The veracity of history is made visible, audible, and tangible. Embodying the principle of “Art as modes of truth production,” strap in for a sensory examination of the varying forms of aggression enacted by those with power as a means of dominance.
Sept 28: Q&A with filmmakers
This short film program includes the following films:
The Cavalry
Alina Orlov, Canada/USA/Israel (17 min)
Using a semi-documentary approach, newcomer Alina Orlov highlights the brutal desensitization techniques used to condition Israeli police horses in the West Bank.
Flowers
José Cardoso, Ecuador/South Africa (30 min)
Filmmaker José Cardoso streams disparate details of a war in Ukraine, “justified” by a string of seemingly unconnected events as an ethnocide unfolds in the Amazon. The duties of parenthood routinely interrupt the onslaught of tense imagery, granting gentle moments in the garden with his young son.
Man Number 4
Miranda Pennell, UK (10 min)
A startling confrontation with a photograph taken in Gaza, in December 2023 (which now exists on social media), triggers questions about what it means to be an onlooker.
The Diary of a Sky
Lawrence Abu Hamdan, Lebanon (45 min)
A self-described ‘Private Ear,’ Turner Prize winner Lawrence Abu Hamdan gathers, investigates, and analyzes audio and video recordings of Israeli fighter jets illegally infringing on the otherwise peaceful skies above Lebanon.
Community Partner
Various
Various
2024
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
