Finland
2023
In Finnish, Dutch and English with English subtitles
Self harm, drug & alcohol abuse
Indigenous & Community Access
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Credits & Director
Producer
Henna Välkky
Screenwriter
Henna Välkky
Cinematography
Eesu Lehtola
Editor
Henna Välkky
Original Music
Simo Pitkänen
Henna Välkky
Henna Välkky is a Helsinki based director with a forte in dark cinematic and stylized narratives. She holds degrees in Cinematography, Sound Design, and is currently completing her master’s in Screenwriting. Over the past ten years she has directed short films, music videos and commercials, screened in international Film Festivals around the globe including acclaimed Cinequest, Leuven, Tampere and Atlanta. At the moment she is writing her debut feature fiction film.
Eesu Lehtola
Eesu Lehtola is an artist, animator, creative designer, and illustrator with a strong expertise in working with moving images and sound. His debut direction and animation We Are in a Dream premiered in 2018 at Tampere Film Festival’s national competition, touring and competing in +20 different festivals both in Finland and abroad. Lehtola collaborates with major advertising agencies and production companies in Finland, crafting visual identities, concepts, illustrations, and executing moving image projects for domestic and international endeavors. Lehtola is a co-founder and partner at Visual Kult Oy design agency, founder and artistic director of Fire1984 skate and apparel brand, and a partner at Silent Paprika Films. Additionally, he serves as a member of the Grafia board.
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...


