
Elio Petri’s Cannes and Oscar-winning film is a riveting genre-bender—part pitch-black satire, part police-procedural, and part psychological thriller. A police chief murders his mistress, in an effort to prove that his position in society makes it impossible for him to be caught. The film is a scathing critique of the excesses of power, the distortion of truth, and the absurdity of absolute authority.
I remember watching the film in the middle of the Covid lockdown, as part of an exercise where I asked my filmmaker friends to recommend standouts from their national cinema. Investigation felt like a thunderbolt, inspiring me with Elio’s vivid ability to deftly combine complex themes with Hitchcockian suspense—as well as a richly perverse sense of humour. His roving camera transforms from close-ups to perspective shots, and is always on the move, giving the film a frenetic sense of pace. The close-ups on his characters as they grapple with authoritarian terror fuel this sense of urgency, making the film feel deeply contemporary. Power, sex, and politics—the film resonates with today’s political climate as significantly as it did when it debuted in 1970. The film inspired me to consider the personal as political, and the fundamental horror of unchecked power.
Zarrar Kahn, Leading Lights Curator
Supported by
Gian Maria Volontè, Florinda Bolkan, Gianni Santuccio, Orazio Orlando, Sergio Tramonti, Arturo Dominici
Italy
1970
In Italian with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Marina Cicogna, Daniele Senatore
Screenwriter
Ugo Pirro, Elio Petri
Cinematography
Luigi Kuveiller
Editor
Ruggero Mastroianni
Production Design
Romano Cardarelli
Original Music
Ennio Morricone

Elio Petri
Elio Petri was an influential Italian filmmaker known for his provocative and socially critical works. Born in Rome in 1929, Petri gained acclaim with his films such as Investigation of a Citizen Above Suspicion (1970), which won an Academy Award for Best Foreign Language Film. His body of work includes notable films like The 10th Victim (1965) and The Working Class Goes to Heaven (1971), exploring themes of power, class, and societal norms until his death in 1982.
Filmography: His Days Are Numbered (1962); We Still Kill the Old Way (1967); The Working Class Goes to Heaven (1971); Todo Modo (1976)
Missing VIFF? Check out what's playing at the VIFF Centre
Kit Eakle’s Jaz’n’theViolin String Band
Kit Eakle's 'Jaz'N'theViolin' String Band pay tribute to Louie Bluie, one of many fiddle players who gave birth to the new sounds of jazz and blues at the beginning of the twentieth century, followed by Terry Zwigoff's documentary portrait.
Love
This warm, thoughtful piece offers shrewd comic observations on modern dating as it trains a quizzical eye on the trysts of a female doctor, Marianne (Andrea Bræin Hovig), and her colleague, a gay male nurse, Tor (Tayo Cittadella Jacobsen).
Sex
Two chimney sweeps living in heterosexual marriages find their views on sexuality and gender challenged by a series of unexpected events. In a set of sharply scripted conversations, both men confront heretofore unexplored aspects of their identity.
The Road to Patagonia
A travelogue, an eco doc, an adventure movie and a love story, The Road to Patagonia chronicles filmmaker and ecologist Mayy Hannon's 50,000 km expedition from Alaska to the tip of Chile (via Vancouver Island), on motorbike, horse, and surfboard.
3 Faces
Iranian filmmaker Panahi and actress Behnaz Jafari, both playing themselves, receive a video in which a distraught teenaged girl, whose acting dreams have been quashed appears to kill herself. Panahi and Jafari decide to investigate...