World Premiere
In a meaty follow-up to her memorable first feature Easy Land (VIFF 2019), Serbian-Canadian director Sanja Živković returns with a deeply moving family drama about a grandfather fighting for the custody of his newborn granddaughter, who is rejected by her young mother after she learns that the child is afflicted with a rare genetic disorder known as Cat’s Cry syndrome.
Based on true events that took place in the Serbian town of Karagujevac, Živković handles the subject with utmost care and respect, leaning on her sharp storytelling instincts and infusing the story with a nuanced reading of the cultural framework. She approaches the individual arcs with compassion and without judgment, making sure that each character is given emotional space and context, amplifying the film’s resonance and complexity. This is further strengthened by all-around compelling performances, featuring a cast of regional heavyweights like Jasmin Geljo and Marija Škaričić.
Oct 1 & 3: Q&A with director Sanja Živković; producer Vladimir Paskaljevic; and actor Jasmin Geljo
Presented by
Media Partner
Jasmin Geljo, Andrijana Đorđević, Sanja Mikitišin, Marija Škaričić, Denis Murić, Sergej Trifunović
Canada/Serbia/Croatia
2024
In Serbo-Croatian with English subtitles
Domestic violence
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Nevena Savić, Jelica Rosandić
Producer
Vladimir Paskaljević, Petar Paskaljević, Munire Armstrong, Irena Skorić
Screenwriter
Goran Paskaljević, Djordje Sibinović
Cinematography
Milica Drakulić
Editor
Radojka Vrabac
Production Design
Nevena Marković
Original Music
Dalibor Grubačević
Sanja Živković
Sanja Živković is a Serbian-Canadian filmmaker. Her first feature Easy Land premiered at TIFF 2019, screened at VIFF, FNC Montreal, Palm Springs, Goteborg, and Belgrade’s FEST. Select short films include Cleo (TIFF 2016), and Marijina Epizoda (Montreal World FF 2014), awarded in Belgrade and Sarajevo. She received a BFA from Simon Fraser University’s Film Program, her MFA in Directing from the Faculty of Dramatic Arts, Belgrade, and completed the Canadian Film Centre Director’s Lab.
Filmography: Easy Land (2019)
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...