Vicky Krieps gives a superb performance as Empress Elisabeth of Austria in Marie Kreutzer’s splendid biopic. Blending historical fact and whimsical creative license, Kreutzer takes us back to the late 19th century: the Empress, pushing 40, is a most discontented woman. Obsessed with her appearance, Elisabeth takes her corset as a measurement of beauty, and is determined that it must be laced tighter and tighter. She’s been politically sidelined against her will, and is growing restless and rebellious.
With sly inventiveness, wry humour, and a strong feel for visual splendour, Kreutzer guides us through Elisabeth’s world. It’s one of great opulence, but also stifling confinement; the writer-director portrays the luxury and the oppression as two sides of the same coin. As the Empress moves to protect her legacy and recapture the passion of her youth, the film deepens in power. The final act is a bold departure from the historical record, with Kreutzer asserting her feminist prerogative and giving her film a subversive conclusion.
Best Performance Prize (Vicky Krieps), Cannes 2022 (Un Certain Regard)
Vicky Krieps, Florian Teichtmeister, Katharina Lorenz, Jeanne Werner, Alma Hasun, Manuel Rubey, Finnegan Oldfield, Aaron Friesz, Rosa Hajjaj
Austria/France/Germany
2022
In English, French, German, and Hungarian with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.
The Mortal Storm
In this explicitly anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.
Credits
Executive Producer
Vicky Krieps
Producer
Alexander Glehr, Johanna Scherz
Screenwriter
Marie Kreutzer
Cinematography
Judith Kaufmann
Editor
Ulrike Kofler
Production Design
Martin Reiter
Original Music
Camille
Director
Photo by Pamela Rußmann
Marie Kreutzer
After graduating with distinction from the Vienna Film Academy, Marie Kreutzer worked as a script supervisor and in continuity in cinema and TV productions and made a variety of award-winning short films.
Her first feature film, The Fatherless (2011), has been shown and awarded at numerous festivals, including the Berlinale’s Panorama Special and was nominated for the Thomas Pluch Screenplay Award and the Austrian Film Award. Kreutzer is a board member of the Drehbuchverband und Drehbuchforum Austria since 2007 and a member of the Austrian Film Institute’s supervisory board since 2017.
Filmography: The Fatherless (2011); Gruber is leaving (2015); We Used to be Cool (2016); The Ground Beneath My Feet (2019)