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Inkwo: For When the Starving Return film image; close on person in dim lighting

Inkwo: For When the Starving Return

Inkwo à la défense des vivants

VIFF Short Forum

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Set two lifetimes in the future. Dove, a gender-shifting warrior, uses their Indigenous medicine (Inkwo) to protect their community from an unburied swarm of terrifying creatures.

 

Supported by

    

Community Partner

Director
Cast

Paulina Alexis, Tantoo Cardinal, Art Napoleon

Credits
Country of Origin

Canada

Year

2024

Language

In English and Dene with English subtitles

Film Contact
Content Warning

Graphic violence, animal cruelty, may frighten young children

PG

Open to youth!

19 min
Action & Suspense Animation BC Spotlight Horror & Sci-Fi Indigenous Cinema LGBTQIA2S+ Shorts Women Directors
Spotted Fawn Productions, NFB

This short is featured in:

Inkwo: For When the Starving Return film image; two people and a dog sitting around a campfire at night

Short Fuse

A unique collection of Canadian and International shorts: charming, funny, even a bit scary. These filmmakers bring unique stories to screen, showcasing animated imaginary and natural worlds, Indigenous futurist tales, and experiences from the everyday.

 

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Credits & Director

Executive Producer

Amanda Strong, Haydn Wazelle, Robert McLaughlin, Lupe Danyluk

Producer

Amanda Strong, Maral Mohammadian, Nina Werewka

Screenwriter

Amanda Strong, Richard Van Camp, Bracken Hanuse Corlett

Cinematography

Dean Holmes

Editor

Amanda Strong, Michael Bourquin

ANIM

Deanna Partridge-David, Anna Berezowsky, Juan Soto, Payton Curtis

Production Design

Kate Stransky

Amanda Strong headshot; Inkwo: For When the Starving Return director

Amanda Strong

Amanda Strong is a Michif/Métis artist, writer, producer, director, filmmaker and mother. As the owner and executive producer of Spotted Fawn Productions Inc., her collaborative creations serve to amplify Indigenous storytelling and ideologies. Strong’s work has received Canadian Screen Award and Emmy nominations, and her films—which include Biidaaban (2018) and Four Faces of the Moon (2016) —have been shown worldwide at venues such as TIFF, the Cannes film market, the Academy Museum of Motion Pictures and the American Museum of Natural History.

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