Skip to main content
Inay film image; two people hugging in the snow

Inay (Mama)

Northern Lights

This event has passed

Canadian Premiere

From the 1990s, the Live-In Caregiver Program attracted thousands of Filipino women to Canada as migrant workers, enabling them to send money back home and gain permanent residency. In Inay (Tagalog for “Mama”), director Thea Loo and cinematographer Jeremiah Reyes (a husband and wife duo) turn the camera on themselves to explore the cultural and psychological impact on the children who were abandoned by their mothers out of economic necessity. With remarkable frankness, Jeremiah and their friend Shirley testify to similar narratives of secrets, anger, a lack of belonging, and the depression that results from intergenerational trauma, revealing that childhood wounds linger even into adulthood.

The documentary examines the repercussions of systemic policies and government legislation which are only now being felt and spoken about by generations of Filipino Canadians. Deeply personal and self-reflective, Inay reveals the hidden pain behind the lives of women who sacrificed themselves to take care of Canada’s children and elderly, and the loved ones they had to leave behind.

 

Oct 2 & 4: Q&A with director Thea Loo; cinematographers Jeremiah Reyes & Christian Jones; and executive producer Chelsea Birks

 

Presented by

       

Supported by

Media Partner

           

Director
Featuring

Thea Loo, Jeremiah Reyes, Shirley Lagman, Rowena Loo, Patrick Loo, Elvira Gangte

Credits
Country of Origin

Canada/Philippines

Year

2024

Language

In English and Kapampangan with English subtitles

Film Contact
Links
18+
56 min
BC Spotlight Catalyst Program Alumni Documentary
No More Productions, Knowledge Network, The Cinematheque

Book Tickets

This event has passed.

Credits & Director

Executive Producer

Patrice Ramsay, Priscilla Galvez, Chelsea Birks

Producer

Thea Loo, Natalie Murao

Cinematography

Jeremiah Reyes, Christian Yves Jones

Editor

Anna Chiyeko Shannon

Original Music

Moses Caliboso, Jeremiah Reyes

Thea Loo headshot; Inay (Mama) director

Thea Loo

Thea Loo is a producer and director from Vancouver, BC. Her work has played at Sundance, Palm Springs ShortFest, CAAMFest and distributed on the digital TIFF Bell Lightbox. She is an alum of the Reelworld Producers Program and TIFF Series Accelerator. Her debut TV 1-hour documentary, Inay (Mama), will premiere in 2024.

Missing VIFF? Check out what's playing at the VIFF Centre

Prosecution

Dir. Faraz Shariat
113 min

When a young German prosecutor of Korean origin is attacked, she suspects a racist conspiracy and pursues the truth in defiance of her superiors. Prosecution is a film for our moment: a thriller that confronts the far-right head-on.

International Village 8
Rebecca Horn – the Secret Life of Things
Rebecca Horn film image; woman in a empty room holding out her arms with makeshift scissorhands

Rebecca Horn – the Secret Life of Things

Dir. Claudia Müller
90 min

Rebecca Horn's extraordinary biography is interwoven with her surreal oeuvre. An essential document of one of the 20th century's most influential artists, Rebecca Horn – The Secret Life of Things celebrates the unsung legacy of a pioneering visionary.

Image: © Rebecca Horn

International Village 10
What Remains
What Remains film image; woman looking out at the water

What Remains

Dir. Yeşim Ustaoğlu
126 min

Stuck in a big city in a mind-numbing domestic routine, a young poetess finds herself at crossroads when her role as a mother and wife starts to overshadow her identity as an artist.

International Village 9
School for Defectors
School for Defectors film image; person standing by a desk speaking

School for Defectors

Dir. Jeremy Workman
92 min

School for Defectors is an intimate and quietly uplifting documentary that follows a group of 20 teenagers, children of North Korean defectors, as they adjust to life and education at Jangdaehyun School in Busan, South Korea.

Fifth Avenue Cinema - 19+ only

Fruit Gathering

Dir. Aung Phyoe
97 min

Achingly sensual and graced with fine performances, Fruit Gathering depicts embattled desire in a conservative society. Two working-class women fall into a romantic relationship in contemporary Myanmar — but is their love real, or borne of desperation?

International Village 10
Short Forum 7: War at Home
Rotation film image; upside down image of woman sitting in a field

Short Forum 7: War at Home

107 min

Truly, no one is safe until everyone is safe.

International Village 8