A hallucinatory comic adaptation of Swiss avant-garde writer Friedrich Durrenmatt’s play The Visit, which in Mambéty’s imagining follows a now-rich woman returning to her poor desert hometown to propose a deal to the populace: her fortune, in exchange for the death of the man who years earlier abandoned her and left her with his child. Per its title, Hyenas is a film of sinister, mocking laughter, and a biting satire of a contemporary Senegal whose post-colonial dreams are faced with erosion by Western materialism.
The follow-up to his much acclaimed Touki-Bouki, Djibril Diop Mambéty’s Hyenas is a master at the height of his abilities. From the meticulously crafted cinematography by Matthias Kälin to the immersive score by Mambéty’s brother, Wasis Diop, the film pushed me to consider every frame of In Flames— how the visual language can capture the essence of a place, and by doing so, the spirit of its people. On a narrative level, watching the absurd struggle of the film’s protagonist, Dramaan Drameh, seeking safety in a system that is stacked against him, inspired the screenplay for my own debut.
Finally, the words of towering screen presence Ami Diakhate, who essays the role of the wealthy returning daughter of the soil Linguère Ramatou: ’The world made me a whore, so I’ll make the world a whorehouse.’ This is what it means to be from a hard place; the hard choices that you must make for survival. Karachi, the city I was born in—and the village of Colobane, on the outskirts of Dakar, Senegal—are places that are tied by their fight against neocolonialism, patriarchy, and the salty ocean tide. Hyenas is an essential watch for fans of world cinema, and I hope you revel in its dry humour and unique perspective on the capitalist world we all live in, where justice goes to the highest bidder.
Zarrar Khan, Leading Lights Curator
Supported by
Mansour Diouf, Ami Diakhate, Faly Gueye, Mamadou Mahourédia Gueye, Omar Ba, Issa Ramagelissa Samb
Switzerland/France/Senegal
1992
In Wolof, French and Japanese with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Samba Félix Ndiaye
Producer
Pierre-Alain Meier, Alain Rozanès
Screenwriter
Djibril Diop Mambéty
Cinematography
Matthias Kälin
Editor
Loredana Cristelli
Art Director
Wasis Diop
Original Music
Wasis Diop
Djibril Diop Mambéty
Born in Dakar in 1945, Djibril Diop Mambéty was a Senegalese director, actor, composer, and poet. Mambéty is renowned for one of the most remarkable compact bodies of work in all of cinema, consisting of two features and five short films. He is renowned for Touki Bouki (1973), a landmark in African cinema noted for its unique style and social commentary. Mambéty’s visionary storytelling and cinematic techniques have left a lasting impact on both African and global film industries until his death in 1998.
Filmography: Touki Bouki (1973)
Photo by Carlo Reguzzi
Missing VIFF? Check out what's playing at the VIFF Centre
Nouvelle Vague
Linklater's love letter to Paris, 1959, and the difficult birth of Jean-Luc Godard's first feature, Breathless, channels the auteur's blithe self confidence and an era of all-encompassing cinephilia. It's the next best thing to being there.
La venue de l'avenir
Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.
The Librarians
Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.
