China/France
2022
In English and Cantonese with English subtitles
Featured in:
MODES 1
Visions of dark impulses are given the spotlight and invite an opportunity to reflect on the personal in relation to the political. From Congo to China, and the Philippines to Poland, the end is nigh.
Missing VIFF? Check out what's playing at the VIFF Centre
The Painted Life of E.J. Hughes
A beautiful portrait of E.J. Hughes, who quietly helped reshape the artistic landscape of British Columbia in the 20th century. This extraordinary documentary explores Hughes’s legacy not only as an artist, but as a devoted, humble human being.
Modern Whore
In director Nicole Bazuin's cheeky, stylized documentary, Modern Whore-memoirist Andrea Werhun (Paying for It) recounts her experiences as an escort and stripper in Toronto, debunking misconceptions about the world’s oldest profession.
Agatha's Almanac
Shot over six years on vibrant 16mm film, Agatha’s Almanac is an artful documentary portrait of filmmaker Amalie Atkin’s octogenarian aunt, who has fashioned herself an endearingly simple and self-sustaining lifestyle on her Manitoba farm.
Follies
After two kids and 16 years of marriage, François and Julie decide to open up their relationship in a bid to rekindle their dwindling sex life. A painfully hilarious and brutally honest depiction of love, sex, and intimacy in the age of the internet.
Credits
Screenwriter
Guangli Liu
ANIM
Guangli Liu, Huimin Wu
Editor
Guangli Liu, Huimin Wu
Original Music
Haiying Gao, Bai Li
Director
Guangli Liu
Guangli Liu (刘广隶) was born in 1990 in Lengshuijiang, China. He currently lives and works in Paris. He graduated from Le Fresnoy – Studio national des arts contemporains in 2020. Liu’s works often grow out of different approaches to depicting history and events, and eventually find their own places in installations, videos, documentaries, and paintings that suggest that our understanding of the present is often shaped by pre-existing languages, social norms, and media formats. In 2021, he won the Golden Nica in Ars Electronica’s Computer Animation category, and the Golden Key for Best Short Film at Kassel Dokfest.
