North American Premiere
A startling confrontation with a photograph taken in Gaza, in December 2023 (which now exists on social media), triggers questions about what it means to be an onlooker. Focusing on pixilated details, the incoherent forms begin to take shape, while the human and un-human implications of this scene reveal a historical context that cannot be unseen. Accomplice, accessory, abettor. Does the passive or active observer play a role in these transgressions?
Community Partner
UK
2024
English
Graphic violence
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Screenwriter
Miranda Pennell
Editor
Miranda Pennell
Miranda Pennell
Miranda Pennell is a London-based filmmaker whose work often recycles images from British colonial archives to reflect on contemporary situations. Her films emphasise the role of the imagination in the interpretation of historical documents,
recently drawing on genre-fiction as a way of engaging with troubled histories.
Pennell received an MA in visual anthropology in 2010 from Goldsmiths College, University of London, and she completed her PhD research at the University of Westminster in 2016.
Her films have screened at Viennale, Rotterdam International Film Festival, New York Film Festival, Berlin International Film Festival, FID Marseille, London International Film Festival and among others.
Recent selected group exhibitions include Evil Eye: The Parralel Histories of Optics and Ballistics (2023) Tabakalera, San Sebastian; The Light Becomes The Eye (2023), EUCA Annex, London.
Missing VIFF? Check out what's playing at the VIFF Centre
The Kneeling Goddess
In which wealthy industrialist Arturo de Cordova purchases the titular nude sculpture of his lover (María Félix) as an anniversary gift for his innocent, adoring wife. Soon enough the wife is dead, though untangling just how and why is part of the fun.
The Skeleton of Mrs Morales
In this delightful black comedy, an avuncular taxidermist (our old amigo Arturo de Córdova) is beloved by many but not his wife (Amparo Rivelles), a religious fanatic who can't bear to be touched. One day she pushes him too far...
Turner & Constable
Filmed as a supplement to a blockbuster exhibition at Tate Britain happening right now, this doc in the popular Exhibition on Screen series allows us to view these competitive, complementary English landscape artists side by side.
Montreal, ma belle
In this Valentine to discovering love later in life, the ever-elegant Joan Chen plays Feng Xia, a 53-year-old Chinese immigrant and mother in Montreal whose world is turned upside down when she meets and falls in love with a young Quebecoise.
Streetwalker
Middle class and married, Elena (Miroslava Stern) has been seduced by an unscrupulous swindler, who turns out to be the pimp of Maria (Elda Peralta), a prostitute and Elena's estranged sister. But are they really so different under the skin?