Marlina (Marsha Timothy), a recently bereaved widow, is set upon by a group of men with rape on their minds—but she sure knows how to fight back. Emerging from the encounter with a severed head in her possession, our heroine sets off on a mission to seek legal justice. In her dealings with the police, she’ll face indifference and incompetence, and there are other obstacles thrown in her path. But she’s a dedicated woman, and, in addition to the head, she’s packing a machete…
I had the rare opportunity to watch this film with the writer-director, Mouly Surya, when I was taking part in the Asian Film Academy in Korea in 2019. It was a 9 am screening, and Mouly was the directing mentor for the program, and this was the first time I would get the chance to explore her work. I remember being entranced, as the hotel conference room the film was being projected in transformed into rural Indonesia, a place with wide expanses, rolling hills, and bloody vengeance. Mouly took the tropes of a spaghetti western, to tell a blazing feminist fable of heart-wrenching solidarity.
Her use of genre to drive home the nail-biting tension of our protagonist’s journey inspired me to dive headfirst into genre as both a political and cinematic tool. Etched into my mind, is the scene in which Marlina has to recount her harrowing ordeal to a bored cop. His listless attitude, and line of questioning, make it clear to Marlina that there is no justice for her here. The film finds solace and catharsis through community, and offers no easy answers. I’m thrilled to share the world’s first satay western with VIFF audiences—a pressure cooker of a film, that offers spectacular violence and deep reflection in equal measure.
Zarrar Khan, Leading Lights Curator
Supported by
Marsha Timothy, Dea Panendra, Yoga Pratama, Egy Fedly, Yoga Pratama, Rita Matu
Indonesia/France/Malaysia/
Thailand
2017
In Indonesian with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Rama Adi, Fauzan Zidni
Screenwriter
Mouly Surya, Rama Adi
Cinematography
Yunus Pasolang
Editor
Kelvin Nugroho
Original Music
Zeke Khaseli, Yudhi Arfani
Art Director
Frans Paat
Mouly Surya
Born in Jakarta in 1980, Mouly Surya is considered one of the most promising female filmmakers in Indonesia. Surya had a degree in media and literature before studying film in Australia. She directed her first feature film in 2008, Fiksi. It opened at Busan IFF and won numerous awards including Best Director at JIFFEST. Her second feature What They Don’t Talk About When They Talk About Love (2013) screened at various film festivals including Sundance, Karlovy Vary, and Rotterdam where it won the NETPAC Award. Marlina the Murderer in Four Acts (2017), Surya’s third film, premiered at the Cannes Directors’ Fortnight.
Filmography: Fiksi (2008); What They Don’t Talk About When They Talk About Love (2013)
Missing VIFF? Check out what's playing at the VIFF Centre
Samia
Despite growing up in Mogadishu, Somalia, during the civil war, Samia Yusuf Omar persists in her dream of becoming an Olympic athlete and competes in Beijing, 2008 -- with London, 2012 next on her agenda. Based on a true story.
Melancholia
Lars von Trier squares up to the end times with this grandly luxuriant but surprisingly punky sci-fi, set in an imposing country mansion house, where Justine (Kirsten Dunst) blows up what's supposed to be the happiest day of her life.
Sudan, Remember Us
A portrait of young artists and activists, Meddeb's doc charts events in Khartoum between 2019 -- in the immediate wake of the revolution that deposed dictator Omar al-Bashir -- and the mood four years later, when the country has been torn apart by civil war.
