Canadian Premiere
From the 1990s, the Live-In Caregiver Program attracted thousands of Filipino women to Canada as migrant workers, enabling them to send money back home and gain permanent residency. In Inay (Tagalog for “Mama”), director Thea Loo and cinematographer Jeremiah Reyes (a husband and wife duo) turn the camera on themselves to explore the cultural and psychological impact on the children who were abandoned by their mothers out of economic necessity. With remarkable frankness, Jeremiah and their friend Shirley testify to similar narratives of secrets, anger, a lack of belonging, and the depression that results from intergenerational trauma, revealing that childhood wounds linger even into adulthood.
The documentary examines the repercussions of systemic policies and government legislation which are only now being felt and spoken about by generations of Filipino Canadians. Deeply personal and self-reflective, Inay reveals the hidden pain behind the lives of women who sacrificed themselves to take care of Canada’s children and elderly, and the loved ones they had to leave behind.
Oct 2 & 4: Q&A with director Thea Loo; cinematographers Jeremiah Reyes & Christian Jones; and executive producer Chelsea Birks
Presented by
Supported by
Media Partner
Thea Loo, Jeremiah Reyes, Shirley Lagman, Rowena Loo, Patrick Loo, Elvira Gangte
Canada/Philippines
2024
In English and Kapampangan with English subtitles
Book Tickets
Indigenous & Community Access
Credits & Director
Executive Producer
Patrice Ramsay, Priscilla Galvez, Chelsea Birks
Producer
Thea Loo, Natalie Murao
Cinematography
Jeremiah Reyes, Christian Yves Jones
Editor
Anna Chiyeko Shannon
Original Music
Moses Caliboso, Jeremiah Reyes
Thea Loo
Thea Loo is a producer and director from Vancouver, BC. Her work has played at Sundance, Palm Springs ShortFest, CAAMFest and distributed on the digital TIFF Bell Lightbox. She is an alum of the Reelworld Producers Program and TIFF Series Accelerator. Her debut TV 1-hour documentary, Inay (Mama), will premiere in 2024.
Missing VIFF? Check out what's playing at the VIFF Centre
There's Still Tomorrow
A critical and box office sensation in Italy, Paola Cortellesi's triumphant directorial debut is the tale of a Roman housewife in 1946, who stands up against the routine sexist abuse she suffers. Funny, heartbreaking and inspiring.
The Way, My Way
All manner of pilgrims flock to France and Spain to walk the 800 km Camino de Santiago. One such is Bill, a stroppy sexagenarian Australian filmmaker who's determined to do the Camino with minimal prep, a dickey leg, and no firm idea why.
The Stand
This rousing doc explores a 1985 dispute over logging in the Haida Gwaii. Taking us from canny retrospective commentary to the thick of the action, director Chris Auchter employs animation and a wealth of archival footage to riveting effect.
Resident Orca
Captured in Puget Sound in 1970, killer whale Lolita spent the next half century in a cramped tank in Seaquarium, Miami. The film follows a coalition of Lummi elders, animal lovers and philanthropists on a rescue mission to return her to the ocean.
No Other Land
Deemed by many critics one of the essential films of 2024, a multiple festival award winner and Academy Award winner for Best Documentary, No Other Land is a reminder that mass expulsion is by no means a new reality for Palestinians.
Misericordia
Edgy, eccentric, and unapologetically queer, this film goes from drama to comedy without putting a foot wrong. Sex and murder are the subjects, and writer-director Alain Guiraudie (Stranger by the Lake) mines them for suspense and outrageous laughs.