The veracity of history is made visible, audible, and tangible. Embodying the principle of “Art as modes of truth production,” strap in for a sensory examination of the varying forms of aggression enacted by those with power as a means of dominance.
Sept 28: Q&A with filmmakers
This short film program includes the following films:
The Cavalry
Alina Orlov, Canada/USA/Israel (17 min)
Using a semi-documentary approach, newcomer Alina Orlov highlights the brutal desensitization techniques used to condition Israeli police horses in the West Bank.
Flowers
José Cardoso, Ecuador/South Africa (30 min)
Filmmaker José Cardoso streams disparate details of a war in Ukraine, “justified” by a string of seemingly unconnected events as an ethnocide unfolds in the Amazon. The duties of parenthood routinely interrupt the onslaught of tense imagery, granting gentle moments in the garden with his young son.
Man Number 4
Miranda Pennell, UK (10 min)
A startling confrontation with a photograph taken in Gaza, in December 2023 (which now exists on social media), triggers questions about what it means to be an onlooker.
The Diary of a Sky
Lawrence Abu Hamdan, Lebanon (45 min)
A self-described ‘Private Ear,’ Turner Prize winner Lawrence Abu Hamdan gathers, investigates, and analyzes audio and video recordings of Israeli fighter jets illegally infringing on the otherwise peaceful skies above Lebanon.
Community Partner
Various
Various
2024
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check out what's playing at the VIFF Centre
The Ice Tower
In Lucile Hadžihalilović's spellbinding fantasy drama, an orphan (Clara Pacini) becomes enthralled by a movie star (Marion Cotillard) playing the Snow Queen in a fairy tale film adaptation. Winner of the Silver Bear for Outstanding Artistic Contribution.
Where to Land
Hal Hartley's first new film in a decade is a melancholy farce about mortality and what we'll call "late middle-age". Bill Sage is a semi-retired filmmaker who isn't dying faster than the rest of us but who behaves like he might be.
Innocence
Lucile Hadžihalilović's first feature is a suggestive, subversive fairy tale set in a private school for young girls, the kind of film David Lynch might have made, if he'd been born a French woman in the early 1960s.
