Skip to main content
Man Number 4 film image; blurry shot of someone's feet

Man Number 4

MODES

North American Premiere

A startling confrontation with a photograph taken in Gaza, in December 2023 (which now exists on social media), triggers questions about what it means to be an onlooker. Focusing on pixilated details, the incoherent forms begin to take shape, while the human and un-human implications of this scene reveal a historical context that cannot be unseen. Accomplice, accessory, abettor. Does the passive or active observer play a role in these transgressions?

 

Community Partner

Director
Credits
Country of Origin

UK

Year

2024

Language

English

Film Contact
Links
Content Warning

Graphic violence

18+
10 min
Art, Music & Photography Experimental & Avant Garde Human Rights & Social Justice Shorts Women Directors

Credits & Director

Screenwriter

Miranda Pennell

Editor

Miranda Pennell

Miranda Pennell headshot; Man Number 4 director

Miranda Pennell

Miranda Pennell is a London-based filmmaker whose work often recycles images from British colonial archives to reflect on contemporary situations. Her films emphasise the role of the imagination in the interpretation of historical documents,
recently drawing on genre-fiction as a way of engaging with troubled histories.

Pennell received an MA in visual anthropology in 2010 from Goldsmiths College, University of London, and she completed her PhD research at the University of Westminster in 2016.

Her films have screened at Viennale, Rotterdam International Film Festival, New York Film Festival, Berlin International Film Festival, FID Marseille, London International Film Festival and among others.

Recent selected group exhibitions include Evil Eye: The Parralel Histories of Optics and Ballistics (2023) Tabakalera, San Sebastian; The Light Becomes The Eye (2023), EUCA Annex, London.

 

Missing VIFF? Check out what's playing at the VIFF Centre

Diane

Dir. Kent Jones
95 min

This month's 55+-friendly Talking Pictures screening is a sympathetic, nuanced portrait of a kindly, generous widow (Mary Kay Place) whose son is an addict. Stay for a coffee, cookies, and a chat.

VIFF Centre - VIFF Cinema

Late Fame

Dir. Kent Jones
96 min

Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.

VIFF Centre - VIFF Cinema VIFF Centre - Lochmaddy Studio Theatre

Memory of Princess Mumbi

Dir. Damien Hauser
80 min

In 2093, a filmmaker arrives in the African village of Umata, where he meets Princess Mumbi, a woman torn between love, legacy, and the future of storytelling. It's a fabulous genre-blending fable about memory, invention and cinematic resistance.

VIFF Centre - Lochmaddy Studio Theatre

Rosetta

Dir. Luc Dardenne, Jean-Pierre Dardenne
93 min

A teenager tries to change her dire circumstances in this overwhelming naturalistic drama from the Dardenne brothers, winner of the Palme d'Or and Best Actress awards at Cannes, 1999.

VIFF Centre - Lochmaddy Studio Theatre
Lessons of Darkness
Lessons of Darkness film image; smoke pillars rising from the ground

Lessons of Darkness

Dir. Werner Herzog
54 min

Werner Herzog's unforgettable documentary reveals the unfolding disaster of the Kuwaitian oil fields in flames in 1991 as a sweeping inferno of mesmerizing power.

VIFF Centre - VIFF Cinema

Beau Travail

Dir. Claire Denis
93 min

Inspired by Herman Melville's Billy Budd, Claire Denis' transfixing Beau Travail is set in East Africa. Sgt Galoup (Denis Lavant) reflects on his time in the French Foreign Legion, and the impact of the handsome Sentain (Gregoire Colin).

VIFF Centre - Lochmaddy Studio Theatre