Skip to main content
Man Number 4 film image; blurry shot of someone's feet

Man Number 4

MODES

North American Premiere

A startling confrontation with a photograph taken in Gaza, in December 2023 (which now exists on social media), triggers questions about what it means to be an onlooker. Focusing on pixilated details, the incoherent forms begin to take shape, while the human and un-human implications of this scene reveal a historical context that cannot be unseen. Accomplice, accessory, abettor. Does the passive or active observer play a role in these transgressions?

 

Community Partner

Director
Credits
Country of Origin

UK

Year

2024

Language

English

Film Contact
Links
Content Warning

Graphic violence

18+
10 min
Art, Music & Photography Experimental & Avant Garde Human Rights & Social Justice Shorts Women Directors

Credits & Director

Screenwriter

Miranda Pennell

Editor

Miranda Pennell

Miranda Pennell headshot; Man Number 4 director

Miranda Pennell

Miranda Pennell is a London-based filmmaker whose work often recycles images from British colonial archives to reflect on contemporary situations. Her films emphasise the role of the imagination in the interpretation of historical documents,
recently drawing on genre-fiction as a way of engaging with troubled histories.

Pennell received an MA in visual anthropology in 2010 from Goldsmiths College, University of London, and she completed her PhD research at the University of Westminster in 2016.

Her films have screened at Viennale, Rotterdam International Film Festival, New York Film Festival, Berlin International Film Festival, FID Marseille, London International Film Festival and among others.

Recent selected group exhibitions include Evil Eye: The Parralel Histories of Optics and Ballistics (2023) Tabakalera, San Sebastian; The Light Becomes The Eye (2023), EUCA Annex, London.

 

Missing VIFF? Check out what's playing at the VIFF Centre

The Missouri Breaks

Dir. Arthur Penn
126 min

This exuberant, wild and wooly western from Arthur Penn features a brazenly transgressive performance from Marlon Brando, while Jack Nicholson underplays masterfully as the cattle rustler he's been hired to eliminate.

VIFF Centre - VIFF Cinema

Certain Women

Dir. Kelly Reichardt
107 min

Spare, incisive portraits of four Montana women (Laura Dern, Michelle Williams, Kristen Stewart and Lily Gladstone) brushing up against the everyday wears and tears of difficult men, their own circumstances, and the desire for something better.

VIFF Centre - Lochmaddy Studio Theatre

Samia

Dir. Yasemin Şamdereli
102 min

Despite growing up in Mogadishu, Somalia, during the civil war, Samia Yusuf Omar persists in her dream of becoming an Olympic athlete and competes in Beijing, 2008 -- with London, 2012 next on her agenda. Based on a true story.

VIFF Centre - Lochmaddy Studio Theatre VIFF Centre - VIFF Cinema

Little Big Man

Dir. Arthur Penn
139 min

Dustin Hoffman ages a century in Arthur Penn's epic picaresque anti-western, the tall tale of 121-year-old Jack Crabb, a white man rescued and raised by the Cheyenne, a one-time snake-oil salesman, gunslinger, and mule skinner under General George Custer.

VIFF Centre - VIFF Cinema

Sudan, Remember Us

Dir. Hind Meddeb
78 min

A portrait of young artists and activists, Meddeb's doc charts events in Khartoum between 2019 -- in the immediate wake of the revolution that deposed dictator Omar al-Bashir -- and the mood four years later, when the country has been torn apart by civil war.

VIFF Centre - Lochmaddy Studio Theatre

Toni Erdmann

Dir. Maren Ade
162 min

This hilarious and acerbic comedy follows a retiree as he stages a series of outrageous pranks to disrupt his executive daughter's latest business deal.

VIFF Centre - VIFF Cinema