North American Premiere
A startling confrontation with a photograph taken in Gaza, in December 2023 (which now exists on social media), triggers questions about what it means to be an onlooker. Focusing on pixilated details, the incoherent forms begin to take shape, while the human and un-human implications of this scene reveal a historical context that cannot be unseen. Accomplice, accessory, abettor. Does the passive or active observer play a role in these transgressions?
Community Partner
UK
2024
English
Graphic violence
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Screenwriter
Miranda Pennell
Editor
Miranda Pennell
Miranda Pennell
Miranda Pennell is a London-based filmmaker whose work often recycles images from British colonial archives to reflect on contemporary situations. Her films emphasise the role of the imagination in the interpretation of historical documents,
recently drawing on genre-fiction as a way of engaging with troubled histories.
Pennell received an MA in visual anthropology in 2010 from Goldsmiths College, University of London, and she completed her PhD research at the University of Westminster in 2016.
Her films have screened at Viennale, Rotterdam International Film Festival, New York Film Festival, Berlin International Film Festival, FID Marseille, London International Film Festival and among others.
Recent selected group exhibitions include Evil Eye: The Parralel Histories of Optics and Ballistics (2023) Tabakalera, San Sebastian; The Light Becomes The Eye (2023), EUCA Annex, London.
Missing VIFF? Check out what's playing at the VIFF Centre
Montreal, ma belle
In this Valentine to discovering love later in life, the ever-elegant Joan Chen plays Feng Xia, a 53-year-old Chinese immigrant and mother in Montreal whose world is turned upside down when she meets and falls in love with a young Quebecoise.
The Voice of Hind Rajab
Mixing documentary and reenactment, this film powerfully evokes the desperate attempts of the Red Crescent to rescue a six year old child trapped in a car under Israeli military fire. Oscar nominee: Best International Film
Spring After Spring
Three daughters strive to live up to the standards set by their mother Marie Mimi Ho, and keep Vancouver Chinatown's Spring Parade going through thick and thin, in this enormously affectionate local documentary by Jon Chiang.
The Painted Life of E.J. Hughes
A beautiful portrait of E.J. Hughes, who quietly helped reshape the artistic landscape of British Columbia in the 20th century. This extraordinary documentary explores Hughes’s legacy not only as an artist, but as a devoted, humble human being.