Edward (Sebastian Stan) is a facially disfigured man who leads a life of self-consciousness and awkward social encounters. His new neighbour Ingrid (Renate Reinsve) is an aspiring playwright, and for a moment it looks like he might have a chance at romance with her; alas, she rejects him. Soon after, Edward begins an experimental drug therapy that cures his affliction and allows him to assume a new identity. Years later, he discovers that Ingrid has written a play based on the two of them and decides to audition incognito. However, his bids at self-assurance are undermined by an extroverted stranger (Adam Pearson) who is exceedingly comfortable in his own skin.
Aaron Schimberg’s wicked satire dares to provoke responses as varied as anxiety, compassion, and amusement, often in combination rather than easy separation. Besides its finely calibrated plotting, evocative performances, and haunting imagery, A Different Man is distinguished by its resistance to easy classification: it embraces the ironies of comedy and the derangements of horror, but when all is said and done it stands defiantly alone.
Silver Bear for Best Leading Performance, Berlin 2024
Media Partner
Sebastian Stan, Renate Reinsve, Adam Pearson
USA
2024
English
At Vancouver Playhouse
At The Rio
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Sebastian Stan, Aaron Schimberg
Producer
Christine Vachon, Vanessa McDonnell, Gabriel Mayers
Screenwriter
Aaron Schimberg
Cinematography
Wyatt Garfield
Editor
Taylor Levy
Production Design
Anna Kathleen
Original Music
Umberto Smerilli
Aaron Schimberg
Aaron Schimberg lives in New York, USA. He made two commercially disastrous features, but the second one, Chained for Life (2018), was well-received by critics. A Different Man (2024) is his third film.
Filmography: Go Down Death (2013); Chained for Life (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
Agatha's Almanac
Shot over six years on vibrant 16mm film, Agatha’s Almanac is an artful documentary portrait of filmmaker Amalie Atkin’s octogenarian aunt, who has fashioned herself an endearingly simple and self-sustaining lifestyle on her Manitoba farm.
Calle Málaga
Seventy-nine-year-old María Ángeles lives independently in Tangier's Spanish quarter. When her daughter pressures her into selling her apartment, she refuses to give in, finding in her old age a new resilience and an unexpected romantic connection.
The Art of Adventure
The unbelievable adventure story of how painter Robert Bateman and ecologist Bristol Foster drove a Land Rover from Africa to Australia in 1957, developing a love of nature to last a lifetime. An inspirational love letter to the adventure of life itself.
The Blue Trail
77-year-old Tereza makes a break for the Brazilian jungle in this trippy septuagenarian fantasy, the latest from Brazilian director Gabriel Mascaro is a quirky picaresque, lushly photographed and filled with mordant humour.
Follies
After two kids and 16 years of marriage, François and Julie decide to open up their relationship in a bid to rekindle their dwindling sex life. A painfully hilarious and brutally honest depiction of love, sex, and intimacy in the age of the internet.
Castration Movie Anthology 1: Traps
Louise Weard's underground movie is a talk-a-thon in two chapters and four hours: a sex worker contemplates having her testicles removed, and a movie production assistant pitches himself right out of a job, and other misadventures in Vancouver life.