Skip to main content
Red Rooms film image

Red Rooms

Les Chambres Rouges

This event has passed

North American Premiere

Every morning before dawn, Kelly-Anne (Juliette Gariépy) descends on a Montréal courthouse, eager to secure front row seats for the harrowing trial of Ludwig Chevalier (Maxwell McCabe-Lokos), a loner accused of the torture and murder of three teenage girls. Even more disturbingly, these atrocities were streamed online in the Dark Web’s “red rooms” to depraved audiences who could ante up the ungodly cryptocurrency admission. As Kelly-Anne’s obsession grows, her personal life and career unravel as she plunges into the seediest recesses of the Dark Web to secure a key piece of evidence.

With its exquisitely choreographed long takes, entrancing zooms, and surgical editing, there’s certainly the temptation to say this sees Pascal Plante (Nadia, Butterfly) going “full Fincher”. In actual fact, it finds him continuing his intrepid examinations of subcultures while employing even more exacting direction. A cautionary tale about evil’s allure, Red Rooms is unsettling and enthralling in equal measure.

A disturbingly brilliant psychological horror
Deadline

 

October 2 & 4: Q&A with director Pascal Plante & crew

Director
Cast

Juliette Gariépy, Laurie Babin, Elisabeth Locas, Natalie Tannous, Pierre Chagnon

Credits
Country of Origin

Canada

Year

2023

Series

Panorama

Language

In French with English subtitles

Content Warning

Violence, Sexual Violence

18+

At International Village

19+

At The Rio

118 min
Action & Suspense Drama

Book Tickets

This event has passed.

Credits

Executive Producer

Tim Ringuette

Producer

Dominique Dussault

Screenwriter

Pascal Plante

Cinematography

Vincent Biron

Editor

Jonah Malak

Production Design

Laura Nhem

Original Music

Dominique Plante

Director

Pascal Plante headshot

Pascal Plante

Pascal Plante is a Montreal-based filmmaker. His narrative feature Nadia, Butterfly (2020) has been included in the official selection of the 73rd edition of Cannes Film Festival. After his graduation from Concordia University’s Mel Hoppenheim School of Cinema, Pascal co-founded the production company Nemesis Films, with which he directed numerous short films including Blast Beat (Slamdance 2019), Blue-Eyed Blonde (Best Canadian Short Film, VIFF 2015), and Nonna (Slamdance 2017). His first narrative feature, a punk romance entitled Fake Tattoos, competed at the Berlinale, in Generation 14plus, in 2018. Pascal considers himself like a cinephile that became a narrative filmmaker with documentarian tendencies. Red Rooms is his third narrative feature.

Filmography: Nadia, Butterfly (2020); Fake Tattoos (2017)

Missing VIFF? Check out what's playing at the VIFF Centre

Giant

Dir. George Stevens
198 min

This was the Yellowstone of its time: a big, sweeping modern Western built around an imposing ranch and family dynamics -- except Giant is much more subversive. James Dean strikes it rich as Jett Rink, much to the disgust of his former boss, Rock Hudson.

VIFF Centre - VIFF Cinema

Familiar Touch

Dir. Sarah Friedland
90 min

A loving portrait of an octogenarian transitioning into an assisted living facility, this award-winning first feature by choreographer Sarah Friedland has a simplicity and warmth that's exceptionally poignant.

VIFF Centre - Lochmaddy Studio Theatre VIFF Centre - VIFF Cinema

Super Happy Forever

Dir. Kohei Igarashi
94 min

This beguiling film depicts a man’s return to the Japanese seaside town where he met his now-deceased wife five years earlier. He tries to relive the past, and in the film's final section -- a flashback to 2018 -- the audience is afforded that privilege.

VIFF Centre - Lochmaddy Studio Theatre

A Streetcar Named Desire

Dir. Elia Kazan
122 min

"I don't want realism. I want magic!" declares Blanche du Bois, the tragic heroine who meets her nemesis in her sister's husband, Stanley Kowalski, in Tennessee Williams' great play. Brando's performance as Stanley is a turning point in American acting.

VIFF Centre - VIFF Cinema
Georgia O'Keeffe: the Brightness of Light
Georgia O’Keeffe: The Brightness of Light film image; painted reds, pinks, oranges, and yellows that combine to look like a flower

Georgia O'Keeffe: the Brightness of Light

Dir. Paul Wagner
118 min

Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."

VIFF Centre - Lochmaddy Studio Theatre VIFF Centre - VIFF Cinema

While You Weren't Looking

Dir. Catherine Stewart
72 min

The changing landscape of South African politics and lifestyles is portrayed through a trio of artfully counter-pointed relationships.

VIFF Centre - VIFF Cinema VIFF Centre - Lochmaddy Studio Theatre