Edward (Sebastian Stan) is a facially disfigured man who leads a life of self-consciousness and awkward social encounters. His new neighbour Ingrid (Renate Reinsve) is an aspiring playwright, and for a moment it looks like he might have a chance at romance with her; alas, she rejects him. Soon after, Edward begins an experimental drug therapy that cures his affliction and allows him to assume a new identity. Years later, he discovers that Ingrid has written a play based on the two of them and decides to audition incognito. However, his bids at self-assurance are undermined by an extroverted stranger (Adam Pearson) who is exceedingly comfortable in his own skin.
Aaron Schimberg’s wicked satire dares to provoke responses as varied as anxiety, compassion, and amusement, often in combination rather than easy separation. Besides its finely calibrated plotting, evocative performances, and haunting imagery, A Different Man is distinguished by its resistance to easy classification: it embraces the ironies of comedy and the derangements of horror, but when all is said and done it stands defiantly alone.
Silver Bear for Best Leading Performance, Berlin 2024
Media Partner
Sebastian Stan, Renate Reinsve, Adam Pearson
USA
2024
English
At Vancouver Playhouse
At The Rio
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Sebastian Stan, Aaron Schimberg
Producer
Christine Vachon, Vanessa McDonnell, Gabriel Mayers
Screenwriter
Aaron Schimberg
Cinematography
Wyatt Garfield
Editor
Taylor Levy
Production Design
Anna Kathleen
Original Music
Umberto Smerilli
Aaron Schimberg
Aaron Schimberg lives in New York, USA. He made two commercially disastrous features, but the second one, Chained for Life (2018), was well-received by critics. A Different Man (2024) is his third film.
Filmography: Go Down Death (2013); Chained for Life (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
Parsley Days
Kate is ambivalent about her relationship with Ollie. While he's undeniably a great guy, she's curious about what else the world might hold. But when she discovers she's pregnant, breaking up becomes a little more complicated. A magical realist delight!
Outrageous!
Two misfits find love and support in this cult classic and landmark for Canadian queer cinema. Determined to retain her freedom after being treated for schizophrenia, Liza grows equally committed to seeing Robin realize his potential as a drag performer.
Dead Lover
A foul-smelling gravedigger's romance ends in tragedy, spurring her to attempt a resurrection through a madcap series of science experiments. Grace Glowicki and Ben Petrie’s film is a zany DIY horror that zaps fresh life into Mary Shelley's classic.
Sansho the Bailiff
The third of the great Japanese masters (with Ozu and Kurosawa), Mizoguchi is a poet of suffering. There's plenty of that here in his exquisite telling of an ancient folktale about the enslavement of a woman and her two children.
Agatha's Almanac
Shot over six years on vibrant 16mm film, Agatha’s Almanac is an artful documentary portrait of filmmaker Amalie Atkin’s octogenarian aunt, who has fashioned herself an endearingly simple and self-sustaining lifestyle on her Manitoba farm.