International Premiere
A middle-aged man, his ailing father, and his father’s caregiver take a day trip together to the bathhouse.
Supported by
Media Partner
Community Partner
Jin Hyungwang, Kim Young, Hong Seokyeon
South Korea
2023
In Korean with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Bella Yeonsoo Kim, Ted Taekeun Kim
Screenwriter
Hyun Hahn
Cinematography
Chang Myeonggong
Editor
Hyun Hahn
Production Design
Choi Jisoo
Original Music
Chang Sukjin
Hyun Hahn 한현승
Hyun Hahn (한현승) is a 24 year old Korean filmmaker based in Seoul, South Korea. Having lived in five different countries (Morocco, Russia, Dubai, South Korea and most recently US), Hyun secluded himself from his rapidly changing foreign environments and experienced life through cinema instead. After his studies at NYU Tisch with a major in Film & TV, Hyun began directing and developing on his short film trilogy Three Stories From the Bathhouse while producing short form music videos and commercials under his team Spire.
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...