Canadian Premiere
Idrissa lives in the suburbs of Dakar, Senegal. As a result of budgetary restrictions imposed by the IMF, then headed by Dominique Strauss-Kahn, he lost his job as a civil servant. Since then, Idrissa has been looking for work, without success. His pride as an African man is all the more affected by the fact that he is now entirely dependent on his wife, Viviane, who somehow manages to support the family through her medical practice. Aminata (Idrissa and Viviane’s daughter) and Moussa, two young students in love with each other, also see their lives disrupted by the economic situation imposed on the country. After yet another humiliation, Idrissa, who holds Strauss-Kahn responsible for his misfortune, decides to go and see a marabout to prepare his revenge…
Amidst the daily movements of life in the city, we are drawn into a changing political landscape that comically unravels one man’s life. Through his downfall, we see the effects of government cuts and sanctions on the lives of everyday people, as well as the state of university education in Dakar. The futures of both the young and older generations become entwined in resistance to the foreign pressures dictating Senegal’s future.
Kika Memeh & Ogheneofegor Obuwoma, FOCUS Curators
Presented by
Charles Auguste Kottou, Charles Auguste Kottou, Aida Ndeye Aidar, Oumou Ndeye Kaltoum Ndiaye, Jean-Pierre Correa
Senegal/Belgium/France/
Rwanda
2023
In Wolof and French with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Oualid Baha, Aurélien Bodinaux, Souleymane Kébé, Ottis Ba
Screenwriter
Ottis Ba, Katell Guillou
Cinematography
Myriam Amouri, Joséphine Ndour
Editor
Yannick Leroy
Ottis Ba
Ottis Ba was born in Dakar. At the age of fifteen, he moved to Paris where he became passionate about theatre. He has acted in Othello and A Midsummer Night’s Dream at the Théâtre national de Nice. Ottis began to venture into cinema, first as an actor, then as a self-taught director. He directed a few short films including one with French actress Aïssa Maïga. Tooth For Tooth is his first feature.
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Get Out
Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time in Jordan Peele's satiric modern horror classic, one of a series curated by our VIFF+ Premium members.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
