Skip to main content
At Averroes & Rosa Parks film image; people sittings around a small coffee table

At Averroes & Rosa Parks

Averroès & Rosa Parks

Insights

This event has passed

North American Premiere

Named after a medieval Islamic philosopher and an iconic civil rights activist, Averroès and Rosa Parks are psychiatric units of the Esquirol Hospital in Paris. Their therapeutic model focuses on supporting patients with mental illness as they re-enter society. Like the hospital’s namesakes, these patients often resist and thoughtfully critique the system, discussing Nietzsche and philosophy with the staff, self-advocating for human affection and connection rather than clinical conversations with caregivers. These frank discussions provide a window into the deep inner lives of people usually ignored and dismissed by society.

After his Golden Bear winner On the Adamant (2023), Nicolas Philibert continues to document the Paris Central Psychiatric Group with a gentle, humane emphasis, structuring this film around a series of candid counseling sessions between patients and caregivers so that it feels like a collaboration with its subjects. It’s a powerful, thought-provoking film emphasizing the humanity of people suffering from mental illness while subtly examining the systems that constrain them.

 

Supported by

Media Partner

Community Partner

Director
Credits
Country of Origin

France

Year

2024

Language

In French with English subtitles

Film Contact
Links
18+
143 min
Documentary Legendary Filmmakers
TS Productions

Book Tickets

This event has passed.

Credits & Director

Producer

Miléna Poylo, Gilles Sacuto, Céline Loiseau

Cinematography

Nicolas Philibert

Editor

Nicolas Philibert

Nicolas Philibert headshot; At Averroes & Rosa Parks director

Nicolas Philibert

Nicolas Philibert, born in 1951 in Nancy, France, is a renowned documentary filmmaker. After studying philosophy, he co-directed his first documentary His Master’s Voice (1978) with Gérard Mordillat. Philibert’s notable works include Louvre City (1990), In the Land of the Deaf (1992), and To Be and to Have (2001), which won the Prix Louis Delluc. Since 2002, more than a hundred tributes and retrospectives of his work have taken place around the world.

Filmography: Louvre City (1990); In the Land of the Deaf (1992); To Be and to Have (2002); La Maison de la radio (2013); On the Adamant (2023)

Missing VIFF? Check out what's playing at the VIFF Centre

Bram Stoker's Dracula

Dir. Francis Coppola
127 min

Coppola's woozy, cinematically audacious take on the vampire myth is like a symphonic silent movie in full colour, a delirium of romantic angst with Gary Oldman as the shape-shifting immortal.

VIFF Centre - VIFF Cinema

Democracy Under Siege

Dir. Laura Nix
90 min

As the USA turns 250, Oscar-nominated director Laura Nix considers the roots of the current political crisis with commentary from historian Heather Cox Richardson, progressive politician Jamie Raskin, and cartoonist Ann Telnaes, among others.

VIFF Centre - Lochmaddy Studio Theatre

Malcolm X

Dir. Spike Lee
201 min

In an indelible role, Denzel Washington give us a layered, compassionate, conflicted man who finds the strength in Islam to transcend his demons and confront the inequity and racism in America head-on. Along with Do the Right Thing, this is Spike Lee's greatest film.

VIFF Centre - VIFF Cinema

Ask E. Jean

Dir. Ivy Meeropol
91 min

An inspiring and engaging portrait of E. Jean Carroll, the trailblazing journalist, author and advice columnist who stood up to power and beat Donald Trump in court, twice.

VIFF Centre - Lochmaddy Studio Theatre

Peter Asher: Everywhere Man

Dir. Dan Geller & Dayna Goldfine
118 min

A chart topping pop star as one half of Peter and Gordon, Peter Asher was brother to Jane, brother in law to Paul McCartney, ran the Beatles' Apple, produced and managed James Taylor, Linda Ronstadt, and 10,000 Maniacs, to name just a few. He did it all.

VIFF Centre - Lochmaddy Studio Theatre

Unforgiven

Dir. Clint Eastwood
131 min

Bill Munny (Clint Eastwood) is face down in pig shit when we first see him. He's a bad farmer, but has a natural facility for killing people – a vocation to which he returns in a quest that combines both profit and justice. Or so he chooses to believe.

VIFF Centre - VIFF Cinema