity, race, and family, Virgo’s direction is elegant in its handling of evolving character dynamics and authoritative in ensuring that instances of brutality possess harrowing verisimilitude. While detailing the devastating repercussions of senseless acts of violence, Brother also distinguishes itself with its powerful depictions of the healing process.
Q&A Oct 1
Media Partner
Lamar Johnson, Aaron Pierre, Kiana Madeira, Marsha Stephanie Blake, Lovell Adams-Gray, Maurice Dean Wint
Canada
2022
English
Racial Discrimination, Coarse Language, Sexually Suggestive Scenes
Open to youth at Vancouver Playhouse
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Saving Private Ryan
Steven Spielberg's gripping war movie was hailed as an instant classic in 1998, and he won his second Academy Award in five years for Best Director. Matt Damon takes the title role, Tom Hanks is charged with bringing him home from the front.
Palimpsest: The Story of a Name
Drawing on home movies and diaries from the 1930s, 40s, 50s and 60s, Canadian filmmaker Mary Stephen (Eric Rohmer's editor for many years) investigates the origins of her surname. After all, she was born in Hong Kong to Chinese parents. Or were they... ?
Searching for Satyrus
Award-winning filmmaker and photographer Rena Effendi embarks on a quest to track down the very rare Satyrus Effendi, a butterfly discovered by her father in the mountains of Aberbaijain. But what she finds is altogether more personal, and more upsetting.
Rushmore
Precocious Max Fischer (Jason Schwartzman) is befriended by depressed industrialist Harold Blume (Bill Murray) until they both fall in love with first grade teacher Miss Cross (Olivia Williams). Anderson's second feature is an old favourite.
Credits
Executive Producer
Aaron L. Gilbert, Steven Thibault, Laurie May, Noah Segal
Producer
Damon D’Oliveira, Aeschylus Poulos, Sonya Di Rienzo, Clement Virgo
Screenwriter
Clement Virgo
Cinematography
Guy Godfree
Editor
Kye Meechan
Production Design
Jason Clarke
Original Music
Todor Kobakov
Director
Clement Virgo
Clement Virgo is one of Canada’s foremost film directors. His first feature film, Rude (1995), premiered at Cannes’ Un Certain Regard section, and was included at the 2019 Locarno Film Festival’s Black Light Retrospective of significant 20th century Black cinema. Virgo’s other features include Lie With Me (2005) and Poor Boy’s Game (2007).
Known for his unique POV as a Black filmmaker, he has brought his cinematic approach to TV dramas including The Wire, Monster, and Billions. Virgo’s adaptation of Lawrence Hill’s The Book Of Negroes was nominated for two Critics Choice Awards and a Peabody Award.
Filmography: Rude (1995); Love Come Down (2000); Lie With Me (2005); Poor Boy’s Game (2007)