
A hallucinatory comic adaptation of Swiss avant-garde writer Friedrich Durrenmatt’s play The Visit, which in Mambéty’s imagining follows a now-rich woman returning to her poor desert hometown to propose a deal to the populace: her fortune, in exchange for the death of the man who years earlier abandoned her and left her with his child. Per its title, Hyenas is a film of sinister, mocking laughter, and a biting satire of a contemporary Senegal whose post-colonial dreams are faced with erosion by Western materialism.
The follow-up to his much acclaimed Touki-Bouki, Djibril Diop Mambéty’s Hyenas is a master at the height of his abilities. From the meticulously crafted cinematography by Matthias Kälin to the immersive score by Mambéty’s brother, Wasis Diop, the film pushed me to consider every frame of In Flames— how the visual language can capture the essence of a place, and by doing so, the spirit of its people. On a narrative level, watching the absurd struggle of the film’s protagonist, Dramaan Drameh, seeking safety in a system that is stacked against him, inspired the screenplay for my own debut.
Finally, the words of towering screen presence Ami Diakhate, who essays the role of the wealthy returning daughter of the soil Linguère Ramatou: ’The world made me a whore, so I’ll make the world a whorehouse.’ This is what it means to be from a hard place; the hard choices that you must make for survival. Karachi, the city I was born in—and the village of Colobane, on the outskirts of Dakar, Senegal—are places that are tied by their fight against neocolonialism, patriarchy, and the salty ocean tide. Hyenas is an essential watch for fans of world cinema, and I hope you revel in its dry humour and unique perspective on the capitalist world we all live in, where justice goes to the highest bidder.
Zarrar Khan, Leading Lights Curator
Supported by
Mansour Diouf, Ami Diakhate, Faly Gueye, Mamadou Mahourédia Gueye, Omar Ba, Issa Ramagelissa Samb
Switzerland/France/Senegal
1992
In Wolof, French and Japanese with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Samba Félix Ndiaye
Producer
Pierre-Alain Meier, Alain Rozanès
Screenwriter
Djibril Diop Mambéty
Cinematography
Matthias Kälin
Editor
Loredana Cristelli
Art Director
Wasis Diop
Original Music
Wasis Diop

Djibril Diop Mambéty
Born in Dakar in 1945, Djibril Diop Mambéty was a Senegalese director, actor, composer, and poet. Mambéty is renowned for one of the most remarkable compact bodies of work in all of cinema, consisting of two features and five short films. He is renowned for Touki Bouki (1973), a landmark in African cinema noted for its unique style and social commentary. Mambéty’s visionary storytelling and cinematic techniques have left a lasting impact on both African and global film industries until his death in 1998.
Filmography: Touki Bouki (1973)
Photo by Carlo Reguzzi
Missing VIFF? Check out what's playing at the VIFF Centre
School of Rock
With not one, but two new Richard Linklater movies at VIFF this year (Nouvelle Vague and Blue Moon), we thought it would be fun to revisit a choice cut from his rich back catalogue: the best Black and White movie ever made, School of Rock.
Boyhood
A dozen years in the making, Richard Linklater's masterpiece chronicles the evolution of a boy into a young man, from six to 18. It is the ultimate coming-of-age movie, and one of the most audacious cinematic feats of the decade.
There Will Be Blood
Paul Thomas Anderson's lacerating epic about the birth of the oil age: Daniel Day-Lewis is extraordinary as the prospector entirely consumed with his own enterprise, a Trumpian figure of naked self-assertion; Paul Dano the evangelist who may be his nemesis.
Godland
In the late 19th century, a Danish Lutheran priest is dispatched to a far corner of Iceland where a devout farmer has seen fit to build a church. The physical journey is arduous. His spiritual journey, more taxing still.
The Balconettes
In this flamboyant black comedy set in Marseille during a heatwave, writer-director-star Noémie Merlant and her two besties have to cover up the unpleasant evidence of a disastrous night partying with the hunk across the way.