Clement Virgo (The Book of Negroes) makes a brilliant return to feature filmmaking with this propulsive adaptation of David Chariandy’s celebrated novel. Set against the backdrop of suburban Scarborough, Brother follows siblings Michael (Lamar Johnson) and Francis (Aaron Pierre) as they strive to justify the sacrifices of their devoting mother (Marsha Stephanie Blake) and realise their own ambitions: for Francis, that’s a career in hip-hop; for Michael, it’s the love of Aisha (Kiana Madeira). However, fates has other plans for this pair and all those they hold dear.
While maintaining the precision of Chariandy’s prose, Virgo’s film is a wholly cinematic and remarkably sensorial work. Skipping between past and present to explore masculinity, race, and family, Virgo’s direction is elegant in its handling of evolving character dynamics and authoritative in ensuring that instances of brutality possess harrowing verisimilitude. While detailing the devastating repercussions of senseless acts of violence, Brother also distinguishes itself with its powerful depictions of the healing process.
Q&A Oct 1
Media Partner
Lamar Johnson, Aaron Pierre, Kiana Madeira, Marsha Stephanie Blake, Lovell Adams-Gray, Maurice Dean Wint
Canada
2022
English
Racial Discrimination, Coarse Language, Sexually Suggestive Scenes
Open to youth at Vancouver Playhouse
At The Rio
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Atonement
A former Marine suffering from PTSD seeks a meeting with the Iraqi family to which he did great wrong ten years earlier in the Gulf War. Atonement navigates challenging, politically-charged psychological territory with diligence and sensitivity.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Sandbox
Borders are the faultlines of the world. Kenya-Jade Pinto's doc examines how modern surveillance technology, bio-metrics and AI are combining to make land and sea borders as impenetrable as air travel, and suggests the unspoken cost is our own humanity.
You Had to Be There
In a strange quirk of fate, the legendary Toronto '72 production of the musical comedy Jesus hit Godspell launched a constellation of comedy stars, all unknown at the time but now known to us as Martin Short, Eugene Levy, Dave Thomas, Victor Garber, et al
Knife: The Attempted Murder of Salman Rushdie
Alex Gibney's doc relates the near-lethal attack on Salman Rushdie in 2022, the writer's painful rehab and recovery, and his reflections on life before, during and after the publication of The Satanic Verses.
My Undesirable Friends: Part II — Exile
Julia Loktev's follow up to last year's film about dissident journalists in Moscow tracks the reporters as they are forced into exile across a four year period, but still striving to counterbalance state propaganda as Putin pursues the war in Ukraine.
Credits
Executive Producer
Aaron L. Gilbert, Steven Thibault, Laurie May, Noah Segal
Producer
Damon D’Oliveira, Aeschylus Poulos, Sonya Di Rienzo, Clement Virgo
Screenwriter
Clement Virgo
Cinematography
Guy Godfree
Editor
Kye Meechan
Production Design
Jason Clarke
Original Music
Todor Kobakov
Director
Clement Virgo
Clement Virgo is one of Canada’s foremost film directors. His first feature film, Rude (1995), premiered at Cannes’ Un Certain Regard section, and was included at the 2019 Locarno Film Festival’s Black Light Retrospective of significant 20th century Black cinema. Virgo’s other features include Lie With Me (2005) and Poor Boy’s Game (2007).
Known for his unique POV as a Black filmmaker, he has brought his cinematic approach to TV dramas including The Wire, Monster, and Billions. Virgo’s adaptation of Lawrence Hill’s The Book Of Negroes was nominated for two Critics Choice Awards and a Peabody Award.
Filmography: Rude (1995); Love Come Down (2000); Lie With Me (2005); Poor Boy’s Game (2007)
