World Premiere
Angela (Sera-Lys McArthur) and Henry (Matthew Kevin Anderson), a young Ottawa couple with a baby on the way, embark on a short trip north to the Cree community of KiiWeeTin to visit Angela’s beloved childhood nanny, Mary (Renae Morriseau). When Angela is harassed by a menacing shadow figure, Mary moves to bless and protect Angela and her unborn child with illegal Cree ceremonies and medicine. And as Angela discovers the truth about both her ancestry and the spectral figure’s identity, she must delve into her newfound spiritual traditions in order to defend herself from her husband’s escalating purity-obsessed racism.
Balancing darkness and light to dramatic effect, Jules Arita Koostachin (WaaPaKe) crafts a ghost story rich in narrative traditions, period details, and uncanny allure.
Oct 2: Q&A with director Jules Koostachin and actors Asivak Koostachin, Rita Koostachin & Renae Morriseau
Oct 5: Q&A with director Jules Koostachin and actors Asivak Koostachin & Rita Koostachin
Community Partner
Sera-Lys McArthur, Matthew Kevin Anderson, Renae Morriseau, Asivak Koostachin, Mahiigan Koostachin, David H. Lyle
Canada
2024
English
Book Tickets
Indigenous & Community Access
Credits & Director
Executive Producer
Patti Poskitt
Producer
Jules Arita Koostachin
Screenwriter
Jules Arita Koostachin, Steve Neufeld
Cinematography
Mike Bourquin
Editor
Lara Mazur
Production Design
Cheryl Marion
Original Music
Justin Delorme
Jules Arita Koostachin
Born in Moose Factory, Ontario, Dr. Jules Arita Koostachin was raised by her Cree-speaking grandparents in Moosonee and her mother in Ottawa. Jules is a member of the Attawapiskat First Nation, the Ancestral lands of the MoshKeKo AsKi InNiNeWak. She earned a PhD in Indigenous documentary methodologies from UBC and a master’s in documentary media from TMU. Jules’ acclaimed works include Remembering Inninimowin (2010), Broken Angel (2023), and WaaPaKe (2023). Through VisJuelles Productions, she’s developing projects like KaTaWaSiSin and Truth in Toronto.
Filmography: Remembering Inninimowin (2010); Broken Angel (2023); WaaPaKe (2023)
Missing VIFF? Check out what's playing at the VIFF Centre
Wallace & Gromit: Vengeance Most Fowl
Aardman Animation's handcrafted mix of dad jokes, slapstick, mock dramatics and understated emotion makes this return for the claymation odd couple a constant delight. The villainous Feathers McGraw is back to no good, commandeering Norbot the robot. Rated: G
The End
Set in a deluxe bunker two decades after environmental collapse, the first dramatic feature from Joshua Oppenheimer (Act of Killing) is an unironic musical starring Tilda Swinton, Michael Shannon, and George MacKay. The cult starts here.
It's a Wonderful Life
Every time a bell rings, an angel gets its wings. This Christmas classic is whimsical, sure, but it has the depth to stand up to multiple watches, and it really should be a communal experience, because that is what it's about. Rated: G
The Count of Monte Cristo
You can't beat this evergreen Alexandre Dumas tale for adventure, intrigue and romance. This lavish French blockbuster from the writers of the recent Three Musketeers movies pulls you in from the first scene and doesn't let off for the next three hours. Rated: PG
The Holdovers
Destined to become a seasonal staple, this bittersweet comedy reunites Sideways director and star Alexander Payne and Paul Giamatti in the portrait of a surly classics teacher forced to babysit five "orphans" at boarding school over the holidays.