The veracity of history is made visible, audible, and tangible. Embodying the principle of “Art as modes of truth production,” strap in for a sensory examination of the varying forms of aggression enacted by those with power as a means of dominance.
Sept 28: Q&A with filmmakers
This short film program includes the following films:
The Cavalry
Alina Orlov, Canada/USA/Israel (17 min)
Using a semi-documentary approach, newcomer Alina Orlov highlights the brutal desensitization techniques used to condition Israeli police horses in the West Bank.
Flowers
José Cardoso, Ecuador/South Africa (30 min)
Filmmaker José Cardoso streams disparate details of a war in Ukraine, “justified” by a string of seemingly unconnected events as an ethnocide unfolds in the Amazon. The duties of parenthood routinely interrupt the onslaught of tense imagery, granting gentle moments in the garden with his young son.
Man Number 4
Miranda Pennell, UK (10 min)
A startling confrontation with a photograph taken in Gaza, in December 2023 (which now exists on social media), triggers questions about what it means to be an onlooker.
The Diary of a Sky
Lawrence Abu Hamdan, Lebanon (45 min)
A self-described ‘Private Ear,’ Turner Prize winner Lawrence Abu Hamdan gathers, investigates, and analyzes audio and video recordings of Israeli fighter jets illegally infringing on the otherwise peaceful skies above Lebanon.
Community Partner
Various
Various
2024
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check out what's playing at the VIFF Centre
Frankenstein
Frankenstein and Guillermo del Toro might have been made for each other. The movie does not disappoint, a ripping yarn of grand adventure, spectacle, hubris, passion and XXL body parts, a tale of the fantastic that rings the imagination. Screening in 35mm.
Israel Palestine on Swedish TV 1958-1989
Drawing on 30 years of television archives, Göran Hugo Olsson relates the early history of the state of Israel, as reported by Swedish filmmakers, politicians and journalists. "An astonishing, invaluable document." William Mullally, The National
Predators
"Punk'd for pedophiles." That's what Jimmy Kimmel called Chris Hansen's true crime/reality TV show, To Catch a Predator (2004-07). Two decades on, David Osit examines why the show made such an impact, for good or ill, and sits down with Hansen himself.