The veracity of history is made visible, audible, and tangible. Embodying the principle of “Art as modes of truth production,” strap in for a sensory examination of the varying forms of aggression enacted by those with power as a means of dominance.
Sept 28: Q&A with filmmakers
This short film program includes the following films:
The Cavalry
Alina Orlov, Canada/USA/Israel (17 min)
Using a semi-documentary approach, newcomer Alina Orlov highlights the brutal desensitization techniques used to condition Israeli police horses in the West Bank.
Flowers
José Cardoso, Ecuador/South Africa (30 min)
Filmmaker José Cardoso streams disparate details of a war in Ukraine, “justified” by a string of seemingly unconnected events as an ethnocide unfolds in the Amazon. The duties of parenthood routinely interrupt the onslaught of tense imagery, granting gentle moments in the garden with his young son.
Man Number 4
Miranda Pennell, UK (10 min)
A startling confrontation with a photograph taken in Gaza, in December 2023 (which now exists on social media), triggers questions about what it means to be an onlooker.
The Diary of a Sky
Lawrence Abu Hamdan, Lebanon (45 min)
A self-described ‘Private Ear,’ Turner Prize winner Lawrence Abu Hamdan gathers, investigates, and analyzes audio and video recordings of Israeli fighter jets illegally infringing on the otherwise peaceful skies above Lebanon.
Community Partner
Various
Various
2024
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check out what's playing at the VIFF Centre
Yunan
In this haunting mood piece, Munir is a middle-aged Syrian writer in exile in Germany. In crisis, he takes himself up to one of the Halligan islands in the North Sea, a suitable place to end it all...
The Track
In the middle of a mountain forest above Sarajevo, three boys train for the Olympics in a bullet-ridden luge track abandoned since the 1984 Winter Games. An ambitious, hopeful look at the next generation striving to overcome the sins of their fathers.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.